Author: Harris Feinsod Publisher: Oxford University Press ISBN: 0190682000 Category : History Languages : en Pages : 441
Book Description
The Poetry of the Americas provides an expansive history of relations between poets in the US and Latin America over three decades, from the Good Neighbor diplomacy of World War II to 1960s Cold War cultural policy.
Author: Publisher: ISBN: 9780439372909 Category : Children's poetry, American Languages : en Pages : 100
Book Description
A collection of poems evocative of seven geographical regions of the United States, including the Northeast, Southeast, Great Lakes, Plains, Mountain, Southwest, and Pacific Coast States.
Author: Jim Daniels Publisher: Wayne State University Press ISBN: 9780814325421 Category : Literary Criticism Languages : en Pages : 236
Book Description
A collection of poems that explore the issues surrounding race relations in American society, told from the experience of Black, Native American, Asian, Arabic, Hispanic, and white cultures.
Author: Allison Adelle Hedge Coke Publisher: University of Arizona Press ISBN: 0816528918 Category : Literary Collections Languages : en Pages : 345
Book Description
A multilingual collection of Indigenous American poetry, joining voices old and new in songs of witness and reclamation. Unprecedented in scope, Sing gathers more than eighty poets from across the Americas, covering territory that stretches from Alaska to Chile, and features familiar names like Sherwin Bitsui, Louise Erdrich, Joy Harjo, Lee Maracle, and Simon Ortiz alongside international poets--both emerging and acclaimed--from regions underrepresented in anthologies.
Author: Sarah Ehlers Publisher: UNC Press Books ISBN: 1469651297 Category : Literary Criticism Languages : en Pages : 309
Book Description
In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes, Muriel Rukeyser, and Jacques Roumain, and uncovering the contributions of lesser-known writers such as Genevieve Taggard and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes, in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.
Author: Edward Hirsch Publisher: Library of America ISBN: 159853727X Category : Poetry Languages : en Pages : 367
Book Description
An acclaimed poet and our greatest champion for poetry offers an inspiring and insightful new reading of the American tradition We live in unsettled times. What is America and who are we as a people? How do we understand the dreams and betrayals that have shaped the American experience? For poet and critic Edward Hirsch, poetry opens up new ways of answering these questions, of reconnecting with one another and with what’s best in us. In this landmark new book from Library of America, Hirsch offers deeply personal readings of forty essential American poems we thought we knew—from Anne Bradstreet’s “The Author to Her Book” and Phillis Wheatley’s “To S.M. a Young African Painter, on seeing his Works” to Garrett Hongo’s “Ancestral Graves, Kahuku” and Joy Harjo’s “Rabbit Is Up to Tricks”—exploring how these poems have sustained his own life and how they might uplift our diverse but divided nation. “This is a personal book about American poetry,” writes Hirsch, “but I hope it is more than a personal selection. I have chosen forty poems from our extensive archive and songbook that have been meaningful to me, part of my affective life, my critical consideration, but I have also tried to be cognizant of the changing playbook in American poetry, which is not fixed but fluctuating, ever in flow, to pay attention to the wider consideration, the appreciable reach of our literature. This is a book of encounters and realizations.”
Author: George Quasha Publisher: ISBN: 9781581771268 Category : Literary Criticism Languages : en Pages : 0
Book Description
Poetry. African American Studies. Native American Studies. When Thoreau wrote in his Journal in 1841, "Good poetry seems so simple and natural a thing that when we meet it we wonder that all men are not always poets," and when Whitman describes Leaves of Grass as a "language experiment," they are expressing an approach to poetry that never ceased and has grown continuously during recent decades. This groundbreaking anthology from the early 1970s takes such an approach in presenting the poetry of the North American continent, from pre-Columbian times to the present. It includes many recognized poets of the period, though appearing here in often unexpected contexts, and others who have been overlooked but whose contributions to the development of poetry are revolutionary. Starting from their own moment, the editors have read back into the more distant past and selected from broad American traditions works that had thitherto been considered outside the realm of poetry proper: the native poetry of the American continent, African-American sermons, blues and gospels, and the sacred, often innovative poetry of such radical religious groups as the Shakers. The book takes its title from William Blake's poem presenting the American Revolution as not only a powerful, promising and problematic historical event but the birth of a new development in man's consciousness--one that finds complex expression in the poetry of a continent. Selections mostly appear non-chronologically in juxtapositions suggesting what T. S. Eliot called the "simultaneous order" of all poetries of all times.
Author: Kevin Young Publisher: National Geographic Books ISBN: 1598536664 Category : Poetry Languages : en Pages : 0
Book Description
A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture. One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people like Phillis Wheatley and George Moses Horton and activist Frances Ellen Watkins Harper voice their passionate resistance to slavery. Young’s fresh, revelatory presentation of the Harlem Renaissance reexamines the achievements of Langston Hughes and Countee Cullen alongside works by lesser-known poets such as Gwendolyn B. Bennett and Mae V. Cowdery. The later flowering of the still influential Black Arts Movement is represented here with breadth and originality, including many long out-of-print or hard-to-find poems. Here are all the significant movements and currents: the nineteenth-century Francophone poets known as Les Cenelles, the Chicago Renaissance that flourished around Gwendolyn Brooks, the early 1960s Umbra group, and the more recent work of writers affiliated with Cave Canem and the Dark Room Collective. Here too are poems of singular, hard-to-classify figures: the enslaved potter David Drake, the allusive modernist Melvin B. Tolson, the Cleveland-based experimentalist Russell Atkins. This Library of America volume also features biographies of each poet and notes that illuminate cultural references and allusions to historical events.
Author: Harris Feinsod
Author: 
Author: Jim Daniels
Author: Allison Adelle Hedge Coke
Author: Cecilia Vicuña
Author: Sarah Ehlers
Author: Edward Hirsch
Author: George Quasha
Author: Kevin Young
Author: Edward Estlin Cummings