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Author: Rebecca Fine Romanow Publisher: Cambridge Scholars Publishing ISBN: 1443807826 Category : Literary Criticism Languages : en Pages : 203
Book Description
The Postcolonial Body in Queer Space and Time examines the ways in which the notion of the postcolonial correlates to Judith Halberstam’s idea of queer space and time, the non-normative path of Western lifestyles and hegemonies. Emphasizing authors from Africa and Southeast Asia in the diaspora in London from the mid-1960s through 1990, the reading of both postcolonial lands and subjects as “queer counterproductive” space reveals a depiction of bodies in these texts as located in and performing queer space and time, redefining and relocating the understanding of the postcolonial. The first wave of postcolonial literature produced by diasporics presents the body as the site where the non-normative is performed, revealing the beginnings of a corporeal resistance to the re-colonization of the diasporic individual residing in England from the Wilson through the Thatcher regimes. This study emphasizes the ways in which early postcolonial literature embodies and encounters the topics of race, gender and sexuality, proving that a rejection of subjectifying processes through the representation of the body has always been present in diasporic postcolonial literature. Reading through postcolonial theory as well as the works of Foucault, Deleuze and Guattari, Hardt and Negri, Homi Bhabha, and Giorgio Agamben, as well as Halberstam and queer theory, The Postcolonial Body in Queer Space and Time discusses the poetry and journals of Arthur Nortje, Hanif Kureishi’s The Buddha of Suburbia and his film Sammy and Rosie Get Laid, and Tayeb Salih’s Season of Migration to the North, tracing a geographic arc from homeland to London to the return to the homeland, traveling through the queer space and time of the postcolonial.
Author: Rebecca Fine Romanow Publisher: Cambridge Scholars Publishing ISBN: 1443807826 Category : Literary Criticism Languages : en Pages : 203
Book Description
The Postcolonial Body in Queer Space and Time examines the ways in which the notion of the postcolonial correlates to Judith Halberstam’s idea of queer space and time, the non-normative path of Western lifestyles and hegemonies. Emphasizing authors from Africa and Southeast Asia in the diaspora in London from the mid-1960s through 1990, the reading of both postcolonial lands and subjects as “queer counterproductive” space reveals a depiction of bodies in these texts as located in and performing queer space and time, redefining and relocating the understanding of the postcolonial. The first wave of postcolonial literature produced by diasporics presents the body as the site where the non-normative is performed, revealing the beginnings of a corporeal resistance to the re-colonization of the diasporic individual residing in England from the Wilson through the Thatcher regimes. This study emphasizes the ways in which early postcolonial literature embodies and encounters the topics of race, gender and sexuality, proving that a rejection of subjectifying processes through the representation of the body has always been present in diasporic postcolonial literature. Reading through postcolonial theory as well as the works of Foucault, Deleuze and Guattari, Hardt and Negri, Homi Bhabha, and Giorgio Agamben, as well as Halberstam and queer theory, The Postcolonial Body in Queer Space and Time discusses the poetry and journals of Arthur Nortje, Hanif Kureishi’s The Buddha of Suburbia and his film Sammy and Rosie Get Laid, and Tayeb Salih’s Season of Migration to the North, tracing a geographic arc from homeland to London to the return to the homeland, traveling through the queer space and time of the postcolonial.
Author: Publisher: BRILL ISBN: 9042031883 Category : Literary Criticism Languages : en Pages : 257
Book Description
In the West, once apparently progressive causes such as sexual equality and lesbian and gay emancipation are increasingly redeployed in order to discipline and ostracize immigrant underclass subjects, primarily Muslims. Gender and sexuality on the one hand and race, culture, and/or ethnicity on the other are more and more forced into separate, mutually exclusive realms. That development cannot but bear on the establishment of queer and postcolonial studies as separate academic specializations, among whom relations usually are as cordial as they are indifferent. This volume inquires into the possibilities and limitations of a parceling out of objects alternative to the common scheme, crude but often apposite, in which Western sexual subjectivity is analyzed and criticized by queer theory, while postcolonial studies takes care of non-Western racial subjectivity. Sex, race: always already distinguished, yet never quite apart. Roderick A. Ferguson has described liberal pluralism as an ideology of discreteness in that it disavows race, gender and sexuality's mutually formative role in political, social, and economic relations. It is in that spirit that this volume advocates the discreet, hence judicious and circumspect, reconsideration of the (in)discrete realities of race and sex. Contributors: Jeffrey Geiger, Merill Cole, Jonathan Mitchell and Michael O'Rourke, Jaap Kooijman, Beth Kramer, Maaike Bleeker, Rebecca Fine Romanow, Anikó Imre, Lindsey Green-Simms, Nishant Shahani, Ryan D. Fong, and Murat Aydemir
Author: Judith Halberstam Publisher: NYU Press ISBN: 0814735843 Category : Literary Criticism Languages : en Pages : 237
Book Description
The first full-length study of transgender representations in art, fiction, film, video, and music In her first book since the critically acclaimed Female Masculinity, Judith Halberstam examines the significance of the transgender body in a provocative collection of essays on queer time and space. She presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms’ especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture. In a Queer Time and Place opens with a probing analysis of the life and death of Brandon Teena, a young transgender man who was brutally murdered in small-town Nebraska. After looking at mainstream representations of the transgender body as exhibited in the media frenzy surrounding this highly visible case and the Oscar-winning film based on Brandon's story, Boys Don’t Cry, Halberstam turns her attention to the cultural and artistic production of queers themselves. She examines the “transgender gaze,” as rendered in small art-house films like By Hook or By Crook, as well as figurations of ambiguous embodiment in the art of Del LaGrace Volcano, Jenny Saville, Eva Hesse, Shirin Neshat, and others. She then exposes the influence of lesbian drag king cultures upon hetero-male comic films, such as Austin Powers and The Full Monty, and, finally, points to dyke subcultures as one site for the development of queer counterpublics and queer temporalities. Considering the sudden visibility of the transgender body in the early twenty-first century against the backdrop of changing conceptions of space and time, In a Queer Time and Place is the first full-length study of transgender representations in art, fiction, film, video, and music. This pioneering book offers both a jumping off point for future analysis of transgenderism and an important new way to understand cultural constructions of time and place.
Author: Thomas M. Allen Publisher: Cambridge University Press ISBN: 110839521X Category : Literary Criticism Languages : en Pages : 690
Book Description
Time and Literature features twenty essays on topics from aesthetics and narratology to globalisation and queer temporalities, and showcases how time studies, often referred to as 'the temporal turn', cut across and illuminate research in every field of literature, as well as interdisciplinary approaches drawing upon history, philosophy, anthropology, and the natural sciences. Part one, Origins, addresses fundamental issues that can be traced back to the beginnings of literary criticism. Part two, Developments, shows how thinking about Time has been crucial to various interpretive revolutions that have impacted literary theory. Part three, Application, illustrates the centrality of temporal theorising to literary criticism in a variety of contemporary approaches, from ecocriticism and new materialisms to media and archive studies. The first anthology to provide a synthesis of recent scholarship on the temporality of literary language from across different national and historical periods, Time and Literature will appeal to academic researchers and interested laypersons alike.
Author: Elizabeth Grosz Publisher: Routledge ISBN: 1317325443 Category : Philosophy Languages : en Pages : 366
Book Description
Exploring the fields of architecture, philosophy, and queer theory, Grosz shows how feminism and cultural analysis have conceptually stripped bodies of their specificity, their corporeality, and the vestigal traces of their production as bodies. She investigates the work of Michel Foucault, Teresa de Lauretis, Gilles Deleuze, Judith Butler and Alphonso Lingi, considering their work by examining the ways in which the functioning of bodies transforms understandings of space and time, knowledge and desire. Grosz moves toward a radical consideration of bodies and their relationship to transgression and perversity.
Author: Helton Levy Publisher: Bloomsbury Publishing ISBN: 135029280X Category : Performing Arts Languages : en Pages : 233
Book Description
Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities. Levy revisits media characters that have caught the attention of the broader public such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable. Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.
Author: Cecile Sandten Publisher: BRILL ISBN: 9004328769 Category : Literary Criticism Languages : en Pages : 462
Book Description
The notion of the postcolonial metropolis has gained prominence in the last two decades both within and beyond postcolonial studies. Disciplines such as sociology and urban studies, however, have tended to focus on the economic inequalities, class disparities, and other structural and formative aspects of the postcolonial metropolises that are specific to Western conceptions of the city at large. It is only recently that the depiction of postcolonial metropolises has been addressed in the writings of Suketu Mehta, Chris Abani, Amit Chaudhuri, Salman Rushdie, Aravind Adiga, Helon Habila, Sefi Atta, and Zakes Mda, among others. Most of these works probe the urban specifics and physical and cultural topographies of postcolonial cities while highlighting their agential capacity to defy, appropriate, and abrogate the superimposition of theories of Western modernity and urbanism. These ASNEL Papers are all concerned with the idea of the postcolonial (in the) metropolis from various disciplinary viewpoints, as drawn from a great range of cityscapes (spread out over five continents). The essays explore, on the one hand, ideas of spatial subdivision and inequality, political repression, social discrimination, economic exploitation, and cultural alienation, and, on the other, the possibility of transforming, reinventing and reconfigurating the ‘postcolonial condition’ in and through literary texts and visual narratives. In this context, the volume covers a broad spectrum of theoretical and thematic approaches to postcolonial and metropolitan topographies and their depictions in writings from Australia and New Zealand, South Africa, South Asia, and greater Asia, as well as the UK, addressing issues such as modernity and market economies but also caste, class, and social and linguistic aspects. At the same time, they reflect on the postcolonial metropolis and postcolonialism in the metropolis by concentrating on an urban imaginary which turns on notions of spatial subdivision and inequality, political repression, social discrimination, economic exploitation, and cultural alienation – as the continuing ‘postcolonial’ condition.
Author: Frederick Luis Aldama Publisher: University of Texas Press ISBN: 0292784333 Category : Literary Criticism Languages : en Pages : 209
Book Description
Why are so many people attracted to narrative fiction? How do authors in this genre reframe experiences, people, and environments anchored to the real world without duplicating "real life"? In which ways does fiction differ from reality? What might fictional narrative and reality have in common—if anything? By analyzing novels such as Arundhati Roy's The God of Small Things, Amitav Ghosh's The Glass Palace, Zadie Smith's White Teeth, and Hari Kunzru's The Impressionist, along with selected Latino comic books and short fiction, this book explores the peculiarities of the production and reception of postcolonial and Latino borderland fiction. Frederick Luis Aldama uses tools from disciplines such as film studies and cognitive science that allow the reader to establish how a fictional narrative is built, how it functions, and how it defines the boundaries of concepts that appear susceptible to limitless interpretations. Aldama emphasizes how postcolonial and Latino borderland narrative fiction authors and artists use narrative devices to create their aesthetic blueprints in ways that loosely guide their readers' imagination and emotion. In A User's Guide to Postcolonial and Latino Borderland Fiction, he argues that the study of ethnic-identified narrative fiction must acknowledge its active engagement with world narrative fictional genres, storytelling modes, and techniques, as well as the way such fictions work to move their audiences.
Author: Stephen D. Moore Publisher: SBL Press ISBN: 0884142515 Category : Religion Languages : en Pages : 165
Book Description
Essential reading for biblical studies students and scholars interested in cutting-edge critical theory The current global ecological crisis has prompted a turn to the nonhuman in critical theory. This book breaks new ground in biblical studies as the first to bring nonhuman theory to bear on the gospels and Acts. Nonhuman theory, a confluence of several of the main theoretical streams that have issued forth since the heyday of high poststructuralism, includes affect theory, posthuman animality studies, critical plant studies, object-oriented new materialisms, and assemblage theory. Nonhuman theory dismantles and reassembles the Western concept of “the human” that coalesced during the Enlightenment and testifies to other conceptions of the human and of the nonhuman, not least those found in the canonical gospels and Acts. Stephen D. Moore’s exegetical explorations and defamiliarizations of these overly familiar texts and excavations of their incessantly erased strangeness are the central feature of this provocative book. Features New paths in biblical ecotheology and ecocriticism A significant contribution to the analysis of emotions in biblical texts Class resource for courses in methods for biblical studies, the gospels, and the Bible and ecology
Author: Lisa B. Kröger Publisher: University of Delaware ISBN: 1611494532 Category : Literary Criticism Languages : en Pages : 186
Book Description
The Ghostly and the Ghosted in Literature and Film: Spectral Identities is a collection of essays expanding the concepts of “ghost” and “haunting” beyond literary tools used to add supernatural flavor to include questions of identity, visibility, memory and trauma, and history. Using a wide scope of texts from varying time periods and cultures, including fiction and film, this collection explores the phenomenon of social ghosts. What does it mean, for example, to be invisible, to be a ghost, particularly when that ghost is representative of a person or group living on the margins of society? Why do specific types of ghosts tend to haunt certain cultures and/or places? What is it about a people’s history that invites these types of hauntings? The essays in this book, like pieces of a puzzle, approach the larger questions from diverse individual perspectives, but, taken together, they offer a richly detailed composite discussion of what it means to be haunted.
Author: Rebecca Fine Romanow
Author: Rebecca Fine Romanow
Author: 
Author: Judith Halberstam
Author: Thomas M. Allen
Author: Elizabeth Grosz
Author: Helton Levy
Author: Cecile Sandten
Author: Frederick Luis Aldama
Author: Stephen D. Moore
Author: Lisa B. Kröger