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Author: St Lambert Publisher: Cambridge University Press ISBN: 9780521252768 Category : Music Languages : en Pages : 164
Book Description
Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le clavecin of 1717 in that it deals with the musical style of the generation preceding Couperin and includes subjects not discussed by him. Although nothing is known about Saint Lambert himself, it is clear from this work that as a teacher he was thorough, sympathetic, and open-minded. His book is deserving of a place on the shelf of anyone, professional or amateur, who is interested in the music of the Grand Siècle. For this first English edition, Rebecca Harris-Warrick has added a substantial introduction and full annotation throughout the text [Publisher description]
Author: St Lambert Publisher: Cambridge University Press ISBN: 9780521252768 Category : Music Languages : en Pages : 164
Book Description
Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le clavecin of 1717 in that it deals with the musical style of the generation preceding Couperin and includes subjects not discussed by him. Although nothing is known about Saint Lambert himself, it is clear from this work that as a teacher he was thorough, sympathetic, and open-minded. His book is deserving of a place on the shelf of anyone, professional or amateur, who is interested in the music of the Grand Siècle. For this first English edition, Rebecca Harris-Warrick has added a substantial introduction and full annotation throughout the text [Publisher description]
Author: Mark Kroll Publisher: Cambridge University Press ISBN: 1107156076 Category : Music Languages : en Pages : 407
Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Author: Stewart Carter Publisher: Indiana University Press ISBN: 0253005280 Category : Music Languages : en Pages : 558
Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Author: Michael Talbot Publisher: Routledge ISBN: 135153730X Category : Music Languages : en Pages : 553
Book Description
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Author: St Lambert
Author: St Lambert
Author: Michel de Saint-Lambert
Author: Rebecca Harris-Warrick
Author: Rebecca Lamar Harris-Warrick
Author: Roxanne R. Rump
Author: Kimberly Penner
Author: Mark Kroll
Author: William Neil Roberts
Author: Stewart Carter
Author: Michael Talbot