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Author: Conrad Rudolph Publisher: John Wiley & Sons ISBN: 1119077729 Category : Art Languages : en Pages : 1040
Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Author: Conrad Rudolph Publisher: John Wiley & Sons ISBN: 1119077729 Category : Art Languages : en Pages : 1040
Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Author: Margaret Labarge Publisher: McGill-Queen's Press - MQUP ISBN: 0773574018 Category : History Languages : en Pages : 306
Book Description
This collection of occasional writings by renowned medieval scholar Margaret Wade Labarge considers an eclectic mix of themes and issues in the history of the Middle Ages. The varied lives of medieval women, their power and status within society, are depicted through their own writings; questions of medieval culture are linked to those facing humanity in our time; travel, as experienced by the most prestigious ambassador and by the lowliest pilgrim, is explored; and the origins and conditions of health care are examined. These themes have inspired or informed the author's eight major historical works, but are revisited here with the clarity, wit and discipline of a great teacher. A Medieval Miscellany will give readers already acquainted with Labarge's work new pleasure, and provide an enticing path into medieval lives and time for new readers.
Author: David S. Herrstrom Publisher: Rowman & Littlefield ISBN: 1683933648 Category : Literary Criticism Languages : en Pages : 389
Book Description
In Light as Experience and Imagination from Medieval to Modern Times, David S. Herrstrom synthesizes and interprets the experience of light as revealed in a wide range of art and literature from medieval to modern times. The true subject of the book is making sense of the individual’s relationship with light, rather than the investigation of light’s essential nature, while telling the story of light “seducing” individuals from the Middle Ages to our modern times. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions as reflected in art, architecture, and literature. Instead of its evolution, this book celebrates the complexity of our relation to light’s character. No individual experience of light being “truer” than any other.
Author: Julian Gardner Publisher: Harvard University Press ISBN: 0674050800 Category : Art Languages : en Pages : 273
Book Description
Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.
Author: Whitney S. Stoddard Publisher: Routledge ISBN: 0429973764 Category : Art Languages : en Pages : 932
Book Description
This is an English-language study on the architecture and art of medieval France of the Romanesque and Gothic periods between 1000-1500. In addition to essays on individual monuments there are general discussions of given periods and specific problems such as: why did Gothic come into being? Whitney Stoddard explores the interrelationship between all forms of medieval ecclesiastical art and characterization of the Gothic cathedral, which he believes to have an almost metaphysical basis.
Author: Almantas Samalavicius Publisher: Wipf and Stock Publishers ISBN: 1498274137 Category : Social Science Languages : en Pages : 124
Book Description
This book is a scholarly inquiry into several dimensions of culture, exploring the close relationship between architecture and metaphysical ideas as well as religious and philosophical concepts in each period of human history, a relationship which has, however, been largely forgotten or neglected by modernity. Rather than being a specialized account of any particular epoch, it is an intellectual attempt to map out a general picture of how certain ideas have made their way into architectural structures or shaped them in one or another way, from classical Antiquity through the Middle Ages and the Renaissance to the present. The four essays it contains, focusing on light, water, color, and sound in architecture, are written by an author who is a historian and critic of architecture as well as literary scholar, who firmly believes in the value of discussing these issues from the perspective of the history of ideas. The author is conscious about the limits of any generalizations, but he believes that architecture should be studied not only as an art in its own right, but as something larger, enveloping many layers of culture and reflecting the bonds between human thinking and the practice of the art of building.
Author: Helene E. Roberts Publisher: Routledge ISBN: 1136787925 Category : Art Languages : en Pages : 2586
Book Description
First published in 1998. The Encyclopedia of Comparative Iconography compares the uses of iconographic themes from mythology, the Bible and other sacred texts, literature, and popular culture in works of art through various periods, cultures, and genres. Art historians now tend to study narrative themes depicted in works of art in relation to such subjects as gender and sexuality, politics and power, ownership and possession, ceremony and ritual, legitimacy and authority. The Encyclopedia of Comparative Iconography reflects these new approaches by ordering the themes of various iconographic sources in particular biblical, mythological, and literary texts according to these new emphases.Each handsomely illustrated entry discusses the major relevant iconographic narratives and the historical background of each theme. A list of selected works of art that accompanies each essay guides the reader to examples in art that depict the theme under discussion. Each essay includes a list of suggested reading that provides further sources of information about the themes. A general bibliography of reference books is listed separately and can be used in association with all the essays. With 119 entries written by 42 experts, the Encyclopedia of Comparative Iconography is an important reference work for art historians, students of art history, artists, and the general reader.
Author: ElizabethCarson Pastan Publisher: Routledge ISBN: 1351544500 Category : History Languages : en Pages : 492
Book Description
Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Author: Conrad Rudolph
Author: Conrad Rudolph
Author: Margaret Labarge
Author: David S. Herrstrom
Author: Julian Gardner
Author: Whitney S. Stoddard
Author: 
Author: Almantas Samalavicius
Author: Helene E. Roberts
Author: Konrad Hoffmann
Author: ElizabethCarson Pastan