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Author: Joshua Shannon Publisher: Yale University Press ISBN: 0300228449 Category : Art Languages : en Pages : 241
Book Description
A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact This refreshing and erudite book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent realism in the period, tracing artists’ rejection of essential truths in favor of surface appearances. Dubbing this tendency factualism, Shannon illuminates not only the Cold War’s preoccupation with data but also the rise of a pervasive culture of fact. Focusing on the United States and West Germany, where photodocumentary traditions intersected with 1960s politics, Shannon investigates a broad variety of art, ranging from conceptual photography and earthworks to photorealist painting and abstraction. He looks closely at art by Bernd and Hilla Becher, Robert Bechtle, Vija Celmins, Douglas Huebler, Gerhard Richter, and others. These artists explored fact’s role as a modern paradigm for talking, thinking, and knowing. Their art, Shannon concludes, helps to explain both the ambivalent anti-humanism of today’s avant-garde art and our own culture of fact.
Author: Joshua Shannon Publisher: Yale University Press ISBN: 0300228449 Category : Art Languages : en Pages : 241
Book Description
A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact This refreshing and erudite book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent realism in the period, tracing artists’ rejection of essential truths in favor of surface appearances. Dubbing this tendency factualism, Shannon illuminates not only the Cold War’s preoccupation with data but also the rise of a pervasive culture of fact. Focusing on the United States and West Germany, where photodocumentary traditions intersected with 1960s politics, Shannon investigates a broad variety of art, ranging from conceptual photography and earthworks to photorealist painting and abstraction. He looks closely at art by Bernd and Hilla Becher, Robert Bechtle, Vija Celmins, Douglas Huebler, Gerhard Richter, and others. These artists explored fact’s role as a modern paradigm for talking, thinking, and knowing. Their art, Shannon concludes, helps to explain both the ambivalent anti-humanism of today’s avant-garde art and our own culture of fact.
Author: Joshua Shannon Publisher: Yale University Press ISBN: 0300187270 Category : Art Languages : en Pages : 241
Book Description
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction. The Turn from Truth -- Chapter 1. Machine: Conceptual Photography -- Chapter 2. Matter: Art in the Desert -- Chapter 3. Surface: Photorealist Painting -- Chapter 4. System: Gerhard Richter -- Conclusion. The Lasting Problem of Realism -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- Z -- Illustration Credits
Author: David Simons Publisher: Hal Leonard Corporation ISBN: 9780879308643 Category : Music Languages : en Pages : 152
Book Description
'Analog Recording' takes readers through the process of setting up a radio and working with the tape recorders, mixers, outboard gear, monitors and microphones in the 50s, 60s and 70s. It also teaches how to recognise bargains and how to maintain them.
Author: Julian Colbeck Publisher: Hal Leonard Corporation ISBN: 1480397237 Category : Music Languages : en Pages : 393
Book Description
(Technical Reference). More than simply the book of the award-winning DVD set, Art & Science of Sound Recording, the Book takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from "The Brief History of Recording" to the now-classic "Dealing with Disasters." Written with the DVD's coproducer, musician, and author Julian Colbeck, ASSR, the Book offers readers a classic "big picture" view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. For all its heft and authority authored by a man trained at London's famed Abbey Road studios in the 1970s ASSR, the Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons' own career working with the Beatles, Pink Floyd, and countless others. Not just informative, but also highly entertaining and inspirational, ASSR, the Book is the perfect platform on which to build expertise in the art and science of sound recording.
Author: Paul Wenzel Publisher: Lulu.com ISBN: 0359849083 Category : Performing Arts Languages : en Pages : 74
Book Description
This is a small booklet of drum machine patterns, designed to fit in your pocket. It is a companion to other small travel-friendly music-making devices you might have.
Author: Eric D. Daniel Publisher: John Wiley & Sons ISBN: 9780780347090 Category : Technology & Engineering Languages : en Pages : 364
Book Description
"The first magnetic recording device was demonstrated and patentedby the Danish inventor Valdemar Poulsen in 1898. Poulsen made amagnetic recording of his voice on a length of piano wire. MAGNETICRECORDING traces the development of the watershed products and thetechnical breakthroughs in magnetic recording that took placeduring the century from Paulsen's experiment to today's ubiquitousaudio, video, and data recording technologies including taperecorders, video cassette recorders, and computer harddrives. An international author team brings a unique perspective, drawnfrom professional experience, to the history of magnetic recordingapplications. Their key insights shed light on how magneticrecording triumphed over all competing technologies andrevolutionized the music, radio, television and computerindustries. They also show how these developments offeropportunities for applications in the future. MAGNETIC RECORDING features 116 illustrations, including 92photographs of historic magnetic recording machines and theirinventors." Sponsored by: IEEE Magnetics Society
Author: Bobby Owsinski Publisher: Hal Leonard Corporation ISBN: 9781932929003 Category : Music Languages : en Pages : 388
Book Description
Working as a recording engineer presents challenges from every direction of your project. From using microphones to deciding on EQ settings, choosing outboard gear to understanding how, when and why to process your signal, the seemingly never-ending choices can be very confusing. Professional Audio's bestselling author Bobby Owsinski (The Mixing Engineer's Handbook, The Mastering Engineer's Handbook) takes you into the tracking process for all manner of instruments and vocals-- providing you with the knowledge and skill to make sense of the many choices you have in any given project. From acoustic to electronic instruments, mic placement to EQ settings, everything you need to know to capture professionally recorded audio tracks is in this guide.
Author: Nick Sadler Publisher: Velocity Press ISBN: Category : Business & Economics Languages : en Pages : 250
Book Description
Whether you want to start a record label, self-release your own music, or are just an avid music lover, this book will give you information about the business of music. The Label Machine: How to Start, Run and Grow Your Own Independent Music Label is the first book to give music artists practical step-by-step comprehensive instructions for setting up and running an independent music label to successfully distribute and market their music. You will learn all about the music industry business and how to navigate the tricky dos and don'ts. You will finally understand and take control of your music copyright and get to grips with the legalities involved. You will build your music business effortlessly, learning how to professionally market your music and artists - allowing you to reach thousands of fans. And essentially, you will learn how to create multiple label revenue streams to create an established record label. It features a detailed breakdown of how every part of the industry works together, including copyright in the UK and US, record label set-up, record releases, and royalty collection. It also provides in-depth guides on marketing, covering; traditional PR, Facebook and Instagram advertising, Spotify playlisting, and fan growth. Includes templates for record label and management contracts, marketing and promotion schedules, press releases, and fan email automation.
Author: Greg Milner Publisher: Farrar, Straus and Giroux ISBN: 1429957158 Category : Music Languages : en Pages : 566
Book Description
In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented. Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their "compact disc" is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating "loudness war" to get its fix. From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner's Perfecting Sound Forever pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music.
Author: Joshua Shannon
Author: Joshua Shannon
Author: Joshua Shannon
Author: David Simons
Author: Julian Colbeck
Author: Paul Wenzel
Author: Eric D. Daniel
Author: Bobby Owsinski
Author: Nick Sadler
Author: Tom McCartney
Author: Greg Milner