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Author: Katharine Hodgson Publisher: Open Book Publishers ISBN: 1783740906 Category : Literary Criticism Languages : en Pages : 313
Book Description
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation’s culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin’s second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition – "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground. Required reading for students, teachers and lovers of Russian literature, Twentieth-Century Russian Poetry brings our understanding of post-Soviet Russia up to date.
Author: Katharine Hodgson Publisher: Open Book Publishers ISBN: 1783740906 Category : Literary Criticism Languages : en Pages : 313
Book Description
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation’s culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin’s second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition – "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground. Required reading for students, teachers and lovers of Russian literature, Twentieth-Century Russian Poetry brings our understanding of post-Soviet Russia up to date.
Author: Zummar F. Ansari Publisher: AuthorHouse ISBN: 1546280294 Category : Poetry Languages : en Pages : 195
Book Description
My emotions have become understated tragedies. Their presence sometimes makes me feel like only the insane mind could harbor such entities. I then decided that I refuse to believe that. Whether it is God that you believe in or a common ancestor, we can all agree on the fact that we, seven and a half billion of us, are descendants of the same genesis. Therefore, we can afford to entertain the idea that our thoughts are not limited to us, that we are not alone in the things that we feel. The poems in this book are declarations of deep vulnerabilities, of silent victories, and most importantly, of the pursuit of making sense of the enigma that is our existence. To my readers, I hope my words help you feel less alone in the conundrum of life.
Author: Kim Thúy Publisher: Random House Canada ISBN: 0307359727 Category : Fiction Languages : en Pages : 128
Book Description
A runaway bestseller in Quebec, with foreign rights sold to 15 countries around the world, Kim Thúy's Governor General's Literary Award-winning Ru is a lullaby for Vietnam and a love letter to a new homeland. Ru. In Vietnamese it means lullaby; in French it is a small stream, but also signifies a flow - of tears, blood, money. Kim Thúy's Ru is literature at its most crystalline: the flow of a life on the tides of unrest and on to more peaceful waters. In vignettes of exquisite clarity, sharp observation and sly wit, we are carried along on an unforgettable journey from a palatial residence in Saigon to a crowded and muddy Malaysian refugee camp, and onward to a new life in Quebec. There, the young girl feels the embrace of a new community, and revels in the chance to be part of the American Dream. As an adult, the waters become rough again: now a mother of two sons, she must learn to shape her love around the younger boy's autism. Moving seamlessly from past to present, from history to memory and back again, Ru is a book that celebrates life in all its wonder: its moments of beauty and sensuality, brutality and sorrow, comfort and comedy.
Author: Jalalu’l-Din Rumi Publisher: Courier Dover Publications ISBN: 048685034X Category : LITERARY COLLECTIONS Languages : en Pages : 130
Book Description
This beautifully designed hardcover volume presents more than one hundred of Rumi's finest verses, each reflecting his fervent belief in the transformative powers of longing, love, and spirituality.
Author: Peter Cochran Publisher: Cambridge Scholars Publishing ISBN: 144383937X Category : Literary Criticism Languages : en Pages : 280
Book Description
Byron’s dubious status as a sex object, and his even more dubious status as a political icon, serves to disguise the fact that he is one of the greatest of all English poets, with a European reputation second only to Shakespeare. The fact that writers such as Goethe and Pushkin held him in the highest regard ensures that the English continue to despise him, and ignore his verse as much as possible. This book ignores his sexuality, his politics, and his iconography, and concentrates on his poems. Written by leading authorities such as Bernard Beatty, Germaine Greer and Michael O’Neill, it contains essays on his verse-forms and his comic rhymes, as well as thematic analyses on such recurrent Byronic themes as the Sea, Will-o’-the-Wisps, and Love versus Knowledge. In the face of many modern books which translate his verse into prose and try without success to analyse the result, Byron’s Poetry puts his real achievement – as a creative writer – back into the focus of discussion.
Author: Valentina Polukhina Publisher: University of Iowa Press ISBN: 9780877459484 Category : Poetry Languages : en Pages : 292
Book Description
Valentina Polukhina is professor emeritus at Keele University. She specializes in modern Russian poetry and is the author of several major studies of Joseph Brodsky and editor of bilingual collections of the poetry of Olga Sedakova, Dmitry Prigov, and Evegeny Rein. Daniel Weissbort is cofounder, along with Ted Hughes, and former editor of Modern Poetry in Translation, professor emeritus at the University of Iowa, and honorary professor at the Centre for Translation and Comparative Cultural Studies at the University of Warwick. Co-editor of Twentieth-Century Russian Poetry (Iowa 1992), he is also the translator of more than a dozen books, editor of numerous anthologies, and author of many collections of his own poetry. His forthcoming books include a historical reader on translation theory, a book on Ted Hughes and translation, and an edited collection of selected translations of Hughes.
Author: Birgit Beumers Publisher: Routledge ISBN: 1317352637 Category : Social Science Languages : en Pages : 314
Book Description
Alongside the Arab Spring, the 'Occupy' anti-capitalist movements in the West, and the events on the Maidan in Kiev, Russia has had its own protest movements, notably the political protests of 2011–12. As elsewhere in the world, these protests had unlikely origins, in Russia’s case spearheaded by the 'creative class'. This book examines the protest movements in Russia. It discusses the artistic traditions from which the movements arose; explores the media, including the internet, film, novels, and fashion, through which the protesters have expressed themselves; and considers the outcome of the movements, including the new forms of nationalism, intellectualism, and feminism put forward. Overall, the book shows how the Russian protest movements have suggested new directions for Russian – and global – politics.
Author: G.E. Tetley Publisher: Routledge ISBN: 1134084390 Category : History Languages : en Pages : 220
Book Description
This new view on aspects of the Ghaznavid and Seljuk dynasties concentrates on the relationship of the panegyric poets Farrukhi Sistani (c.995-1032) and Mu'izzi (c.1045-1127) to the Ghaznavid and Seljuk rulers and dignitaries for whom they wrote. Dr Tetley investigates the reliability of the historical information which may be gathered from the poems, and draws comparisons with other historical sources. A solid and impressive work of learning, of interest to scholars in Oriental Studies, Medieval Literature, and History, The Ghaznavid and Seljuk Turks: Poetry as a Source for Iranian History, is the first extended English study of Mu'izzi it presents much new material concerning both this little-studied poet and also the better-known Farrukhi. Additionally, there is a valuable exploration of the relationship between Persians and Turks, a highly significant factor during the rule of the two dynasties.
Author: Paola Loreto Publisher: Rodopi ISBN: 9042026391 Category : Literary Criticism Languages : en Pages : 246
Book Description
This first extended study of Derek Walcott’s Tiepolo’s Hound (2000) defines the book as the culmination of the poetry and poetic of the Caribbean writer and Nobel Prize winner. In this long poem, Walcott achieves three goals pursued throughout his career: to develop an original Caribbean aesthetic; to meld the modes of poetry and prose; and to formulate the Bildung of the island-artist in terms of an ‘autobiographical’ narrative. The analysis provides an aesthetic and cultural evaluation of the poem, in terms both of the Western poetic tradition to which it refers through its rich intertextuality and of its significance as a postcolonial milestone. The commentary locates Walcott in an aesthetic tradition running from Emerson through the American Pragmatists to modernist poets; describes his experimental use of certain central narrative strategies in his semi-autobiographical long poems, which is compared to those of another, openly admired, bilingual writer, Vladimir Nabokov; explores Walcott’s revision of the epic mode and of the genre of autobiography; delineates his unfolding of a post-Romantic internalization of the poet’s Arthurian quest; and discusses his complex treatment of the multi-layered metaphor of light as major evidence of the maturity of his style and poetic, with their conscious cross-fertilization between the literary cultures of Europe and the Caribbean. An appendix to this study contains the transcriptions of various ‘Walcott events’ that took place in Italy in the summers of 2000 and 2001, including a creative writing seminar, a press conference, and readings. This extensive material opens a window onto Walcott’s gifts as a teacher, to his stringent yet passionate commitment to the art of poetry, and to the ways in which he and his students grapple with the challenges of literary translation.
Author: Katharine Hodgson
Author: Katharine Hodgson
Author: Zummar F. Ansari
Author: Kim Thúy
Author: Jalalu’l-Din Rumi
Author: 
Author: Peter Cochran
Author: Valentina Polukhina
Author: Birgit Beumers
Author: G.E. Tetley
Author: Paola Loreto