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Author: Hazel Gold Publisher: Duke University Press ISBN: 9780822313670 Category : Literary Criticism Languages : en Pages : 260
Book Description
In virtually every aspect of human behavior, ritual, language, and art, perceptions are organized through the act of framing. In the writing of Benito Perez Galdós, Spain's most prolific and innovative nineteenth-century novelist, Hazel Gold finds this principle insistently at work. By exploring Galdós's methods of structuring and evaluating literary and historical experience, Gold illuminates the novelist's art and uncovers the far-reaching narratological, social, and epistemological implications of his framing strategies. A close look at Galdós's novels reveals the artist at pains to contain and interpret what he perceived to be the distinctive and often disheartening experience of bourgeois liberalism of his day. At the same time, he can be seen here undermining or negating the accepted conventions of realist fiction. Looking beyond text to context, Gold examines the ways in which Galdós's work itself has been framed by readers and critics in accordance with changing allegiances to contemporary literary theory and the canon. The highly ambiguous status of the frame in Galdós's fictions confirms the author's own signal position as a writer poised at the limits between realism and modernity. Gold's work will command the interest of students of Spanish and comparative literature, narrative theory, and the novel, as well as all those for whom realism and representation are at issue.
Author: Hazel Gold Publisher: Duke University Press ISBN: 9780822313670 Category : Literary Criticism Languages : en Pages : 260
Book Description
In virtually every aspect of human behavior, ritual, language, and art, perceptions are organized through the act of framing. In the writing of Benito Perez Galdós, Spain's most prolific and innovative nineteenth-century novelist, Hazel Gold finds this principle insistently at work. By exploring Galdós's methods of structuring and evaluating literary and historical experience, Gold illuminates the novelist's art and uncovers the far-reaching narratological, social, and epistemological implications of his framing strategies. A close look at Galdós's novels reveals the artist at pains to contain and interpret what he perceived to be the distinctive and often disheartening experience of bourgeois liberalism of his day. At the same time, he can be seen here undermining or negating the accepted conventions of realist fiction. Looking beyond text to context, Gold examines the ways in which Galdós's work itself has been framed by readers and critics in accordance with changing allegiances to contemporary literary theory and the canon. The highly ambiguous status of the frame in Galdós's fictions confirms the author's own signal position as a writer poised at the limits between realism and modernity. Gold's work will command the interest of students of Spanish and comparative literature, narrative theory, and the novel, as well as all those for whom realism and representation are at issue.
Author: Steven French Publisher: Oxford University Press ISBN: 0192546562 Category : Philosophy Languages : en Pages : 352
Book Description
Quantum theory is widely regarded as one of the most successful theories in the history of science. It explains a hugely diverse array of phenomena and is a natural candidate for our best representation of the world at the level of 'fundamental' physics. But how can the world be the way quantum theory says it is? It is famously unclear what the world is like according to quantum physics, which presents a serious problem for the scientific realist who is committed to regarding our best theories as more or less true. The present volume canvasses a variety of responses to this problem, from restricting or revising realism in different ways to exploring entirely new directions in the lively debate surrounding realist interpretations of quantum physics. Some urge us to focus on new formulations of the theory itself, while others examine the status of scientific realism in the further context of quantum field theory. Each chapter is written by a renowned specialist in the field and is aimed at graduate students and researchers in both physics and the philosophy of science. Together they offer a range of illuminating new perspectives on this fundamental debate and exemplify the fruitful interaction between physics and philosophy.
Author: Linda Badley Publisher: Edinburgh University Press ISBN: 147440393X Category : Performing Arts Languages : en Pages : 320
Book Description
Explores the films, practitioners, production and distribution contexts that currently represent American womens independent cinemaWith the consolidation of aindie culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe amaverick white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream achick flick and the ideological and experimental radicalism of feminist counter-cinema alike, womens indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the adifference of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work while embracing the ain-between space in which the narratives they represent and embody can be revealed.Key FeaturesCovers American womens independent cinema since the late 1970sAnalyses the work of acclaimed but critically overlooked female practitioners such as Kelly Reichardt, Christine Vachon, Miranda July, Kasi Lemmons, Nicole Holofcener, Mira Nair, Lisa Cholodenko, Megan Ellison, Lynn Shelton, Ava DuVernay, Mary Harron and Debra GranikDistinguishes four different approaches to analysing womens independent cinema through: production and industry perspectives; genre and other classificatory modalities; political, cultural, social and professional identities; and collaborative and collectivist practicesContributorsJohn Alberti, Northern Kentucky UniversityLinda Badley, Middle Tennessee State UniversityCynthia Baron, Bowling Green State UniversityShelley Cobb, University of SouthamptonCorinn Columpar, University of TorontoChris Holmlund, University of Tennessee-KnoxvilleGeoff King, Brunel University, LondonChristina Lane, University of MiamiJames Lyons, University of ExeterKathleen A. McHugh, UCLAKent A. Ono, University of UtahLydia Papadimitriou, Liverpool John Moores UniversityClaudia Costa Pederson, Wichita State UniversityClaire Perkins, Monash UniversitySarah Projansky, University of UtahMaria San Filippo, Goucher CollegeMichele Schreiber, Emory UniversitySarah E. S. Sinwell, University of UtahYannis Tzioumakis, University of LiverpoolPatricia White, Swarthmore CollegePatricia R. Zimmermann, Ithaca College
Author: Lúcia Nagib Publisher: A&C Black ISBN: 1441165835 Category : Performing Arts Languages : en Pages : 309
Book Description
A sweeping study of world cinema, illustrating how its creative peaks stem from the urge to reveal otherwise hidden political and social dimensions of reality. >
Author: James E. Hassell Publisher: Wipf and Stock Publishers ISBN: 1666755141 Category : Religion Languages : en Pages : 93
Book Description
What if there were more helpful ways to deal with the increasing polarization and division within our society? What if we could finally overcome the warring between fundamentalists and liberals? In Rediscovering Christian Realism, James Hassell highlights some time-tested and proven methods for Christians both to develop and utilize consecrated common sense. Christian realism is not so much of a program as it is both a way of accepting our sinful humanity and highlighting the Spirit-led way of Jesus. Hassell therefore describes ways to temper our idealism without giving into cynicism, outlining what he calls “The Balanced Approach.” The Balanced Approach comes from a synthesis of the best work of past Christian realists such as Reinhold and Richard Niebuhr, Emil Brunner, Paul Tillich, John C. Bennet, and others. Hassell has researched and described their insights especially for contemporary application in the real-world events of the twenty-first century. This book is designed especially for those Christians who may find themselves stuck in how to live out their faith more boldly both in the church fellowship and in the public square.
Author: Chris Vials Publisher: Univ. Press of Mississippi ISBN: 1604733497 Category : Social Science Languages : en Pages : 275
Book Description
Realism for the Masses is an exploration of how the concept of realism entered mass culture, and from there, how it tried to remake “America.” The literary and artistic creations of American realism are generally associated with the late nineteenth century. But this book argues that the aesthetic actually saturated American culture in the 1930s and 1940s and that the Left social movements of the period were in no small part responsible. The book examines the prose of Carlos Bulosan and H. T. Tsiang; the photo essays of Margaret Bourke-White in Life magazine; the bestsellers of Erskine Caldwell and Margaret Mitchell; the boxing narratives of Clifford Odets, Richard Wright, Nelson Algren; and the Hollywood boxing film, radio soap operas, and the domestic dramas of Lillian Hellman and Shirley Graham, and more. These writers and artists infused realist aesthetics into American mass culture to an unprecedented degree and also built on a tradition of realism in order to inject influential definitions of “the people” into American popular entertainment. Central to this book is the relationship between these mass cultural realisms and emergent notions of pluralism. Significantly, Vials identifies three nascent pluralisms of the 1930s and 1940s: the New Deal pluralism of “We're the People” in The Grapes of Wrath; the racially inclusive pluralism of Vice President Henry Wallace's “The People's Century”; and the proto-Cold War pluralism of Henry Luce's “The American Century.”
Author: Y. Iczkovits Publisher: Springer ISBN: 1137026367 Category : Philosophy Languages : en Pages : 336
Book Description
Exploring the ethical dimension of Wittgenstein's thought, Iczkovits challenges the view that Wittgenstein had a vision of language and subsequently a vision of ethics, showing how the two are integrated in his philosophical method, and allowing us to reframe traditional problems in moral philosophy considered as external to questions of meaning.
Author: James Edward Ford Publisher: Fordham University Press ISBN: 0823286932 Category : Social Science Languages : en Pages : 336
Book Description
In Thinking Through Crisis, James Edward Ford III examines the works of Richard Wright, Ida B. Wells, W. E. B. Du Bois, Zora Neale Hurston, and Langston Hughes during the 1930s in order to articulate a materialist theory of trauma. Ford highlights the dark proletariat’s emergence from the multitude apposite to white supremacist agendas. In these works, Ford argues, proletarian, modernist, and surrealist aesthetics transform fugitive slaves, sharecroppers, leased convicts, levee workers, and activist intellectuals into protagonists of anti-racist and anti-capitalist movements in the United States. Thinking Through Crisis intervenes in debates on the 1930s, radical subjectivity, and states of emergency. It will be of interest to scholars of American literature, African American literature, proletarian literature, black studies, trauma theory, and political theory.
Author: Jarrad Cogle Publisher: Springer Nature ISBN: 3030548244 Category : Literary Criticism Languages : en Pages : 176
Book Description
This book demonstrates how Fredric Jameson’s understanding of the novel form has heavily influenced his work as a critical theorist. It contends that Jameson’s idiosyncratic engagements with the literary canon have had a major impact on his theoretical frameworks, particularly in his sense of historical change. The book investigates Jameson’s predominant literary interests in chapters focusing on realism, modernism, postmodernism and genre fiction. These readings provide fresh perspectives on Jameson’s career, ones that look beyond his most famous contributions to cultural theory and interpretive practice. Through this work, the book also rethinks the criticism that has surrounded Jameson, while suggesting ways in which his literary interpretation remains useful for contemporary reading practices.
Author: Hazel Gold
Author: Hazel Gold
Author: Steven French
Author: Bethany Bowen-Wefuan
Author: Linda Badley
Author: Lúcia Nagib
Author: James E. Hassell
Author: Chris Vials
Author: Y. Iczkovits
Author: James Edward Ford
Author: Jarrad Cogle