The Ramayana and the Malay Shadow-play PDF Download

Author: Amin Sweeney
Publisher:
ISBN:
Category : Malaysia
Languages : en
Pages : 492

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Book Description

Author: Ghulam Sarwar Yousof
Publisher:
ISBN:
Category : Puppets
Languages : en
Pages : 92

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Book Description

Author: Amin Sweeney
Publisher:
ISBN:
Category : Puppets and puppet-plays
Languages : en
Pages :

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Book Description

Author: Beth Osnes
Publisher: McFarland
ISBN: 0786457929
Category : Performing Arts
Languages : en
Pages : 205

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Book Description
This comprehensive book explores the Malaysian form of shadow puppet theatre, highlighting its unique nature within the context of Southeast Asian and Asian shadow puppet theatre traditions. Intended for a Western audience not familiar with Asian performance and practices, the text serves as a bridge to this highly imaginative form. An in-depth examination of the Malaysian puppet tradition is provided, as well as performance scripts, designs for puppet characters, instructions for creating a shadow screen, and easy directions for performance. Another section then considers the practical, pedagogical, and ethical issues that arise in the teaching of this art.

Author: P. L. Sweeney
Publisher:
ISBN:
Category :
Languages : en
Pages : 464

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Book Description

Author: Rahimidin Zahari
Publisher: ITBM
ISBN: 9674300023
Category : Puppet theater
Languages : en
Pages : 124

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Book Description

Author: Ghulam Sarwar Yousof
Publisher:
ISBN:
Category : Puppets
Languages : en
Pages : 92

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Book Description

Author: Amin Sweeney
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 94

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Book Description

Author: Patricia Ann Matusky
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 196

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Book Description
The ancient, time-honoured art form known as wayang kulit (literally, 'leather puppet theatre' or 'shadow puppet play') is found in many parts of South-East Asia, including the Malay Peninsula. The present book, an ethnomusicological study focusing on the musical sound and its role in the drama, explores an aspect of wayang kulit hitherto neglected by scholars. Based on interviews and recordings conducted by the author in the villages of Kelantan, as well as on her experience as a student performer in one of the finest and most skilled wayang kulit troupes in Malaysia, the book begins with a useful overview of the various types of wayang kulit in Malaysia. It then goes on to discuss the main theatrical conventions, puppet design, performance structure, musical repertoire, orchestral instruments, and characteristic features of the music of wayang kulit Siam, the most popular type of Malaysian shadow puppet theatre. Written in a pleasing, easily digestible style, this book will be of value to ethnomusicologists, sociologists, students and practitioners of the performing arts, theatre enthusiasts, and general readers interested in the arts and culture of South-East Asia.

Author: Bernard Arps
Publisher: NUS Press
ISBN: 9814722154
Category : Performing Arts
Languages : en
Pages : 646

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Book Description
Javanese shadow puppetry is a sophisticated dramatic form, often felt to be at the heart of Javanese culture, drawing on classic texts but with important contemporary resonance in fields like religion and politics. How to make sense of the shadow-play as a form of world-making? In Tall Tree, Nest of the Wind, Bernard Arps explores this question by considering an all-night performance of Dewa Ruci, a key play in the repertoire. Thrilling and profound, Dewa Ruci describes the mighty Bratasena’s quest for the ultimate mystical insight. The book presents Dewa Ruci as rendered by the distinguished master puppeteer Ki Anom Soeroto in Amsterdam in 1987. The book’s unusual design presents the performance texts together with descriptions of the sounds and images that would remain obscure in conventional formats of presentation. Copious annotations probe beneath the surface and provide an understanding of the performance's cultural complexity. These annotations explain the meanings of puppet action, music, and shifts in language; how the puppeteer wove together into the drama the circumstances of the performance in Amsterdam, Islamic and other religious ideas, and references to contemporary Indonesian political ideology. Also revealed is the performance’s historical multilayering and the picture it paints of the Javanese past. Tall Tree, Nest of the Wind not only presents an unrivalled insight into the artistic depth of wayang kulit, it exemplifies a new field of study, the philology of performance.