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Author: Kirk Melnikoff Publisher: Ashgate Publishing, Ltd. ISBN: 9780754657019 Category : Literary Criticism Languages : en Pages : 268
Book Description
The first essay collection dedicated to the work of Shakespeare's contemporary Robert Greene, Writing Robert Greene considers Greene's writings in the contexts of his extensive engagement with the popular print market and his work as a professional dramatist for the London-based theatre companies. The volume includes three valuable appendices (presenting apocrypha; edition information; and a list of Greene's works by year published) and an annotated bibliography of recent scholarship.
Author: Kirk Melnikoff Publisher: Ashgate Publishing, Ltd. ISBN: 9780754657019 Category : Literary Criticism Languages : en Pages : 268
Book Description
The first essay collection dedicated to the work of Shakespeare's contemporary Robert Greene, Writing Robert Greene considers Greene's writings in the contexts of his extensive engagement with the popular print market and his work as a professional dramatist for the London-based theatre companies. The volume includes three valuable appendices (presenting apocrypha; edition information; and a list of Greene's works by year published) and an annotated bibliography of recent scholarship.
Author: Richard Helgerson Publisher: University of Chicago Press ISBN: 9780226326344 Category : Literary Criticism Languages : en Pages : 390
Book Description
What have poems and maps, law books and plays, ecclesiastical polemics and narratives of overseas exploration to do with one another? By most accounts, very little. They belong to different genres and have been appropriated by scholars in different disciplines. But, as Richard Helgerson shows in this ambitious and wide-ranging study, all were part of an extraordinary sixteenth- and seventeenth-century enterprise: the project of making England.
Author: Kirk Melnikoff Publisher: Routledge ISBN: 1134787731 Category : Literary Criticism Languages : en Pages : 275
Book Description
Robert Greene, contemporary of Shakespeare and Marlowe and member of the group of six known as the "University Wits," is the subject of this essay collection, the first to be dedicated solely to his work. Although in his short lifetime Greene published some three dozen prose works, composed at least five plays, and was one of the period's most recognized-even notorious-literary figures, his place within the canon of Renaissance writers has been marginal at best. Writing Robert Greene offers a reappraisal of Greene's career and of his contribution to Elizabethan culture. Rather than drawing lines between Greene's work for the pamphlet market and for the professional theatres, the essays in the volume imagine his writing on a continuum. Some essays trace the ways in which Greene's poetry and prose navigate differing cultural economies. Others consider how the full spectrum of his writing contributes to an emergent professional discourse about popular print and theatrical culture. The volume includes an annotated bibliography of recent scholarship on Greene and three valuable appendices (presenting apocrypha; edition information; and editions organized by year of publication).
Author: Edward Gieskes Publisher: University of Delaware Press ISBN: 9780874139297 Category : Business & Economics Languages : en Pages : 380
Book Description
Unites literary criticism, social and legal history, and Pierre Bourdieu's sociology of culture. This book offers an exploration of the professionalization of early modern disciplines in an effort to characterize those disciplines in their social, economic, and historical contexts.
Author: Arthur F. Marotti Publisher: Cornell University Press ISBN: 1501728504 Category : Literary Criticism Languages : en Pages : 372
Book Description
The last of the literary genres to be incorporated into print culture, verse in the English Renaissance not only was published in anthologies, pamphlets, and folio editions, it was also circulated in manuscript. In this ground-breaking historical and cultural study of sixteenth- and early seventeenth-century lyric poetry, Marotti examines the interrelationship between the two systems of literary transmission and shows how in England manuscript and print publication together shaped the emerging institution of literature. Surveying a wide range of manuscript and print poetry of the period, Marotti outlines the different social and institutional contexts in which poems were collected and transmitted. He focuses on the two kinds of verse that were circulated more commonly in manuscript than in print—the obscene and the political—and he considers the contributions of scribes and compilers, particularly in composing "answer poetry" and other verse. Analyzing the process through which print gradually replaced manuscript as the standard medium for lyric verse, he identifies four crucial events in the history of publication in England: the appearances of Tottel's Miscellany ( (1557), Sir Philip Sidney's works in the 1590s, Ben Jonson's folio Workes (1616), and the posthumous editions of the poems of Donne and of Herbert (both 1633). Marotti also considers how certain material features of the book determined the reception of poetry, and he explores how poets attempted to establish their authority in print in relation to publishers, patrons, and readers.
Author: Jane Grogan Publisher: Routledge ISBN: 1351937871 Category : Literary Criticism Languages : en Pages : 363
Book Description
Exemplary Spenser analyses the didactic poetics of The Faerie Queene, renewing attention to its avowed attempt to "fashion a gentleman or noble person in vertuous and gentle discipline" and examining how Spenser mobilises his pedagogic concerns through the reading experience of the poem. Grogan's investigation shows how Spenser transacts the public life of the nation heuristically, prompting a reflective reading experience that compels engagement with other readers, other texts and other political communities. Negotiating between competing pedagogical traditions, she shows how Spenser's epic challenges the more conservative prevailing impulses of humanist pedagogy to espouse a radical didacticism capable of inventing a more active and responsible reader. To this end, Grogan examines a wide variety of Spenser's techniques and sources, including Philip Sidney's Defence of Poesy and the powerful visually-couched epistemological paradigms of early modern culture, ekphrasis among them. Importantly, Grogan examines how Spenser's didactic poetics was crucially shaped by readings of the Greek historian Xenophon's Cyropaedia, a text and influence previously overlooked by critics. Grogan concludes by reading the last book of The Faerie Queene, the Legend of Courtesy, as an attempt to reconcile his own didactic sources and poetics with the more recent tastes of his contemporaries for a courtesy theory less concerned with "vertuous and gentle discipline". Returning to the early modern reading experience, Grogan shows the sophisticated intertextual dexterity that goes into reading Spenser, where Spenserian pedagogy lies not simply in the textual body of the poem, but also in the act of reading it.
Author: Rajan Barrett Publisher: Cambridge Scholars Publishing ISBN: 1443825417 Category : History Languages : en Pages : 460
Book Description
The Self and the Sonnet is an interdisciplinary study which considers the sonnet, a near eight hundred year old form, and looks at the historical meanderings and the popularity of the form among cultures that are far removed from the location of its origin in Italy. The book tracks the notion of the self from its Platonic beginnings to the Postmodern, using insights from Charles Taylor, Brian Morris and Calvin O. Schrag so as to work out a model of the self. Jan Patočka’s phenomenological notions of the self and Chaos Theory are important cohesive elements in the composition of this model. A limit point in Mathematics is a point that is not in the set around which all the points cluster. The book looks at the self from the limit points of the body, mind, world and language. It analyzes sonnets which predominantly show a tendency to one of these limit points. However, it keeps in mind the other limit points as possibilities of a comprehensive analysis. The motivation for this body of research comes primarily from the notion of the sonnet being a form that initially exists along with the epic as canonical writers of literary epics also write sonnets. The historic and narrative moment of self in sonnet form calls for a questioning of both the self and the sonnet. The book tries to address the questions: ‘What changes in the notion of self prompt the origin and persistence of the sonnet across cultures?’ and ‘Why and how is this form compatible with a self that is postmodern and global?’ The Anglo-American sonnet, for the most, is addressed but cultures and their attendant forms are also addressed when considering the sonnet. The Arabic zajal, the Persian ghazal, the Chinese sonnet and the Korean Sijo-sonnet are forms that are touched upon along with the Indian postcolonial versions like the forms of the sonnet in Modern Indian Languages such as Bangla, Gujarati and Marathi.
Author: H. S. Bennett Publisher: Cambridge University Press ISBN: 9780521379892 Category : Business & Economics Languages : en Pages : 348
Book Description
In this second volume of his classic English Books and Readers, first published in 1965, H. S. Bennett continues the story down to the end of the reign of Elizabeth I. His purpose is to give an account of the total output of books and pamphlets in this period, irrespective of their qualities as literature. He reveals a picture of astonishing variety and fertility. The part of it which concerns the production of imaginative, philosophical and religious books is fairly well known; but by far the larger proportion of the output of the printing presses consisted of such diverse products as histories and geographies, moral treatises, translations from the Classics, legal and medical text-books, writings on sports and pastimes, seamanship, primers of instruction in languages and music, the great and famous corpus of travel books, volumes of ballads and verses, and cheap and sensational pamphlets on such topics as monstrous births, strange creatures, the evil practices of witches and the diabolical objectives of traitors. Besides showing how the printers, booksellers and their allies made this enormously diverse mass of material readily available to the Elizabethan reading public, the author examines as well the relations between writers and readers.
Author: Kirk Melnikoff
Author: Kirk Melnikoff
Author: J.W. Saunders
Author: Richard Helgerson
Author: Kirk Melnikoff
Author: Frangois Laroque
Author: Edward Gieskes
Author: Arthur F. Marotti
Author: Jane Grogan
Author: Rajan Barrett
Author: H. S. Bennett