The Puppet Theatre in America PDF Download

Author: Paul McPharlin
Publisher:
ISBN:
Category : Puppet theater
Languages : en
Pages : 506

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Book Description

Author: Paul McPharlin
Publisher:
ISBN:
Category : Puppet plays, American
Languages : en
Pages : 734

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Book Description

Author: Paul McPharlin
Publisher: Boston : Plays, Incorporated
ISBN:
Category : Puppet plays
Languages : en
Pages : 792

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Book Description

Author: Paul McPharlin
Publisher:
ISBN:
Category : Puppet theater
Languages : en
Pages : 734

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Book Description

Author: Paul McPharlin
Publisher: New York : Harper
ISBN:
Category : Puppet-plays
Languages : en
Pages : 534

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Book Description

Author: Paul McPharlin
Publisher:
ISBN:
Category : Puppet theater
Languages : en
Pages : 506

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Book Description

Author: Paul Mac Pharlin
Publisher:
ISBN:
Category :
Languages : en
Pages : 515

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Book Description

Author: Paul McPharlin
Publisher:
ISBN:
Category : Puppet theater
Languages : en
Pages : 734

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Book Description

Author: Ryan Howard
Publisher: McFarland
ISBN: 0786424338
Category : Performing Arts
Languages : en
Pages : 257

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Book Description
Paul McPharlin is one of the 20th century's most important contributors to the art of puppetry. Over a period of nine years he created some 20 productions with marionettes, rod puppets, hand puppets and shadow figures. He was also a prolific writer whose technical, theoretical and historical works contributed significantly to a puppetry revival. His book The Puppet Theatre in America is considered the definitive history of American puppetry. Though shy and aloof, McPharlin was also energetic. He had an ability to bring people together and used this knack to found a national puppetry organization, Puppeteers of America. Besides the author's extensive research on McPharlin and puppetry, the book draws on significant contributions from McPharlin's wife, puppeteer and author Marjorie Batchelder McPharlin, who allowed the use of her 18-year correspondence with Paul in the creation of the book. Chapters take the reader through McPharlin's childhood as a loner in Detroit, his maturation and education in New York, and his early, erratic and often unsuccessful attempts at making a living. His puppeteering years, 1929 to 1937, are detailed, as are the later years that saw him first working for the WPA and then being drafted into the army to serve in World War II at age 38. He continued making important contributions to the art of puppetry until a brain tumor took his life at age 45 in 1948. Appendices present two of McPharlin's plays, The Barn at Bethlehem: A Christmas Play and Punch's Circus. Another appendix details puppetry imprints, including yearbooks, plays, handbooks, worksheets and books. A fourth lists Paul McPharlin's Puppeteers, members of the Marionette Fellowship of Detroit.

Author: Jo Ann Cavallo
Publisher: Anthem Press
ISBN: 1839987650
Category : Literary Criticism
Languages : en
Pages : 223

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Book Description
Sicilian puppet theater was the predominant form of cultural expression for working-class southern Italians and Sicilians from the early 1800s until the proliferation of television in the 1950s. This form of dramatic prose theater also flourished in diasporic Italian urban communities, bringing immigrants together for nightly performances of the same deeply cherished chivalric stories. Agrippino Manteo’s scripts, examined for the first time in this study, are testimony to the rich substance of the Paladins of France narratives dramatized on the traditional opera dei pupi stage. Even beyond their historical and aesthetic value, the alternating episodes of love, enchantment, adventure, and warfare invite us to relive the passion, heartbreak, excitement, and magic of knights and damsels from around the globe – from Europe to North Africa to East Asia – who share the stage with a host of wizards, fairies, giants, and monsters. This study reconstructs the history of the Manteo family marionette theater in New York City across seven decades and three generations, provides translations of eight selected plays and 270 extant summaries, and offers comparative analyses uncovering the creative process of adaptation from Italian Renaissance masterpieces of chivalric poetry to nineteenth-century prose compilations to Agrippino Manteo’s opera dei pupi dramatizations.