Author: Melinda S. ZookPublisher: Penn State Press
ISBN: 0271039868
Category : History
Languages : en
Pages : 262
Book Description
Radical Whigs and Conspiratorial Politics in Late Stuart England
Author: Melinda S. ZookPublisher: Penn State Press
ISBN: 0271039868
Category : History
Languages : en
Pages : 262
Book Description
Politics and the English Language
Author: George OrwellPublisher: Renard Press Ltd
ISBN: 1913724271
Category : Literary Collections
Languages : en
Pages :
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Politics under the Later Stuarts
Author: Tim HarrisPublisher: Routledge
ISBN: 1317900375
Category : History
Languages : en
Pages : 224
Book Description
The first major study of party conflict in England over the later Stuart period from the reign of Charles II to its culmination under Anne. Tim Harris shows how the party configuration of subsequent British politics emerged in these crucial years. He deals not only with high politics and with the organisation of the new parties, but also with the ideological roots of party strife.
Political Passions
Author: Rachel Judith WeilPublisher: Manchester University Press
ISBN: 9780719056222
Category : Family & Relationships
Languages : en
Pages : 282
Book Description
Ideas about marriage, gender and the family were central to political debate in late Stuart England. Newly available in paperback, this book shows how political argument became an arena in which the proper relations between men and women, parents and children, public and private were defined and contested. Using sources that range from high political theory to scurrilous lampoons, she considers public debates about succession, resistance and divorce. Weil examines the allegedly fraudulent birth of the Prince of Wales in 1688, the uses to which Williamite propagandists put the image of the paradoxically sovereign but obedient Mary II, anxieties about the influence of bedchamber women on Queen Anne, the political self-image of the notorious Duchess of Marlborough, the relationship of feminism and Tory ideology in the polemical writings of Mary Astell and the scandal novels of Delariviere Manley. Solidly grounded in current historical scholarship, but written in an engaging manner accessible to non-specialists, this book will interest students of literature, gender studies, political culture and political theory as well as historians.
Culture and Politics in Early Stuart England
Author: Kevin SharpePublisher: Stanford University Press
ISBN: 9780804722612
Category : Social Science
Languages : en
Pages : 400
Book Description
In recent years new schools of historiography and criticism have recast the political and cultural histories of Elizabethan and early Stuart England. However, for all the benefits of their insights, most revisionist historians have too narrowly focussed on high politics to the neglect of values and ideology, and New Historicist literary scholars have displayed an insufficient grasp of chronology and historical context. The contributors to this pioneering volume, richly fusing these approaches, apply a revisionist close attention to moments to the wide range of texts - verbal and visual - that critics have begun to read as representations of power and politics. Excitingly broadening the range of areas and evidence for the study of politics, these outstanding essays demonstrate how the study of high culture - classical translations, court portraits royal palaces, the conduct of chivalric ceremony - and low culture - cheap pamphlets and scurrilous verses - enable us to reconstruct the languages through which contemporaries interpreted their political environment. The volume posits a reconsideration of the traditional antithetical concepts - court and country, verbal and visual, critical and complimentary, elite and popular; examines the constructions of a moral and social order enacted in a wide variety of cultural practices; and demonstrates how common vocabularies could in changed circumstances be combined and deployed to sustain quite different ideological positions. This book opens a new agenda for the study of the politics of culture and the culture of politics in early modern England. -- Publisher's website.
Images of Rule
Author: David HowarthPublisher: Univ of California Press
ISBN: 9780520209916
Category : Art
Languages : en
Pages : 352
Book Description
This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne. This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne.
Theater of State
Author: Chris KylePublisher: Stanford University Press
ISBN: 080478101X
Category : History
Languages : en
Pages : 290
Book Description
This book chronicles the expansion and creation of new public spheres in and around Parliament in the early Stuart period. It focuses on two closely interconnected narratives: the changing nature of communication and discourse within parliamentary chambers and the interaction of Parliament with the wider world of political dialogue and the dissemination of information. Concentrating on the rapidly changing practices of Parliament in print culture, rhetorical strategy, and lobbying during the 1620s, this book demonstrates that Parliament not only moved toward the center stage of politics but also became the center of the post-Reformation public sphere. Theater of State begins by examining the noise of politics inside Parliament, arguing that the House of Commons increasingly became a place of noisy, hotly contested speech. It then turns to the material conditions of note-taking in Parliament and how and the public became aware of parliamentary debates. The book concludes by examining practices of lobbying, intersections of the public with Parliament within Westminster Palace, and Parliament's expanding print culture. The author argues overall that the Crown dispensed with Parliament because it was too powerful and too popular.
The Bawdy Politic in Stuart England, 1660–1714
Author: Melissa M. MowryPublisher: Routledge
ISBN: 1351894137
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
With this original study, Melissa Mowry makes a strong contribution to a provocative interdisciplinary conversation about an important and influential sub genre: seventeenth-century political pornography. This book further advances our understanding of pornography's importance in seventeenth-century England by extending its investigation beyond the realm of cultural rhetoric into the realm of cultural practice. In addition to the satires which previous scholars have discussed in this context, Mowry brings to light hitherto unexamined pornographies as well as archival texts that reveal the ways in which the satires helped shape the social policies endured by prostitutes and bawds. Her study includes substantial archival evidence of prostitution from the Middlesex Sessions and the Bridewell Courtbooks. Mowry argues that Stuart partisans cultivated representations of bawds and prostitutes because polemicists saw the public sale of sex as republicanism's ideological apotheosis. Sex work, partisans repeatedly asserted, inherently disrupted ancestral systems of property transfer and distribution in favour of personal ownership, while the republican belief that all men owned the labour of their body achieved a nightmarish incarnation in the prostitute's understanding that the sexual favours she performed were labour. The prostitute's body thus emerged in the loyalist imagination as the epitome of the democratic body politic. Carefully grounded in original research, The Bawdy Politic in Stuart England, 1660-1714 is a cultural study with broad implications for the way we understand the historical constructions and legal deployments of women's sexuality.
Representation and Misrepresentation in Later Stuart Britain
Author: Mark KnightsPublisher: OUP Oxford
ISBN: 019151456X
Category : Literary Criticism
Languages : en
Pages : 448
Book Description
In this original and illuminating new study, Mark Knights reveals how the political culture of the eighteenth century grew out of earlier trends and innovations. Arguing that the period from 1675 needs to be seen as the second stage of a seventeenth-century revolution that ran on until c.1720, Representation and Misrepresentation in Later Stuart Britain charts the growth of a national political culture and traces the development of the public as an arbiter of politics. In doing so, it uncovers a crisis of public discourse and credibility, and finds a political enlightenment rooted in local and national partisan conflict. The later Stuart period was characterized by frequent elections, the lapse of pre-publication licensing, the emergence of party politics, the creation of a public debt, and ideological conflict over popular sovereignty. These factors combined to enhance the status of the 'public', not least in requiring it to make numerous acts of judgement. Contemporaries from across the political spectrum feared that the public might be misled by the misrepresentations pedalled by their rivals. Each side, and those ostensibly of no side, discerned a culture of passion, slander, libel, lies, hypocrisy, dissimulation, conspiracy, private languages, and fictions. 'Truth' appeared an ambiguous, political matter. Yet the reaction to partisanship was also creative, for it helped to construct an ideal form of political discourse. This was one based on reason rather than passion, on moderation rather than partisan zeal, on critical reading rather than credulity; and an increasing realization that these virtues arose from infrequent rather than frequent elections. Finding synergies between social, political, religious, scientific, literary, cultural, and intellectual history, Representation and Misrepresentation in Later Stuart Britain reinvigorates the debate about the emergence of 'the public sphere' in the later Stuart period.
The Politics of Liberty in England and Revolutionary America
Author: Lee WardPublisher: Cambridge University Press
ISBN: 1107320445
Category : Political Science
Languages : en
Pages : 478
Book Description
This study locates the philosophical origins of the Anglo-American political and constitutional tradition in the philosophical, theological, and political controversies in seventeenth-century England. By examining the quarrel it identifies the source of modern liberal, republican and conservative ideas about natural rights and government in the seminal works of the Exclusion Whigs Locke, Sidney, and Tyrrell and their philosophical forebears Hobbes, Grotius, Spinoza, and Pufendorf. This study illuminates how these first Whigs and their diverse eighteenth-century intellectual heirs such as Bolingbroke, Montesquieu, Hume, Blackstone, Otis, Jefferson, Burke, and Paine contributed to the formation of Anglo-American political and constitutional theory in the crucial period from the Glorious Revolution through to the American Revolution and the creation of a distinctly American understanding of rights and government in the first state constitutions.