Author: Matthew Reynolds
Publisher: OUP Oxford
ISBN: 9780199282029
Category : History
Languages : en
Pages : 322
Book Description
Robert and Elizabeth Browning, Tennyson, and Clough lived and wrote in a time of "nation-building." The Realms of Verse brings that political and intellectual context to life, and traces its influence on the narratives, language, and form of their poetry. Theoretically astute and historically detailed, this study is the most far-reaching reassessment of Victorian poetry to have been published in recent years.
The Realms of Verse 1830-1870
Author: Matthew Reynolds
Publisher: OUP Oxford
ISBN: 9780199282029
Category : History
Languages : en
Pages : 322
Book Description
Robert and Elizabeth Browning, Tennyson, and Clough lived and wrote in a time of "nation-building." The Realms of Verse brings that political and intellectual context to life, and traces its influence on the narratives, language, and form of their poetry. Theoretically astute and historically detailed, this study is the most far-reaching reassessment of Victorian poetry to have been published in recent years.
Publisher: OUP Oxford
ISBN: 9780199282029
Category : History
Languages : en
Pages : 322
Book Description
Robert and Elizabeth Browning, Tennyson, and Clough lived and wrote in a time of "nation-building." The Realms of Verse brings that political and intellectual context to life, and traces its influence on the narratives, language, and form of their poetry. Theoretically astute and historically detailed, this study is the most far-reaching reassessment of Victorian poetry to have been published in recent years.
Epic
Author: Herbert F. Tucker
Publisher: Oxford University Press
ISBN: 0199232997
Category : Literary Criticism
Languages : en
Pages : 748
Book Description
Literary history has conventionally viewed Milton as the last real practitioner of the epic in English verse. Herbert Tucker's spirited book shows that the British tradition of epic poetry was unbroken from the French Revolution to World War I.
Publisher: Oxford University Press
ISBN: 0199232997
Category : Literary Criticism
Languages : en
Pages : 748
Book Description
Literary history has conventionally viewed Milton as the last real practitioner of the epic in English verse. Herbert Tucker's spirited book shows that the British tradition of epic poetry was unbroken from the French Revolution to World War I.
Written on the Water
Author: Samuel Baker
Publisher: University of Virginia Press
ISBN: 081393043X
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
The very word "culture" has traditionally evoked the land. But when such writers as William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and, later, Matthew Arnold developed what would become the idea of modern culture, they modeled that idea on Britain's imperial command of the sea. Instead of locating the culture idea’s beginnings in the dynamic between the country and the city, Samuel Baker insists on taking into account the significance of water for that idea’s development. For the Romantics, figures of the island, the deluge, and the sundering tide often convey the insularity of cultures understood to stand apart from the whole; yet, Baker writes, the sea also stands in their poetry of culture as a reminder of the broader sphere of circulation in which the poet's work, if not the poet's subject, inheres. Although other books treat the history of the idea of culture, none synthesizes that history with the literary history of maritime empire. Written on the Water tracks an uncanny interrelationship between ocean imagery and culturalist rhetoric of culture forward from the late Augustans to the mid-Victorians. In so doing, it analyzes Wordsworth's pronounced ambivalence toward the sea, Coleridge's sojourn as an imperial functionary in Malta, Byron's cosmopolitan seafaring tales, and Arnold's dual identity as "poet of water" and prose arbiter of "culture." It also considers Romanticism's classical inheritance, arguing that the Lake Poets dissolved into the idea of culture the Virgilian system of pastoral, georgic, and epic modes of literature and life. This compelling new study will engage any reader interested in the intellectual and literary history of Britain and the lived experience of British Romanticism.
Publisher: University of Virginia Press
ISBN: 081393043X
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
The very word "culture" has traditionally evoked the land. But when such writers as William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and, later, Matthew Arnold developed what would become the idea of modern culture, they modeled that idea on Britain's imperial command of the sea. Instead of locating the culture idea’s beginnings in the dynamic between the country and the city, Samuel Baker insists on taking into account the significance of water for that idea’s development. For the Romantics, figures of the island, the deluge, and the sundering tide often convey the insularity of cultures understood to stand apart from the whole; yet, Baker writes, the sea also stands in their poetry of culture as a reminder of the broader sphere of circulation in which the poet's work, if not the poet's subject, inheres. Although other books treat the history of the idea of culture, none synthesizes that history with the literary history of maritime empire. Written on the Water tracks an uncanny interrelationship between ocean imagery and culturalist rhetoric of culture forward from the late Augustans to the mid-Victorians. In so doing, it analyzes Wordsworth's pronounced ambivalence toward the sea, Coleridge's sojourn as an imperial functionary in Malta, Byron's cosmopolitan seafaring tales, and Arnold's dual identity as "poet of water" and prose arbiter of "culture." It also considers Romanticism's classical inheritance, arguing that the Lake Poets dissolved into the idea of culture the Virgilian system of pastoral, georgic, and epic modes of literature and life. This compelling new study will engage any reader interested in the intellectual and literary history of Britain and the lived experience of British Romanticism.
Essays on James Clarence Mangan
Author: S. Sturgeon
Publisher: Springer
ISBN: 1137273380
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
This is the first collection of essays to focus on the extraordinary literary achievement of James Clarence Mangan (1803-1849), increasingly recognized as one of the most important Irish writers of the nineteenth century. It features contributions by acclaimed contemporary writers including Paul Muldoon and Ciaran Carson.
Publisher: Springer
ISBN: 1137273380
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
This is the first collection of essays to focus on the extraordinary literary achievement of James Clarence Mangan (1803-1849), increasingly recognized as one of the most important Irish writers of the nineteenth century. It features contributions by acclaimed contemporary writers including Paul Muldoon and Ciaran Carson.
Charity and Condescension
Author: Daniel Siegel
Publisher: Ohio University Press
ISBN: 0821444077
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Charity and Condescension explores how condescension, a traditional English virtue, went sour in the nineteenth century, and considers how the failure of condescension influenced Victorian efforts to reform philanthropy and to construct new narrative models of social conciliation. In the literary work of authors like Dickens, Eliot, and Tennyson, and in the writing of reformers like Octavia Hill and Samuel Barnett, condescension—once a sign of the power and value of charity—became an emblem of charity’s limitations. This book argues that, despite Victorian charity’s reputation for idealistic self-assurance, it frequently doubted its own operations and was driven by creative self-critique. Through sophisticated and original close readings of important Victorian texts, Daniel Siegel shows how these important ideas developed even as England struggled to deal with its growing underclass and an expanding notion of the state’s responsibility to its poor.
Publisher: Ohio University Press
ISBN: 0821444077
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Charity and Condescension explores how condescension, a traditional English virtue, went sour in the nineteenth century, and considers how the failure of condescension influenced Victorian efforts to reform philanthropy and to construct new narrative models of social conciliation. In the literary work of authors like Dickens, Eliot, and Tennyson, and in the writing of reformers like Octavia Hill and Samuel Barnett, condescension—once a sign of the power and value of charity—became an emblem of charity’s limitations. This book argues that, despite Victorian charity’s reputation for idealistic self-assurance, it frequently doubted its own operations and was driven by creative self-critique. Through sophisticated and original close readings of important Victorian texts, Daniel Siegel shows how these important ideas developed even as England struggled to deal with its growing underclass and an expanding notion of the state’s responsibility to its poor.
The Burden of Rhyme
Author: Naomi Levine
Publisher: University of Chicago Press
ISBN: 0226834980
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
A major new account of Victorian poetry and its place in the field of literary studies. The Burden of Rhyme shows how the nineteenth-century search for the origin of rhyme shaped the theory and practice of poetry. For Victorians, rhyme was not (as it was for the New Critics, and as it still is for us) a mere technique or ahistorical form. Instead, it carried vivid historical fantasies derived from early studies of world literature. Naomi Levine argues that rhyme’s association with the advent of literary modernity and with a repertoire of medievalist, Italophilic, and orientalist myths about love, loss, and poetic longing made it a sensitive historiographic instrument. Victorian poets used rhyme to theorize both literary history and the most elusive effects of aesthetic form. This Victorian formalism, which insisted on the significance of origins, was a precursor to and a challenge for twentieth-century methods. In uncovering the rich relationship between Victorian poetic forms and a forgotten style of literary-historical thought, The Burden of Rhyme reveals the unacknowledged influence of Victorian poetics—and its repudiation—on the development of modern literary criticism.
Publisher: University of Chicago Press
ISBN: 0226834980
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
A major new account of Victorian poetry and its place in the field of literary studies. The Burden of Rhyme shows how the nineteenth-century search for the origin of rhyme shaped the theory and practice of poetry. For Victorians, rhyme was not (as it was for the New Critics, and as it still is for us) a mere technique or ahistorical form. Instead, it carried vivid historical fantasies derived from early studies of world literature. Naomi Levine argues that rhyme’s association with the advent of literary modernity and with a repertoire of medievalist, Italophilic, and orientalist myths about love, loss, and poetic longing made it a sensitive historiographic instrument. Victorian poets used rhyme to theorize both literary history and the most elusive effects of aesthetic form. This Victorian formalism, which insisted on the significance of origins, was a precursor to and a challenge for twentieth-century methods. In uncovering the rich relationship between Victorian poetic forms and a forgotten style of literary-historical thought, The Burden of Rhyme reveals the unacknowledged influence of Victorian poetics—and its repudiation—on the development of modern literary criticism.
Artful Experiments
Author: Philipp Erchinger
Publisher: Edinburgh University Press
ISBN: 1474438970
Category : Science
Languages : en
Pages : 240
Book Description
Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them
Publisher: Edinburgh University Press
ISBN: 1474438970
Category : Science
Languages : en
Pages : 240
Book Description
Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them
The Nations of Wales
Author: M. Wynn Thomas
Publisher: University of Wales Press
ISBN: 1783168404
Category : Literary Criticism
Languages : en
Pages : 500
Book Description
Opens up a period in Welsh cultural history that has been almost completely overlooked First monograph to explore Welsh history between 1890-1914
Publisher: University of Wales Press
ISBN: 1783168404
Category : Literary Criticism
Languages : en
Pages : 500
Book Description
Opens up a period in Welsh cultural history that has been almost completely overlooked First monograph to explore Welsh history between 1890-1914
Nation, Language, and the Ethics of Translation
Author: Sandra Bermann
Publisher: Princeton University Press
ISBN: 0691116091
Category : Language Arts & Disciplines
Languages : en
Pages : 424
Book Description
In recent years, scholarship on translation has moved well beyond the technicalities of converting one language into another and beyond conventional translation theory. With new technologies blurring distinctions between "the original" and its reproductions, and with globalization redefining national and cultural boundaries, "translation" is now emerging as a reformulated subject of lively, interdisciplinary debate. Nation, Language, and the Ethics of Translation enters the heart of this debate. It covers an exceptional range of topics, from simultaneous translation to legal theory, from the language of exile to the language of new nations, from the press to the cinema; and cultures and languages from contemporary Bengal to ancient Japan, from translations of Homer to the work of Don DeLillo. All twenty-two essays, by leading voices including Gayatri Spivak and the late Edward Said, are provocative and persuasive. The book's four sections--"Translation as Medium and across Media," "The Ethics of Translation," "Translation and Difference," and "Beyond the Nation"--together provide a comprehensive view of current thinking on nationality and translation, one that will be widely consulted for years to come. The contributors are Jonathan E. Abel, Emily Apter, Sandra Bermann, Vilashini Cooppan, Stanley Corngold, David Damrosch, Robert Eaglestone, Stathis Gourgouris, Pierre Legrand, Jacques Lezra, Françoise Lionnet, Sylvia Molloy, Yopie Prins, Edward Said, Azade Seyhan, Gayatri Chakravorty Spivak, Henry Staten, Lawrence Venuti, Lynn Visson, Gauri Viswanathan, Samuel Weber, and Michael Wood.
Publisher: Princeton University Press
ISBN: 0691116091
Category : Language Arts & Disciplines
Languages : en
Pages : 424
Book Description
In recent years, scholarship on translation has moved well beyond the technicalities of converting one language into another and beyond conventional translation theory. With new technologies blurring distinctions between "the original" and its reproductions, and with globalization redefining national and cultural boundaries, "translation" is now emerging as a reformulated subject of lively, interdisciplinary debate. Nation, Language, and the Ethics of Translation enters the heart of this debate. It covers an exceptional range of topics, from simultaneous translation to legal theory, from the language of exile to the language of new nations, from the press to the cinema; and cultures and languages from contemporary Bengal to ancient Japan, from translations of Homer to the work of Don DeLillo. All twenty-two essays, by leading voices including Gayatri Spivak and the late Edward Said, are provocative and persuasive. The book's four sections--"Translation as Medium and across Media," "The Ethics of Translation," "Translation and Difference," and "Beyond the Nation"--together provide a comprehensive view of current thinking on nationality and translation, one that will be widely consulted for years to come. The contributors are Jonathan E. Abel, Emily Apter, Sandra Bermann, Vilashini Cooppan, Stanley Corngold, David Damrosch, Robert Eaglestone, Stathis Gourgouris, Pierre Legrand, Jacques Lezra, Françoise Lionnet, Sylvia Molloy, Yopie Prins, Edward Said, Azade Seyhan, Gayatri Chakravorty Spivak, Henry Staten, Lawrence Venuti, Lynn Visson, Gauri Viswanathan, Samuel Weber, and Michael Wood.
Fresh Strange Music
Author: Donald S. Hair
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773597670
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Elizabeth Barrett Browning evokes several figures as muses for her poetry, and one recurring type is the music master. While her writing has always been recognized as highly experimental, the influence and use of music in her work have not been fully examined. Fresh Strange Music defines the exact nature of Browning's experiments and innovations in rhythm, which she called the "animal life" of poetry, and in sound repetition, which she labelled her "rhymatology." Donald Hair approaches Elizabeth Barrett Browning's art with a focus on the power that shapes it - the technical music of her poetry and the recurring beat at the beginning of units of equal time that requires a different system of scansion than conventional metres and syllable counting. Music for Barrett Browning, Hair explains, has momentous implications. In her early poetry, it is the promoter of kindly and loving relations in families and in society. Later in her career, she makes it the basis of nation-building, in her support for the unification of Italy and, more problematically, in her championing of French emperor Napoleon III. Fresh Strange Music traces the development of Barrett Browning's poetics through all her works - from the early An Essay on Mind to Last Poems - showcasing her as a major poet, independently minded, and highly innovative in her rhythms and rhymes.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773597670
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Elizabeth Barrett Browning evokes several figures as muses for her poetry, and one recurring type is the music master. While her writing has always been recognized as highly experimental, the influence and use of music in her work have not been fully examined. Fresh Strange Music defines the exact nature of Browning's experiments and innovations in rhythm, which she called the "animal life" of poetry, and in sound repetition, which she labelled her "rhymatology." Donald Hair approaches Elizabeth Barrett Browning's art with a focus on the power that shapes it - the technical music of her poetry and the recurring beat at the beginning of units of equal time that requires a different system of scansion than conventional metres and syllable counting. Music for Barrett Browning, Hair explains, has momentous implications. In her early poetry, it is the promoter of kindly and loving relations in families and in society. Later in her career, she makes it the basis of nation-building, in her support for the unification of Italy and, more problematically, in her championing of French emperor Napoleon III. Fresh Strange Music traces the development of Barrett Browning's poetics through all her works - from the early An Essay on Mind to Last Poems - showcasing her as a major poet, independently minded, and highly innovative in her rhythms and rhymes.