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Author: Walter Pater Publisher: Univ of California Press ISBN: 9780520033252 Category : Art Languages : en Pages : 540
Book Description
Oscar Wilde called this collection of essays the "holy writ of beauty." Published to great acclaim in 1837, it examines the work of Renaissance artists such as Winckelmann and the then neglected Botticelli, and includes a celebrated discussion of the Mona Lisa in a study of Da Vinci. Thebook strongly influenced art students and aesthetes of the day and is still valuable for the insights it offers and the beauty of the writing.
Author: Walter Pater Publisher: Univ of California Press ISBN: 9780520033252 Category : Art Languages : en Pages : 540
Book Description
Oscar Wilde called this collection of essays the "holy writ of beauty." Published to great acclaim in 1837, it examines the work of Renaissance artists such as Winckelmann and the then neglected Botticelli, and includes a celebrated discussion of the Mona Lisa in a study of Da Vinci. Thebook strongly influenced art students and aesthetes of the day and is still valuable for the insights it offers and the beauty of the writing.
Author: Walter Pater Publisher: DigiCat ISBN: Category : History Languages : en Pages : 170
Book Description
'The Renaissance: Studies in Art and Poetry' is a book written by Walter Pater, in which he outlined his approach to art and advocated an ideal of the intense inner life and was taken by many as a manifesto (whether stimulating or subversive) of Aestheticism. Though it was widely denounced during its publication, it is now considered to be one of the finest and most influential works regarding art criticism.
Author: Walter Pater Publisher: The Floating Press ISBN: 1775419339 Category : Art Languages : en Pages : 225
Book Description
The era now referred to as the Renaissance represented an unparalleled blossoming of art and culture. Take a tour of the period through the imagination of Walter Pater, one of England's most renowned art historians and critics. In this volume, Pater turns his attention to a series of Renaissance masterpieces in visual art and literature. An informative and engaging read for fans of early modern art and culture.
Author: Walter Horatio Pater Publisher: Lulu.com ISBN: 1291461612 Category : Art Languages : en Pages : 153
Book Description
Pater's graceful essays discuss the achievements of Botticelli, Leonardo, Michelangelo, and other artists. The book concludes with an uncompromising advocacy of hedonism, urging readers to experience life as fully as possible. His cry of "art for art's sake" became the manifesto of the Aesthetic Movement, and his assessments of Renaissance art have influenced generations of readers.
Author: Walter Pater Publisher: BoD – Books on Demand ISBN: 3387030649 Category : Fiction Languages : en Pages : 242
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Walter Pater Publisher: BoD – Books on Demand ISBN: 3749483450 Category : Art Languages : en Pages : 145
Book Description
Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find a universal formula for it. The value of these attempts has most often been in the suggestive and penetrating things said by the way. Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have. Beauty, like all other qualities presented to human experience, is relative; and the definition of it becomes unmeaning and useless in proportion to its abstractness. To define beauty, not in the most abstract, but in the most concrete terms possible, to find, not a universal formula for it, but the formula which expresses most adequately this or that special manifestation of it, is the aim of the true student of aesthetics. "To see the object as in itself it really is," has been justly said to be the aim of all true criticism whatever; and in aesthetic criticism the first step towards seeing one's object as it really is, is to know one's own impression as it really is, to discriminate it, to realise it distinctly. The objects with which aesthetic criticism deals-music, poetry, artistic and accomplished forms of human life-are indeed receptacles of so many powers or forces: they possess, like the products of nature, so many virtues or qualities.