Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
Book Description
The Biographical Dictionary of the Society for the Diffusion of Useful Knowledge
Venice and the Islamic World, 828-1797
Author: Institut du Monde Arabe (Paris)
Publisher: Yale University Press
ISBN: 0300124309
Category : History
Languages : en
Pages : 388
Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Publisher: Yale University Press
ISBN: 0300124309
Category : History
Languages : en
Pages : 388
Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
THE PRINCE OF INDIA – The Story of the Fall of Constantinople (Historical Novel)
Author: Lew Wallace
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 772
Book Description
Lew Wallace's historical novel 'The Prince of India - The Story of the Fall of Constantinople' is a captivating tale set in the waning days of the Byzantine Empire and the eventual conquest of the city by the Ottoman Turks. With vivid descriptions and meticulous attention to historical detail, Wallace brings to life the political intrigues, romance, and epic battles that marked this pivotal moment in history. The novel is written in a rich literary style that transports the reader back to the ancient world, immersing them in the grandeur and turmoil of the time. Wallace's narrative skillfully weaves together the personal stories of the characters with the larger historical events, providing a nuanced perspective on the fall of Constantinople. The book is a valuable contribution to historical fiction, offering both entertainment and educational insight into a significant period of history.
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 772
Book Description
Lew Wallace's historical novel 'The Prince of India - The Story of the Fall of Constantinople' is a captivating tale set in the waning days of the Byzantine Empire and the eventual conquest of the city by the Ottoman Turks. With vivid descriptions and meticulous attention to historical detail, Wallace brings to life the political intrigues, romance, and epic battles that marked this pivotal moment in history. The novel is written in a rich literary style that transports the reader back to the ancient world, immersing them in the grandeur and turmoil of the time. Wallace's narrative skillfully weaves together the personal stories of the characters with the larger historical events, providing a nuanced perspective on the fall of Constantinople. The book is a valuable contribution to historical fiction, offering both entertainment and educational insight into a significant period of history.
The Prince of India
Author: Lew Wallace
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 770
Book Description
The Prince of India: Why Constantinople Fell follows the adventures of the Wandering Prince who takes his role in the creating of history, by stepping into the service of Turkish Sultan and gets involved in Turkish conquest of Constantinople in 1453, and the Fall of the Byzantine Empire. Lew Wallace (1827-1905) was an American lawyer, Union general in the American Civil War, politician, diplomat and author, best known for his historical adventure story, Ben-Hur: A Tale of the Christ, a bestselling novel that has been called "the most influential Christian book of the nineteenth century." He wrote several historical novels and biographies of American generals.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 770
Book Description
The Prince of India: Why Constantinople Fell follows the adventures of the Wandering Prince who takes his role in the creating of history, by stepping into the service of Turkish Sultan and gets involved in Turkish conquest of Constantinople in 1453, and the Fall of the Byzantine Empire. Lew Wallace (1827-1905) was an American lawyer, Union general in the American Civil War, politician, diplomat and author, best known for his historical adventure story, Ben-Hur: A Tale of the Christ, a bestselling novel that has been called "the most influential Christian book of the nineteenth century." He wrote several historical novels and biographies of American generals.
The Reception of Byzantium in European Culture since 1500
Author: Przemyslaw Marciniak
Publisher: Routledge
ISBN: 1134808380
Category : Art
Languages : en
Pages : 343
Book Description
Studies on the reception of the classical tradition are an indispensable part of classical studies. Understanding the importance of ancient civilization means also studying how it was used subsequently. This kind of approach is still relatively rare in the field of Byzantine Studies. This volume, which is the result of the range of interests in (mostly) non-English-speaking research communities, takes an important step to filling this gap by investigating the place and dimensions of ’Byzantium after Byzantium’. This collection of essays uses the idea of ’reception-theory’ and expands it to show how European societies after Byzantium have responded to both the reality, and the idea of Byzantine Civilisation. The authors discuss various forms of Byzantine influence in the post-Byzantine world from architecture to literature to music to the place of Byzantium in modern political debates (e.g. in Russia). The intentional focus of the present volume is on those aspects of Byzantine reception less well-known to English-reading audiences, which accounts for the inclusion of Bulgarian, Czech, Polish and Russian perspectives. As a result this book shows that although so-called 'Byzantinism' is a pan-European phenomenon, it is made manifest in local/national versions. The volume brings together specialists from various countries, mainly Byzantinists, whose works focus not only on Byzantine Studies (that is history, literature and culture of the Byzantine Empire), but also on the influence of Byzantine culture on the world after the Fall of Constantinople.
Publisher: Routledge
ISBN: 1134808380
Category : Art
Languages : en
Pages : 343
Book Description
Studies on the reception of the classical tradition are an indispensable part of classical studies. Understanding the importance of ancient civilization means also studying how it was used subsequently. This kind of approach is still relatively rare in the field of Byzantine Studies. This volume, which is the result of the range of interests in (mostly) non-English-speaking research communities, takes an important step to filling this gap by investigating the place and dimensions of ’Byzantium after Byzantium’. This collection of essays uses the idea of ’reception-theory’ and expands it to show how European societies after Byzantium have responded to both the reality, and the idea of Byzantine Civilisation. The authors discuss various forms of Byzantine influence in the post-Byzantine world from architecture to literature to music to the place of Byzantium in modern political debates (e.g. in Russia). The intentional focus of the present volume is on those aspects of Byzantine reception less well-known to English-reading audiences, which accounts for the inclusion of Bulgarian, Czech, Polish and Russian perspectives. As a result this book shows that although so-called 'Byzantinism' is a pan-European phenomenon, it is made manifest in local/national versions. The volume brings together specialists from various countries, mainly Byzantinists, whose works focus not only on Byzantine Studies (that is history, literature and culture of the Byzantine Empire), but also on the influence of Byzantine culture on the world after the Fall of Constantinople.
The History of Fiction
The Prince Of India; or, Why Constaninople Fell
Author: Lew Wallace
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 811
Book Description
This historical novel by Wallace, the author of "Ben-Hur," chronicles the events leading up to Constantinople's fall to the Turks in 1453. The story follows the adventures of the Wandering Prince, who steps into the service of the Turkish Sultan, Mehmed II, and becomes involved in the Turkish invasion of Constantinople in 1453, and the fall of the Byzantine Empire.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 811
Book Description
This historical novel by Wallace, the author of "Ben-Hur," chronicles the events leading up to Constantinople's fall to the Turks in 1453. The story follows the adventures of the Wandering Prince, who steps into the service of the Turkish Sultan, Mehmed II, and becomes involved in the Turkish invasion of Constantinople in 1453, and the fall of the Byzantine Empire.
The History of Fiction
Author: John Colin Dunlop
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 456
Book Description
Broadway Babies Say Goodnight
Author: Mark Steyn
Publisher: Psychology Press
ISBN: 9780415922869
Category : Music
Languages : en
Pages : 360
Book Description
This sharp-eyed view of the whole span of Broadway musical history spans seven decades of brilliant achievements--the best of which are among the finest works American artists have made.
Publisher: Psychology Press
ISBN: 9780415922869
Category : Music
Languages : en
Pages : 360
Book Description
This sharp-eyed view of the whole span of Broadway musical history spans seven decades of brilliant achievements--the best of which are among the finest works American artists have made.
Mock-Epic Poetry from Pope to Heine
Author: Ritchie Robertson
Publisher: OUP Oxford
ISBN: 0191610143
Category : Literary Criticism
Languages : en
Pages : 465
Book Description
This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations; it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relatons, and on a range of satirical devices. It includes well-known texts (Pope's Dunciad, Byron's Don Juan, Heine's Atta Troll) and others which are little known (Ratschky's Melchior Striregel, Parny's La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the 'Querelle des Anciens et des Modernes' which questioned the authority of Homer's and Virgil's epics; and it relates their substance to contemporary debates about questions of religion and gender.
Publisher: OUP Oxford
ISBN: 0191610143
Category : Literary Criticism
Languages : en
Pages : 465
Book Description
This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations; it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relatons, and on a range of satirical devices. It includes well-known texts (Pope's Dunciad, Byron's Don Juan, Heine's Atta Troll) and others which are little known (Ratschky's Melchior Striregel, Parny's La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the 'Querelle des Anciens et des Modernes' which questioned the authority of Homer's and Virgil's epics; and it relates their substance to contemporary debates about questions of religion and gender.