The Radical Progress Quartet PDF Download

Author: John O'Loughlin
Publisher: Centretruths Digital Media
ISBN: 1446699870
Category : Religion
Languages : en
Pages : 261

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Book Description
THE RADICAL PROGRESS QUARTET, dating from 2003, is comprised of 'Radical Progress', 'Stairway to Judgement', 'A Perfect Resolution', and 'The Last Judgement', all four books of which continue the author's commitment to the ideological philosophy of Social Transcendentalism in pursuit of metaphysical perfection or, at any rate, credibility.

Author: John O'Loughlin
Publisher: Centretruths Digital Media
ISBN: 1446699889
Category : Religion
Languages : en
Pages : 309

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Book Description
The four e-books in this quartet are 'The Free Testament (Of a Bound Genius)', 'Revelationary Afterthoughts', 'Revolutionary Afterthoughts', and 'Judgemental Afterthoughts (Of a Free Genius)', all of which take the author's ideological philosophy closer to completion in what is a kind of ultimate testament to Social Theocratic truth.

Author: John O'Loughlin
Publisher: Centretruths Digital Media
ISBN: 1446701808
Category : Religion
Languages : en
Pages : 393

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Book Description
This quartet of books of aphoristic philosophy with a Social Theocratic dimension is comprised of 'Yang and Anti-Yin', 'Lamb and Anti-Lion', 'Celestial City and Anti-Vanity Fair' and, last but by no means least, 'Jesus - A Summing Up!', the title of which is a kind of oblique tribute to Arthur Koestler's estimable 'Janus - A Summing Up', which, however, would not have much bearing on the aforementioned works in terms of thematic structure, as germane, by and large, to the noumenal distinction between metaphysics and antimetachemistry, as explained in the texts.

Author: Daniel K. L. Chua
Publisher: Princeton University Press
ISBN: 1400864208
Category : Music
Languages : en
Pages : 293

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Book Description
This study is an analysis of the first three of Beethoven's late quartets, Opp. 127, 132, and 130, commissioned by Prince Nikolai Galitzin. The five late quartets, usually considered as a group, were written in the same period as the Missa solemnis and the Ninth Symphony, and are among the composer's most profound musical statements. Daniel K. L. Chua believes that of the five quartets the three that he studies trace a process of disintegration, whereas the last two, Opp. 131 and 135, reintegrate the language that Beethoven himself had destabilized. Through analyses that unearth peculiar features characteristic of the surface and of the deeper structures of the music, Chua interprets the "Galitzin" quartets as radical critiques of both music and society, a view first proposed by Theodore Adorno. From this perspective, the quartets necessarily undo the act of analysis as well, forcing the analytical traditions associated with Schenker and Schoenberg to break up into an eclectic mixture of techniques. Analysis itself thus becomes problematic and has to move in a dialectical and paradoxical fashion in order to trace Beethoven's logic of disintegration. The result is a new way of reading these works that not only reflects the preoccupations of the German Romantics of that time and the poststructuralists of today, but also opens a discussion of cultural, political, and philosophical issues. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: David Rounds
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 222

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Book Description
Spotlighting the four women of the Lafayette Quartet, a leading Canadian ensemble, Rounds offers both a comprehensive history of the beloved instrumental form and an inside view of the complex world of professional quartet players, revealing the exultation and heatache that are the performing artists' daily fare. A treat for every music lover, whether player, listener or composer.

Author: David Clampitt
Publisher: University Rochester Press
ISBN: 1580463223
Category : Literary Collections
Languages : en
Pages : 368

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Book Description
Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.

Author: Mara Parker
Publisher: Routledge
ISBN: 1135848351
Category : Music
Languages : en
Pages : 513

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Book Description
This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.

Author: Joseph Kerman
Publisher: W. W. Norton & Company
ISBN: 9780393009095
Category : Music
Languages : en
Pages : 412

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Book Description
A critical study of the structure, style, and significance of the sixteen string quartets.

Author: Thomas Schuttenhelm
Publisher: Routledge
ISBN: 1315437317
Category : Music
Languages : en
Pages : 114

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Book Description
Thomas Schuttenhelm provides a detailed account of the events leading up to and throughout the compositional process associated with Michael Tippett’s Fifth String Quartet and a comprehensive analysis of the entire quartet. The commentary discusses this work in the context of Tippett’s creative development and places it within the historical context of the genre of the string quartet. The commentary includes interviews with the members of the Lindsay String Quartet, who premiered the work, as well as previously unpublished letters from the composer and interviews with Tippett in which he discusses the quartet in detail. Special attention is given to Tippett’s preliminary attempts, which were only recently discovered (2011) and to the evidence that suggests he altered the original ending. Included are images from the composer’s sketchbooks and manuscripts, as well as the original beginning and the altered ending.

Author: William Kinderman
Publisher: University of Illinois Press
ISBN: 0252091620
Category : Music
Languages : en
Pages : 361

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Book Description
"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.