The (re)mediation of Media in the Fae Richards Photo Archive PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The (re)mediation of Media in the Fae Richards Photo Archive PDF full book. Access full book title The (re)mediation of Media in the Fae Richards Photo Archive by Rebecca Schlossberg. Download full books in PDF and EPUB format.
Author: Rebecca Schlossberg Publisher: ISBN: Category : Archives Languages : en Pages : 136
Book Description
The Fae Richards Photo Archive (1993-1996) by Zoe Leonard was originally made as "source material" for Cheryl Dunye's 1996 film The Watermelon Woman, but has since been exhibited as a standalone artwork in over 14 exhibitions. The film chronicles the making of a documentary on the fictional character Fae Richards, an African-American, lesbian performer who played "mammy" or maid roles in popular films in the 1930s, and starred in black-cast race films in the 1940s. Leonard's photographs "authenticate" Fae Richards, lending credence and facticity to the character created by Dunye by illustrating her personal and professional life through photographs. In this thesis, I argue that the Archive is an important early example of archive as art that draws attention to the failings of the institutional archive of record to store and transmit information about people. I examine the remediation, or "representation of one medium in another" of the Archive across the frameworks of film and exhibition, embedded as each medium is in a set of "material social practices." By first establishing a historically plausible visual record, then revealing the Archive as a fiction, Leonard critiques the archive as an authentic and necessary receptacle of knowledge, and analog photography as its privileged medium. Thus, the Archive does not try to retroactively fill in the gaps of a partial history, but instead reveals how history itself is constructed through specific uses of media.
Author: Rebecca Schlossberg Publisher: ISBN: Category : Archives Languages : en Pages : 136
Book Description
The Fae Richards Photo Archive (1993-1996) by Zoe Leonard was originally made as "source material" for Cheryl Dunye's 1996 film The Watermelon Woman, but has since been exhibited as a standalone artwork in over 14 exhibitions. The film chronicles the making of a documentary on the fictional character Fae Richards, an African-American, lesbian performer who played "mammy" or maid roles in popular films in the 1930s, and starred in black-cast race films in the 1940s. Leonard's photographs "authenticate" Fae Richards, lending credence and facticity to the character created by Dunye by illustrating her personal and professional life through photographs. In this thesis, I argue that the Archive is an important early example of archive as art that draws attention to the failings of the institutional archive of record to store and transmit information about people. I examine the remediation, or "representation of one medium in another" of the Archive across the frameworks of film and exhibition, embedded as each medium is in a set of "material social practices." By first establishing a historically plausible visual record, then revealing the Archive as a fiction, Leonard critiques the archive as an authentic and necessary receptacle of knowledge, and analog photography as its privileged medium. Thus, the Archive does not try to retroactively fill in the gaps of a partial history, but instead reveals how history itself is constructed through specific uses of media.
Author: Nick Davis Publisher: Oxford University Press ISBN: 0199993181 Category : Performing Arts Languages : en Pages : 330
Book Description
The Desiring-Image yields new models of queer cinema produced since the late 1980s, based on close formal analysis of diverse films as well as innovative contributions to current film theory. The book defines "queer cinema" less as a specific genre or in terms of gay and lesbian identity, but more broadly as a kind of filmmaking that conveys sexual desire and orientation as potentially fluid within any individual's experience, and as forces that can therefore unite unlikely groups of people along new lines, socially, sexually, or politically. The films driving this analysis range from celebrated fixtures of the New Queer Cinema of the 1990s (including Cheryl Dunye's The Watermelon Woman and Todd Haynes's Velvet Goldmine) to sexually provocative films of the same era that are rarely classified as queer (David Cronenberg's Dead Ringers and Naked Lunch) to breakout films by 21st-century directors (Rodney Evans's Brother to Brother, John Cameron Mitchell's Shortbus). To frame these readings and to avoid heterosexist assumptions in other forms of film analysis, The Desiring-Image revisits the work of the philosopher Gilles Deleuze, whose two major works on cinema somehow never address the radical ideas about desire he expresses in other texts. This book brings those notions together in innovative ways, making them clear and accessible to newcomers and field specialists alike, with clear, illustrated examples drawn from a wide range of movies extending beyond the central case studies. Thus, The Desiring-Image speaks to readers interested in queer and gay/lesbian studies, in film theory, in feminist and sexuality scholarship, and in theory and philosophy, putting those discourses into rich, surprising conversations with popular cinema of the last 30 years.
Author: George R. Goldner Publisher: Getty Publications ISBN: 0892362197 Category : Drawing Languages : en Pages : 374
Book Description
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
Author: Sara Callahan Publisher: Manchester University Press ISBN: 1526156849 Category : Art Languages : en Pages : 277
Book Description
Art + Archive provides an in-depth analysis of the connection between art and the archive at the turn of the twenty-first century. The book examines how the archive emerged in art writing in the mid-1990s and how its subsequent ubiquity can be understood in light of wider social, technological, philosophical and art-historical conditions and concerns. Deftly combining writing on archives from different disciplines with artistic practices, the book clarifies the function and meaning of one of the most persistent artworld buzzwords of recent years, shedding light on the conceptual and historical implications of the so-called archival turn in contemporary art.
Author: Rebecca Schlossberg
Author: Rebecca Schlossberg
Author: Whitney Museum of American Art
Author: 
Author: Nick Davis
Author: 
Author: Zoe Leonard
Author: 
Author: George R. Goldner
Author: Joseph M. Boggs
Author: Sara Callahan