Author: Jonathan Swift
Publisher:
ISBN:
Category :
Languages : en
Pages : 270
Book Description
The Prose Works of Jonathan Swift: The Drapier's letters and other works, 1724-1725
The Prose Works of Jonathan Swift
The Prose Works of Jonathan Swift, D.D.
The Drapier's Letters and Other Works
The Prose Writings of Jonathan Swift: The drapier's letters and other works, 1724-1725
The Prose Works of Jonathan Swift: Essays on the portraits of Swift, by Sir Frederick Falkiner, and on Swift and Stella, by the Very Rev. the Dean of St. Patrick's. Bibliography of Swift's works, by W. Spencer Jackson, and a general index, comp. by Constance Jacob
The Prose Works of Jonathan Swift: The Drapier's letters and other works, 1724-1725
Author: Jonathan Swift
Publisher:
ISBN: 9780631003106
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780631003106
Category :
Languages : en
Pages : 0
Book Description
The Prose Works of Jonathan Swift: The drapier's letters
The Prose Works of Jonathan Swift: Essays on the portraits of Swift, by Sir Frederick Falkiner, and on Swift and Stella, by the Very Rev. J.H. Bernard, the Dean of St. Patrick's. Bibliography of Swift's works, by W. Spencer Jackson, and a general index, comp. by Constance Jacob
The Origins of the English Novel, 1600–1740
Author: Michael McKeon
Publisher: Johns Hopkins University Press+ORM
ISBN: 0801877997
Category : Literary Criticism
Languages : en
Pages : 822
Book Description
“This may well be the most important study of the development of prose fiction in England since Ian Watt’s classic Rise of the Novel, on which it builds.” —Library Journal The Origins of the English Novel, 1600-1740, combines historical analysis and readings of extraordinarily diverse texts to reconceive the foundations of the dominant genre of the modern era. Now, on the fifteenth anniversary of its initial publication, The Origins of the English Novel stands as essential reading. The anniversary edition features a new introduction in which the author reflects on the considerable response and commentary the book has attracted since its publication by describing dialectical method and by applying it to early modern notions of gender. Challenging prevailing theories that tie the origins of the novel to the ascendancy of “realism” and the “middle class,” McKeon argues that this new genre arose in response to the profound instability of literary and social categories. Between 1600 and 1740, momentous changes took place in European attitudes toward truth in narrative and toward virtue in the individual and the social order. The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age. “This book is a formidable attempt to articulate issues of almost imponderable centrality for modern life and literature. McKeon proposes with quite breathtaking ambition and considerable intellectual flourish to redefine the novel’s key role in those immense cultural transformations that produce the modern world.” —Studies in the Novel “A magisterial work of history and analysis.” —Arts and Letters “A powerful and solid work that will dominate discussion of its subject for a long time to come.” —The New York Review of Books
Publisher: Johns Hopkins University Press+ORM
ISBN: 0801877997
Category : Literary Criticism
Languages : en
Pages : 822
Book Description
“This may well be the most important study of the development of prose fiction in England since Ian Watt’s classic Rise of the Novel, on which it builds.” —Library Journal The Origins of the English Novel, 1600-1740, combines historical analysis and readings of extraordinarily diverse texts to reconceive the foundations of the dominant genre of the modern era. Now, on the fifteenth anniversary of its initial publication, The Origins of the English Novel stands as essential reading. The anniversary edition features a new introduction in which the author reflects on the considerable response and commentary the book has attracted since its publication by describing dialectical method and by applying it to early modern notions of gender. Challenging prevailing theories that tie the origins of the novel to the ascendancy of “realism” and the “middle class,” McKeon argues that this new genre arose in response to the profound instability of literary and social categories. Between 1600 and 1740, momentous changes took place in European attitudes toward truth in narrative and toward virtue in the individual and the social order. The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age. “This book is a formidable attempt to articulate issues of almost imponderable centrality for modern life and literature. McKeon proposes with quite breathtaking ambition and considerable intellectual flourish to redefine the novel’s key role in those immense cultural transformations that produce the modern world.” —Studies in the Novel “A magisterial work of history and analysis.” —Arts and Letters “A powerful and solid work that will dominate discussion of its subject for a long time to come.” —The New York Review of Books