Author: Helga Eng
Publisher: Psychology Press
ISBN: 9780415209878
Category : Art
Languages : en
Pages : 256
Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Psychology of Children's Drawings
Author: Helga Eng
Publisher: Psychology Press
ISBN: 9780415209878
Category : Art
Languages : en
Pages : 256
Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780415209878
Category : Art
Languages : en
Pages : 256
Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Psychology of Children's Drawings
Author: Eng, Helga
Publisher: Routledge
ISBN: 1136313354
Category : Medical
Languages : en
Pages : 256
Book Description
This is Volume VII of thirty-two of collection of works on Developmental Psychology. Initially published in 1931 it offers a look at the psychology based in children's drawings from the first stroke to the development of coloured work at eight years of age.
Publisher: Routledge
ISBN: 1136313354
Category : Medical
Languages : en
Pages : 256
Book Description
This is Volume VII of thirty-two of collection of works on Developmental Psychology. Initially published in 1931 it offers a look at the psychology based in children's drawings from the first stroke to the development of coloured work at eight years of age.
The Psychology of Children's Drawings - Form the First Stroke to the Coloured Drawing
Author: Helga Eng
Publisher: Read Books Ltd
ISBN: 1473383234
Category : Psychology
Languages : en
Pages : 253
Book Description
This book was written from observations of the authors niece over several years. The author grasped the significance of scribbling in a child's development.
Publisher: Read Books Ltd
ISBN: 1473383234
Category : Psychology
Languages : en
Pages : 253
Book Description
This book was written from observations of the authors niece over several years. The author grasped the significance of scribbling in a child's development.
Children’s Drawings
Author: Martin Krampen
Publisher: Springer Science & Business Media
ISBN: 147579679X
Category : Psychology
Languages : en
Pages : 239
Book Description
This book is dedicated to all those who love children and their wonderful, often surprising, drawings. This means it addresses all those interested in their devel oping capacity to produce "iconic" signs: parents, teachers, child psychologists, artists, architects (since building drawings are treated here), and semioticians at large-to name but a few potential readers. Because of the broad audience, I tried to keep scientific jargon to a minimum. Whenever this was unavoidable, I tried to explain the terms in such a way that even beginners in psychology could understand my arguments. I received the first impulse to think about a book like this from the Interna tional Year of the Child declared by the UN in 1979. In a first phase of the project, I obtained drawings of the six different building types treated in this book from more than 100 children aged 3-12 years in Turkey during a stay there as part of the faculty of Architecture of the Karadeniz Technical University in Trabzon under the auspices of the UN ESCO/UNDP program TUR/75/012. My special thanks go to Dr. Erdem Aksoy, then president of the university, and Dr. Ozgontil Aksoy, then dean of the faculty of Architecture and Civil Engineering, for their encouragement to carry out the project. I would also like to thank Dr. Kutzal Oztlirk, Sevinc Erttirk, Ali Ozbilen, Hasan Saltik, together with all the teachers in nursery and elementary schools in and around Trabzon who helped to collect the drawings.
Publisher: Springer Science & Business Media
ISBN: 147579679X
Category : Psychology
Languages : en
Pages : 239
Book Description
This book is dedicated to all those who love children and their wonderful, often surprising, drawings. This means it addresses all those interested in their devel oping capacity to produce "iconic" signs: parents, teachers, child psychologists, artists, architects (since building drawings are treated here), and semioticians at large-to name but a few potential readers. Because of the broad audience, I tried to keep scientific jargon to a minimum. Whenever this was unavoidable, I tried to explain the terms in such a way that even beginners in psychology could understand my arguments. I received the first impulse to think about a book like this from the Interna tional Year of the Child declared by the UN in 1979. In a first phase of the project, I obtained drawings of the six different building types treated in this book from more than 100 children aged 3-12 years in Turkey during a stay there as part of the faculty of Architecture of the Karadeniz Technical University in Trabzon under the auspices of the UN ESCO/UNDP program TUR/75/012. My special thanks go to Dr. Erdem Aksoy, then president of the university, and Dr. Ozgontil Aksoy, then dean of the faculty of Architecture and Civil Engineering, for their encouragement to carry out the project. I would also like to thank Dr. Kutzal Oztlirk, Sevinc Erttirk, Ali Ozbilen, Hasan Saltik, together with all the teachers in nursery and elementary schools in and around Trabzon who helped to collect the drawings.
Understanding Children's Drawings
Author: Cathy A. Malchiodi
Publisher: Guilford Press
ISBN: 146250485X
Category : Psychology
Languages : en
Pages : 276
Book Description
This practical resource demonstrates how all clinicians can broaden and enhance their work with children by integrating drawing into therapy. The book enables therapists to address the multidimensional aspects of children's art without resorting to simplistic explanations. Approaching drawing as a springboard for communication and change, Malchiodi offers a wealth of guidelines for understanding the intricate messages embedded in children's drawings and in the art-making process itself. Topics covered include how to assist children in making art, what questions to ask and when, and how to motivate children who are initially resistant to drawing. Assimilating extensive research and clinical experience, the book includes over 100 examples of children's work.
Publisher: Guilford Press
ISBN: 146250485X
Category : Psychology
Languages : en
Pages : 276
Book Description
This practical resource demonstrates how all clinicians can broaden and enhance their work with children by integrating drawing into therapy. The book enables therapists to address the multidimensional aspects of children's art without resorting to simplistic explanations. Approaching drawing as a springboard for communication and change, Malchiodi offers a wealth of guidelines for understanding the intricate messages embedded in children's drawings and in the art-making process itself. Topics covered include how to assist children in making art, what questions to ask and when, and how to motivate children who are initially resistant to drawing. Assimilating extensive research and clinical experience, the book includes over 100 examples of children's work.
Children's Drawings of the Human Figure
Author: Maureen V. Cox
Publisher: Psychology Press
ISBN: 1134832303
Category : Psychology
Languages : en
Pages : 158
Book Description
The human figure is one of the earliest topics drawn by the young child and remains popular throughout childhood and into adolescence. When it first emerges, however, the human figure in the child's drawing is very bizarre: it appears to have no torso and its arms, if indeed it has any, are attached to its head. Even when the figure begins to look more conventional the child must still contend with a variety of problems: for instance, how to draw the head and body in the right proportions and how to draw the figure in action. In this book, Maureen Cox traces the development of the human form in children's drawings; she reviews the literature in the field, criticises a number of major theories which purport to explain the developing child's drawing skills and also presents new data.
Publisher: Psychology Press
ISBN: 1134832303
Category : Psychology
Languages : en
Pages : 158
Book Description
The human figure is one of the earliest topics drawn by the young child and remains popular throughout childhood and into adolescence. When it first emerges, however, the human figure in the child's drawing is very bizarre: it appears to have no torso and its arms, if indeed it has any, are attached to its head. Even when the figure begins to look more conventional the child must still contend with a variety of problems: for instance, how to draw the head and body in the right proportions and how to draw the figure in action. In this book, Maureen Cox traces the development of the human form in children's drawings; she reviews the literature in the field, criticises a number of major theories which purport to explain the developing child's drawing skills and also presents new data.
The Projective Use of Mother-and-child Drawings
Author: Jacquelyn Gillespie
Publisher: Psychology Press
ISBN: 9780876307366
Category : Art
Languages : en
Pages : 170
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780876307366
Category : Art
Languages : en
Pages : 170
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
The Projective Use Of Mother-And- Child Drawings: A Manual
Author: Jacquelyn Gillespie
Publisher: Routledge
ISBN: 1134859465
Category : Psychology
Languages : en
Pages : 160
Book Description
A unique and powerful new projective technique is now available to mental health professionals. Based on the most primary of human relationships that between mother and child this technique is able to foster projections and identify perceptions of self and others that carry an unusually strong component of unconscious material. Strikingly clear and accessible, The Projective Use of Mother-and-Child Drawings is one of the few books on projective techniques to provide a consistent theoretical outlook and to address the very significant issues of transference and countertransference as they relate to this technique. While firmly grounded in a psychodynamic view of personality development, the volume also conveys a clinical outlook with applications suitable to a variety of theoretical paradigms. The author comprehensively considers the theoretical and practical aspects of mother-and-child drawings and how to both use and assess them to gain insight into the most fundamental reaches of the self. She consistently cautions against overly simplified interpretations of the drawings and stresses the importance of using conclusions drawn from them only as indications for further assessment, confirmation, or rejection. The book is replete with examples of mother-and-child drawings from all age groups in both average populations and those with both mental and physical pathologies. The volume opens with a careful discussion of the theoretical considerations behind mother-and-child drawings, as well as the development and validation of projective drawing techniques in general. The next section, on research issues, discourages diagnostic labeling in favor of making optimum use of the highly personal and idiosyncratic nature of these drawings. This chapter features an interesting attempt to classify mother-and-child drawings in relation to size of the figures. A particularly fascinating chapter on the impact of art on the therapist focuses on artwork done by professional artists who have addressed the mother-and-child theme. The author explores and analyzes several thematic works of art from varying time periods and cultures. It is her intent to help mental health professionals to explore their responses to pictorial art as individuals and thereby gain new understandings of related transference and countertransference issues with clients. Chapter four provides clear instructions for administering mother-and-child drawings as a projective technique and guidelines for their interpretation. This section provides samples and analyses of age-typical drawings from the general population. They vary greatly in style and artistic proficiency and are included to provide an idea of the usual developmental sequence of drawing characteristics from early childhood through the adult years. Drawings of groups with demonstrated psychological pathologies or physical and developmental abnormalities comprise the final chapter. This section approaches the interpretation of drawings by asking questions about how they communicate basic self and object relations issues. This commanding volume, of interest, to students and professionals alike, will provide art therapists, school psychologists and mental health practitioners of all stripes with a powerful new projective technique to add to their professional armamentarium.
Publisher: Routledge
ISBN: 1134859465
Category : Psychology
Languages : en
Pages : 160
Book Description
A unique and powerful new projective technique is now available to mental health professionals. Based on the most primary of human relationships that between mother and child this technique is able to foster projections and identify perceptions of self and others that carry an unusually strong component of unconscious material. Strikingly clear and accessible, The Projective Use of Mother-and-Child Drawings is one of the few books on projective techniques to provide a consistent theoretical outlook and to address the very significant issues of transference and countertransference as they relate to this technique. While firmly grounded in a psychodynamic view of personality development, the volume also conveys a clinical outlook with applications suitable to a variety of theoretical paradigms. The author comprehensively considers the theoretical and practical aspects of mother-and-child drawings and how to both use and assess them to gain insight into the most fundamental reaches of the self. She consistently cautions against overly simplified interpretations of the drawings and stresses the importance of using conclusions drawn from them only as indications for further assessment, confirmation, or rejection. The book is replete with examples of mother-and-child drawings from all age groups in both average populations and those with both mental and physical pathologies. The volume opens with a careful discussion of the theoretical considerations behind mother-and-child drawings, as well as the development and validation of projective drawing techniques in general. The next section, on research issues, discourages diagnostic labeling in favor of making optimum use of the highly personal and idiosyncratic nature of these drawings. This chapter features an interesting attempt to classify mother-and-child drawings in relation to size of the figures. A particularly fascinating chapter on the impact of art on the therapist focuses on artwork done by professional artists who have addressed the mother-and-child theme. The author explores and analyzes several thematic works of art from varying time periods and cultures. It is her intent to help mental health professionals to explore their responses to pictorial art as individuals and thereby gain new understandings of related transference and countertransference issues with clients. Chapter four provides clear instructions for administering mother-and-child drawings as a projective technique and guidelines for their interpretation. This section provides samples and analyses of age-typical drawings from the general population. They vary greatly in style and artistic proficiency and are included to provide an idea of the usual developmental sequence of drawing characteristics from early childhood through the adult years. Drawings of groups with demonstrated psychological pathologies or physical and developmental abnormalities comprise the final chapter. This section approaches the interpretation of drawings by asking questions about how they communicate basic self and object relations issues. This commanding volume, of interest, to students and professionals alike, will provide art therapists, school psychologists and mental health practitioners of all stripes with a powerful new projective technique to add to their professional armamentarium.
Uncovering the History of Children's Drawing and Art
Author: Donna Kelly
Publisher: Bloomsbury Publishing USA
ISBN: 0313072914
Category : Art
Languages : en
Pages : 144
Book Description
Reactions to children's artwork have varied throughout different times and places. Donna Darling Kelly is calling for a more joyful appreciation of our youngest artists. She presents the dichotomy of the Mirror and Window paradigms. First, she explains the Mirror paradigm, which art educators, psychologists, and art historians use; it is a psychological focus on children's art. It can be defined as the ability of the child to represent images of something other than the object itself. Psychologists who believe in this theory are interested in the self-reflective qualities of children's drawing as they relate to language, intelligence, and cognitive development. The opposing Window paradigm is an aesthetic perspective followed by people working in the arts. The subscribers to this theory see children's art as an objective reproduction of reality that carries all of the meaning with the image. The act of representation is the ultimate goal in this model, not the truth behind the goal. Darling Kelly would like to see the interested parties in the field of children's art placing less emphasis on the prevailing Mirror paradigm and embrace the Window paradigm. Art educators often feel sidelined because subjects such as science and mathematics are requisites, while art remains at best, an elective. Art is often classified as a sub-discipline concerned primarily with therapeutic areas. An unwanted effect of the Mirror paradigm is the stereotypical, psychological model of the artist as a hopelessly neurotic or troubled soul. This volume is a call to arms for the aesthetic Window paradigm, so that art as an autonomous discipline can gain stature in the curriculum of all children's schools.
Publisher: Bloomsbury Publishing USA
ISBN: 0313072914
Category : Art
Languages : en
Pages : 144
Book Description
Reactions to children's artwork have varied throughout different times and places. Donna Darling Kelly is calling for a more joyful appreciation of our youngest artists. She presents the dichotomy of the Mirror and Window paradigms. First, she explains the Mirror paradigm, which art educators, psychologists, and art historians use; it is a psychological focus on children's art. It can be defined as the ability of the child to represent images of something other than the object itself. Psychologists who believe in this theory are interested in the self-reflective qualities of children's drawing as they relate to language, intelligence, and cognitive development. The opposing Window paradigm is an aesthetic perspective followed by people working in the arts. The subscribers to this theory see children's art as an objective reproduction of reality that carries all of the meaning with the image. The act of representation is the ultimate goal in this model, not the truth behind the goal. Darling Kelly would like to see the interested parties in the field of children's art placing less emphasis on the prevailing Mirror paradigm and embrace the Window paradigm. Art educators often feel sidelined because subjects such as science and mathematics are requisites, while art remains at best, an elective. Art is often classified as a sub-discipline concerned primarily with therapeutic areas. An unwanted effect of the Mirror paradigm is the stereotypical, psychological model of the artist as a hopelessly neurotic or troubled soul. This volume is a call to arms for the aesthetic Window paradigm, so that art as an autonomous discipline can gain stature in the curriculum of all children's schools.
Interpreting Children's Drawings
Author: Joseph H. Di Leo
Publisher: Routledge
ISBN: 1135064164
Category : Psychology
Languages : en
Pages : 244
Book Description
First published in 1983. In this comprehensive volume, Dr. Di Leo once again brings to the reader the fruitful combination of extensive knowledge of children's drawings and an approach to the subject that is intimate and humane, but highly sophisticated. Those familiar with his books have come to expect the lucid style with which Dr. Di Leo leads the clinician toward incisive interpretations of children's drawings, pointing out key features and using, where appropriate, parallels from the world of art and literature. His discussions of over 120 drawings reproduced in this volume cover an astonishing range of topics, including: Interpretation, Formal and Stylistic Features, Mostly Cognition (drawing a man in a boat), Mostly Affect (drawing a house), Projective Significance of Child Art, The Whole and Its Parts, Global Features, Body Parts, Sex Differences and Sex Roles in Western Society as Perceived by Children, Laterality and Its Effects on Drawing, Tree Drawings, and Personality Traits, Emotional Disorder Reflected in Drawings, Pitfalls, Role of the Arts in Education for Peace, and Reflections. In his analyses, Dr. Di Leo skillfully singles out examples of overinterpretation and other pitfalls, and answers questions such as: What does the therapist do when the child refuses to draw the family? Is the drawing a self-image? What are the differences between regressive drawings compared with the immature drawings of normal children? Even such fascinating topics as art brut, creativity, madness, and child art are discussed. The reader will find thought-provoking both the author's astute analyses and his keen awareness of the influence of society on children and the pictures they draw. Therapists in the field will find the book remarkably penetrating, while students in the field will delight in its clarity and thoroughness. Everyone who works with the drawings of children will find it absorbing.
Publisher: Routledge
ISBN: 1135064164
Category : Psychology
Languages : en
Pages : 244
Book Description
First published in 1983. In this comprehensive volume, Dr. Di Leo once again brings to the reader the fruitful combination of extensive knowledge of children's drawings and an approach to the subject that is intimate and humane, but highly sophisticated. Those familiar with his books have come to expect the lucid style with which Dr. Di Leo leads the clinician toward incisive interpretations of children's drawings, pointing out key features and using, where appropriate, parallels from the world of art and literature. His discussions of over 120 drawings reproduced in this volume cover an astonishing range of topics, including: Interpretation, Formal and Stylistic Features, Mostly Cognition (drawing a man in a boat), Mostly Affect (drawing a house), Projective Significance of Child Art, The Whole and Its Parts, Global Features, Body Parts, Sex Differences and Sex Roles in Western Society as Perceived by Children, Laterality and Its Effects on Drawing, Tree Drawings, and Personality Traits, Emotional Disorder Reflected in Drawings, Pitfalls, Role of the Arts in Education for Peace, and Reflections. In his analyses, Dr. Di Leo skillfully singles out examples of overinterpretation and other pitfalls, and answers questions such as: What does the therapist do when the child refuses to draw the family? Is the drawing a self-image? What are the differences between regressive drawings compared with the immature drawings of normal children? Even such fascinating topics as art brut, creativity, madness, and child art are discussed. The reader will find thought-provoking both the author's astute analyses and his keen awareness of the influence of society on children and the pictures they draw. Therapists in the field will find the book remarkably penetrating, while students in the field will delight in its clarity and thoroughness. Everyone who works with the drawings of children will find it absorbing.