Author: Joseph Edwards CarpenterPublisher:
ISBN:
Category : Elocution
Languages : en
Pages : 631
Book Description
The Popular Elocutionist and Reciter
Author: Joseph Edwards CarpenterPublisher:
ISBN:
Category : Elocution
Languages : en
Pages : 631
Book Description
The Popular Elocutionist and Reciter, Comprising Practical Hints ... Elocution
Author: The Popular Elocutionist and Reciter
Author: Joseph Edwards CarpenterPublisher:
ISBN:
Category : Elocution
Languages : en
Pages : 648
Book Description
The Popular Elocutionist and Reciter
Author: Joseph Edwards CarpenterPublisher:
ISBN:
Category : Elocution
Languages : en
Pages : 586
Book Description
The Popular Elecutionist and Reciter, Comprising Practical Hints on Public Reading and Reciting...
Author: Joseph Edwards CarpenterPublisher:
ISBN:
Category : Elocution
Languages : en
Pages : 0
Book Description
The Popular Elocutionist and Reciter
Author: Joseph Edwards CarpenterPublisher:
ISBN:
Category : Elocution
Languages : en
Pages : 631
Book Description
The popular elocutionist and reciter: classified, arranged, and ed. by J.E. Carpenter. New and extended ed
Author: Joseph Edwards CarpenterPublisher:
ISBN:
Category :
Languages : en
Pages : 648
Book Description
Modern Language Quarterly
Author: Voice, Speech and Gesture a Practical Handbook to the Elocutionary Art ...
Author: Robert D. BlackmanPublisher:
ISBN:
Category : American literature
Languages : en
Pages : 1200
Book Description
Close Listening
Author: Charles BernsteinPublisher: Oxford University Press
ISBN: 0199880441
Category : Literary Criticism
Languages : en
Pages : 401
Book Description
Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performance art. From the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings to new imaginations of prosody, the entries gathered here investigate a compelling range of topics for anyone interested in poetry. Taken together, these essays encourage new forms of "close listenings"--not only to the printed text of poems but also to tapes, performances, and other expressions of the sounded and visualized word. The time is right for such a volume: with readings, spoken word events, and the Web gaining an increasing audience for poetry, Close Listening opens a number of new avenues for the critical discussion of the sound and performance of poetry.