The Paradise of All These Parts PDF Download

Author: Gary Panter
Publisher: Fantagraphics Books
ISBN: 1683960289
Category : Art
Languages : en
Pages : 37

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Book Description
Fantagraphics is proud to present a major, all-new book by Gary Panter. Songy of Paradise is an inspired interpretation of John Milton’s retelling of the story of Jesus being tempted by Satan after being baptized by John the Baptist and fasting for forty days and nights in the Judaean Desert. Panter’s version doesn’t rely on Milton’s words, but faithfully follows the structure of Milton’s Paradise Regained, with one notable exception: Jesus has been replaced by a hillbilly, Songy, who is on a vision quest before being tempted by a chimeric Satan figure. Gary Panter is one of America’s preeminent artists, designers, and cartoonists, whose work defined the L.A. punk scene and the vibrant work of the television show Pee-Wee’s Playhouse. Songy of Paradise presents Panter’s singular vision in an ornate, hardcover format that does justice to Panter’s densely packed pages, with a stunning two-color stamping on cloth covers. It will be an art object, a brilliant literary experiment, and the most eye-popping graphic novel of 2017.

Author: John Mitchell
Publisher: Beacon Press
ISBN: 9780807071496
Category : History
Languages : en
Pages : 274

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Book Description
How much does the current landscape of Boston, Massachusetts, resemble the place that Captain John Smith referred to in 1614 as "the Paradise of all these parts"? John Hanson Mitchell explores a variety of habitats as he ranges outward from the core of the peninsula where the Puritans first settled to the ancient rim of the Boston Basin, within which the modern city now lies. Endlessly readable and full of personality, The Paradise of All These Parts offers Boston visitors and residents alike a whole new perspective on one of America's oldest cities.

Author: Carol Henderson
Publisher: MDPI
ISBN: 3036500820
Category : Social Science
Languages : en
Pages : 138

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Book Description
This special collection assembles some of the most pre-eminent scholars in the field in African, African American, and American Studies to explore the ways writers reclaim the Black female body in African American literature using the theoretical, social, cultural, and religious frameworks of spirituality and religion. Central to these discussions is Black women’s agency within these realms—their uncanny ability to invent and reinvent themselves within individual and communal spaces that frame them as both outsider and insider, unworthy and worthy, deviant and sacred, excess and minimal. Scholars have sought to discuss these tensions, acknowledged and affirmed in prose, poetry, music, essays, speeches, written plays, or short stories. Forgiveness, healing, redemption, and reclamation provide entry into these vibrant explorations of self-discovery, passion, and self-creation that interrogate traditional views of what is spiritual and what is religious. Discussed writers include Toni Morrison, Phillis Wheatley, James Baldwin, Tina McElroy Ansa, Toni Cade Bambara, and Thomas Dorsey.

Author: Susan Redington Bobby
Publisher: McFarland
ISBN: 0786453966
Category : Literary Criticism
Languages : en
Pages : 271

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Book Description
Although readers and filmgoers are strongly familiar with Disney's sanitized child-centric fairy tales, they are quick to catch on to reworkings of classic tales into a contemporary context. The rise is such retellings seems to indicate that readers are hungry for a new narrative, one that hearkens back to the old yet moves the storyline forward to reflect conditions of the modern world. No mere escapist fantasies, the reimagined fairy tales of the late 20th and early 21st centuries reflect social, political and cultural truths. Sixteen essays consider fairy tales recreated through short stories, novels, poetry, and the graphic novel from both best-selling and lesser-known writers, applying a variety of perspectives, including postmodernism, psychoanalysis, Marxism, feminism, queer theory and gender studies. Along with the classic fairy tales, fiction from writers such as Neil Gaiman (Stardust) and Gregory Macquire (Wicked) is covered.

Author: Helen Fulton
Publisher: Boydell & Brewer
ISBN: 1843846209
Category : Civilization, Medieval, in literature
Languages : en
Pages : 281

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Book Description
New approaches to this most fluid of medieval genres, considering in particular its reception and transmission.Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions.The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.uistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.

Author: Branko Marijanović
Publisher: Cambridge Scholars Publishing
ISBN: 1527586294
Category : Literary Criticism
Languages : en
Pages : 222

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Book Description
This book claims that Paradise Lost contains all the traits of the great epics, as well as the predominant characteristics of early modern novels, and that every history of the novel should acknowledge Milton’s (unintentional) contribution to the development of the genre. Milton’s Satan is presented as a novelistic character par excellence, preceding memorable literary characters of novelistic provenance like Dostoyevsky’s Raskolnikov, Shelley’s monster or Kafka’s beetle. In addition, this book proves that all the elements of modernity like capitalism, science, all-pervasive doubt, the absence of unquestionable ideals, radical individualism, and the insatiable desire for self-realization and incessant advancement are inherent to both Paradise Lost and Satan’s character. Just like a fully developed novelistic character and unlike any epic character in history, Satan constantly surprises us by failing, exceeding or simply contradicting our expectations. As such, the book demonstrates that Satan shares more common points with the likes of Tom Jones, Moll Flanders or Lovelace than with the traditional epic heroes like Achilles or Aeneas, proving that the novel as a genre owes an immense debt to Milton’s grand epic and that Satan may be perceived as a precursor of the great novelistic characters.

Author: Omotayo O. Banjo
Publisher: Taylor & Francis
ISBN: 1351660195
Category : Social Science
Languages : en
Pages : 310

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Book Description
This volume gathers scholarship from varying disciplinary perspectives to explore media owned or created by members of the African diaspora, examine its relationship with diasporic audiences, and consider its impact on mainstream culture in general. Contributors highlight creations and contributions of people of the African diaspora, the interconnections of Black American and African-centered media, and the experiences of audiences and users across the African diaspora, positioning members of the Black and African Diaspora as subjects of their own narratives, active participants and creators. In so doing, this volume addresses issues of identity, culture, audiences, and global influence. Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Author: Mark Easton
Publisher: Biteback Publishing
ISBN: 1785907778
Category : History
Languages : en
Pages : 191

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Book Description
"A spellbinding serial voyage in which encounters with islands across time are gathered, displayed and reburnished. Memoir becomes morality, as the oldest human myths challenge present neglect and political malfunction." – Iain Sinclair "Illuminating, incisive and beautifully written." – Kirsty Young "From ancient Crete to modern Canvey, this is a fascinating voyage around island identity, exploring isolation and imagination through a wealth of stories from around the world." – Martha Kearney "A timely and original exploration of the liminalities of islands and the waters that envelop them: by turns beguiling, enchanting and ultimately affirming." – Sir Anthony Seldon "This is a huge theme which Mark Easton pursues with vigorous and beautifully clear prose. His archipelagic fascination is contagious. Read this and the maps in your mind will never be quite the same again." – Peter Hennessy *** No man is an island, wrote John Donne. BBC Home Editor Mark Easton argues the opposite: that we are all islands, and it is upon the contradictory shoreline where isolation meets connectedness, where 'us' meets 'them', that we find out who we truly are. Suggesting that a continental bias has blinded us, Easton chronicles a sweep of 250 million years of island history: from Pangaea (the supercontinent mother of all islands) to the first intrepid islanders pointing their canoes over the horizon, from exploration to occupation, exploitation to liberation, a hopeful journey to paradise and a chastening reminder of our planet's fragility. But that is only half of this mesmerising book: aided by the muse he names Pangaea, Easton also interweaves reflections on what he calls 'the psychological islands that form the great archipelago of humankind'. Taking readers on an enchanting adventure, he illustrates how understanding islands and island syndrome might help humanity get closer to the truth about itself. Brave, intelligent and haunting, Islands is a deep dive into geography, myth, literature, politics and philosophy that reveals nothing less than a map of the human heart.

Author: Teresa R. Stojkov
Publisher: Bucknell University Press
ISBN: 9780838755051
Category : Literary Criticism
Languages : en
Pages : 164

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Book Description
"The study concludes with a rereading of Teillier's poetry itself. Stojkov's analyses depend upon a sense of the subject's constituting consciousness and the ability of the reader to participate in it. Through the approach proposed here, she arrives at a method not only for reading Teillier's poetry, but also for evaluating its unique significance within both the national and international contexts."--BOOK JACKET.

Author: Andrew Mattison
Publisher: Rowman & Littlefield
ISBN: 161147597X
Category : History
Languages : en
Pages : 183

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Book Description
When we read poetry, we tend to believe that we are getting a glimpse of the interior of the poet's mind--pictures from the poet's imagination relayed through the representative power of language. But poets themselves sometimes express doubt (usually indirectly) that poetic language has the capability or the purpose of revealing these images. This book examines description in Renaissance poetry, aiming to reveal its complexity and variability, its distinctiveness from prose description, and what it can tell us about Renaissance ways of thinking about the visible world and the poetic mind. Recent criticism has tended to address representation as a product of culture; The Unimagined in the English Renaissance argues to the contrary that attention to description as a literary phenomenon can complicate its cultural context by recognizing the persistent problems of genre and literary history. The book focuses on Sidney, Spenser, Donne, and Milton, who had very different aims as poets but shared a degree of skepticism about imagistic representation. For these poets, description can obscure as much as it makes visible, and can create whole categories of existence that are outside of visibility altogether.