Author: Robin Louis McAllisterPublisher:
ISBN:
Category :
Languages : en
Pages : 442
Book Description
The Reader as Pilgrim in Góngora's Soledades
Author: Robin Louis McAllisterPublisher:
ISBN:
Category :
Languages : en
Pages : 442
Book Description
Aspects of Góngora's 'Soledades'
Author: John R. BeverleyPublisher: John Benjamins Publishing
ISBN: 902728105X
Category : Literary Criticism
Languages : en
Pages : 155
Book Description
This study of Góngora’s Soledades is intended to summarize and discuss some of the problems which seemed important for a better understanding of these poems. Special attention is paid to the two opposing ‘camps’ that developed over time; one mainly focussing on the form and the other on the content of Soledades. In this volume the authors tries to integrate the methods and results of both of the ‘camps’.
The Soledades, Góngora's Masque of the Imagination
Author: Marsha Suzan CollinsPublisher: University of Missouri Press
ISBN: 0826262856
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Prince of Darkness or Angel of Light? The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish poet's contentious work of art. The Soledades have sparked controversy since they were first circulated at court in 1612-1614 and continue to do so even now, as Góngora has become for some critics the poster child of postmodernism. These perplexing 2,000-plus line pastoral poems garnered endless debates over the value and meaning of the author's enigmatic, challenging poetry and gave rise to his reputation, causing his very name to become an English term for obscurity. Collins views these controversial poems in a different light, as a literary work that is a product of European court culture.
Essays on the Literary Baroque in Spain and Spanish America
Author: John BeverleyPublisher: Boydell & Brewer Ltd
ISBN: 1855661756
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
The continuing importance of the Baroque in Spanish and Latin American culture.
Góngora's Soledades and the Problem of Modernity
Author: Crystal Anne ChemrisPublisher: Tamesis Books
ISBN: 9781855661608
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
Góngora's Soledades, the major lyric poem of the Spanish Baroque. Combining philological rigor with a capacity to engage the most contemporary transatlantic and comparatist concerns, this work situates Luis de Góngora's Soledades within the problematic evolution of Hispanic modernity. As well as offering an insightful analysis of the Soledades as an expression of the Baroque crisis in all its facets -epistemological, ontological, cultural and historical - the author reads the fragmented lyric subject of Gongorist poetics back against Renaissance precursors [Rojas' Celestina and the poetry of Boscán and Garcilaso] and in anticipation of the truncated and isolated subject of modernity. The study concludes with an examination of the interaction between the legacies of Gongorism and French Symbolism in the work of selected poets of the Latin American Vanguard [Gorostiza, Paz and Vallejo]. CRYSTAL ANNE CHEMRIS is Visiting Assistant Professorof Spanish at the University of Iowa.
The Return of Astraea
Author: Frederick A. de ArmasPublisher: University Press of Kentucky
ISBN: 0813181933
Category : Literary Criticism
Languages : en
Pages : 395
Book Description
In classical mythology Astraea, the goddess of justice, chastity, and truth, was the last of the immortals to leave Earth with the decline of the ages. Her return was to signal the dawn of a new Golden Age. This myth not only survived the Christian Middle Ages but also became a commonplace in the Renaissance when courtly poets praised their patrons and princes by claiming that Astraea guided them. The literary cult of Astraea persisted in the sixteenth century as writers saw in Elizabeth I of England the imperial Astraea who would lead mankind to peace through universal rule. This and other late flowerings of the Astraea myth should not be taken as the final phases of her history. Frederick A. de Armas documents in this book what may well be the last great rebirth of Astraea, one that is probably of greater political, religious, and literary significance than others previously described by historians and literary critics. The Return of Astraea focuses on the seventeenth-century Spanish playwright Pedro Calderón de la Barca, and analyzes the deity's presence in thirteen of his plays, including his masterpiece, La Vida es Sueho. Her popularity in this period is partially attributed to political motives, reflecting the aspirations and fears of the Spanish monarch Philip IV. In this broad study, grounded on such diverse fields as astrology, iconography, history, mythology, and philosophy, de Armas explains that Astraea adopts many guises in Calderón's dramas. Ranging from the Kabbalah to Platonic thought and from satires on Olivares to cosmogonic myths, he analyzes and reinterprets Calderón's theater from a wide range of perspectives centered on the playwright's utilization of the myth of Astraea. The book thus represents a new view of Calderón's dramaturgy and also documents the popularity and significance of this astral-imperial myth during the Spanish Golden Age.
The Contemporáneos Group
Author: Salvador A. OropesaPublisher: University of Texas Press
ISBN: 0292774125
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contemporáneos, a group of writers whose status as outsiders (sophisticated urbanites, gay men, women) gave them not just a different perspective, but a different gaze, a new way of viewing the diverse Mexicos that exist within Mexican society. In this book, Salvador Oropesa offers original readings of the works of five Contemporáneos—Salvador Novo, Xavier Villaurrutia, Agustín Lazo, Guadalupe Marín, and Jorge Cuesta—and their efforts to create a Mexican literature that was international, attuned to the realities of modern Mexico, and flexible enough to speak to the masses as well as the elites. Oropesa discusses Novo and Villaurrutia in relation to neo-baroque literature and satiric poetry, showing how these inherently subversive genres provided the means of expressing difference and otherness that they needed as gay men. He explores the theatrical works of Lazo, Villaurrutia's partner, who offered new representations of the closet and of Mexican history from an emerging middle-class viewpoint. Oropesa also looks at women's participation in the Contemporáneos through Guadalupe Marín, the sometime wife of Diego Rivera and Jorge Cuesta, whose novels present women's struggles to have a view and a voice of their own. He concludes the book with Novo's self-transformation from intellectual into celebrity, which fulfilled the Contemporáneos' desire to merge high and popular culture and create a space where those on the margins could move to the center.
Cervantes' Los Trabajos de Persiles Y Sigismunda
Author: Maria Alberta SacchettiPublisher: Tamesis
ISBN: 9781855660779
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
Multidimensional characters, contrasting perspectives and ironic manipulations produce a kind of 'generic hybridisation' which exposes the fallacies of this type of romance fiction."--Jacket.
The Melancholy Void
Author: Felipe Valencia (1983- author)Publisher: U of Nebraska Press
ISBN: 1496227697
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric. The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.
Reading Lezama's Paradiso
Author: William RowlandsonPublisher: Peter Lang
ISBN: 9783039107513
Category : Literary Collections
Languages : en
Pages : 296
Book Description
This book focuses on the novel Paradiso of Cuban author José Lezama Lima (1910-1976), and in particular on the protagonist José Cemí. It examines the development of Cemí according to the three distinct phases detailed by Lezama: the 'placentario' world of family protection, the awakening to the exterior world and the subsequent friendships made, and the eventual encounters with Oppiano Licario. Cemí's progression, and his growing ability to interpret and create texts, is analysed as analogous to the reader's progression through the novel. In this respect, both the reader and Cemí are obliged to interpret the complex symbolism according to interpretative skills acquired from the text itself. In a similar fashion, the connection between Cemí's 'guide' Licario, and the author Lezama is investigated. By exploring these connections between reader and protagonist, author and character, the author of this work suggests a radical and hitherto unexplored approach to the text of Lezama.