The Program of the Brescia Casket PDF Download

Author: Carolyn Joslin Watson
Publisher:
ISBN:
Category : Ornamental boxes
Languages : en
Pages : 112

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Author: Catherine Brown Tkacz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288

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Book Description
The elusive rationale for the Brescia Casket, an ivory reliquary carved in northern Italy ca. 390, has long tantalized scholars. In The Key to the Brescia Casket, Dr. Catherine Brown Tkacz reveals that the secret to its meaning lies in exegetical typology-the interpretation of Old Testament people and events as prefiguring the Messiah. Typology, Tkacz argues, underlies the sophisticated program of the ivory box, which features an unusually full depiction of the Passion. Among the fifty-nine carvings on the Brescia Casket, most of them depicting biblical events, are five scenes of the Passion, more than any other monument prior to this time period. These are arranged in historical order, which is also rare in fourth-century Christian art. Tkacz contends that the Casket is in effect a visual sermon on the unity of the Bible's two testaments, an important theological issue of the time. This wonderfully illustrated and rigorously interdisciplinary volume, funded by a grant from the Samuel H. Kress Foundation, grounds the typological program of the Brescia Casket in fourth-century thought. In so doing, it suggests the real possibility that typology is more important for the understanding of Early Christian art than has previously been appreciated.

Author: Galit Noga-Banai
Publisher: OUP Oxford
ISBN: 019152722X
Category : Literary Criticism
Languages : en
Pages : 252

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Book Description
In this pioneering study, the first of its kind, Galit Noga-Banai analyses silver reliquaries decorated with Christian figurative themes. She offers a clearer and more detailed picture of the beginnings of the cult of relics, which were an essential asset to the Church in its establishment of pilgrimage centres and local hagiographic heritage sites, first in Italy and later in other places around Europe and North Africa. At the same time, Noga-Banai highlights the identity of the objects as portable art, treating the reliquaries as visual historical testimonies. The book is illustrated with nearly 100 finely reproduced drawings and photographs.

Author: Amy Horseman Payner
Publisher:
ISBN:
Category :
Languages : en
Pages : 134

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Author: Martin Jon Gohlinghorst
Publisher:
ISBN:
Category : Doors in art
Languages : en
Pages : 242

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Book Description

Author: Patrick James Bayens
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 206

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Book Description

Author: Andreas Andreopoulos
Publisher: St Vladimir's Seminary Press
ISBN: 9780881412956
Category : Art
Languages : en
Pages : 922

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Book Description
"This book taps the vein of the blending of theology and art in the Middle Ages, in particular, the evolution of the imagery and theology surrounding the Transfiguration Of Christ. In this well-researched volume, Andreas Andreopoulos discusses in detail every philosophical and ritual application of the Transfiguration icon - the mountain, the cloud, the mandorla, the positioning of the apostles, the Old Testament prophets, and the image of Christ himself - taking the reader through an illustrated historical journey. The author simplifies the complex relationship between the dogma of the church fathers and Byzantine art and makes it understandable to a non-specialist audience. Nevertheless, theologians, historians, and art historians alike will appreciate the interdisciplinary value of this clearly presented documentation. Andreopoulos's expert use of patristic texts and Jewish sources, as well as the New Testament and apocryphal writings and pagan sources, elucidates the development of art and doctrine that surround this scriptural epiphany."--BOOK JACKET.

Author: Cynthia Jean Hahn
Publisher: Penn State Press
ISBN: 0271050780
Category : Art
Languages : en
Pages : 318

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Book Description
"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.

Author: Finney
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802890164
Category : Architecture
Languages : en
Pages : 822

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Book Description
One of the most widely respected theological dictionaries put into one-volume, abridged form. Focusing on the theological meaning of each word, the abridgment contains English keywords for each entry, tables of English and Greek keywords, and a listing of the relevant volume and page numbers from the unabridged work at the end of each article or section.

Author: Mati Meyer
Publisher: Pindar Press
ISBN: 1915837227
Category : Art
Languages : en
Pages : 571

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Book Description
Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.