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Author: Charles Wright Publisher: Wesleyan University Press ISBN: 0819572268 Category : Literary Criticism Languages : en Pages : 185
Book Description
A compilation of powerful and moving poems from early in the poet's career. Co-winner of the 1983 National Book Award for Poetry, Country Music is comprised of eighty-eight poems selected from Charles Wright's first four books published between 1970 and 1977. From his first book, The Grave of the Right Hand, to the extraordinary China Trace, this selection of early works represents "Charles Wright's grand passions: his desire to reclaim and redeem a personal past, to make a reckoning with his present, and to conjure the terms by which we might face the future," writes David St. John in the forward. These poems, powerful and moving in their own right, lend richness and insight to Wright's recently collected later works. "In Country Music we see the same explosive imagery, the same dismantled and concentric (or parallel) narratives, the same resolutely spiritual concerns that have become so familiar to us in Wright's more recent poetry," writes St. John.
Author: Charles Wright Publisher: Wesleyan University Press ISBN: 0819572268 Category : Literary Criticism Languages : en Pages : 185
Book Description
A compilation of powerful and moving poems from early in the poet's career. Co-winner of the 1983 National Book Award for Poetry, Country Music is comprised of eighty-eight poems selected from Charles Wright's first four books published between 1970 and 1977. From his first book, The Grave of the Right Hand, to the extraordinary China Trace, this selection of early works represents "Charles Wright's grand passions: his desire to reclaim and redeem a personal past, to make a reckoning with his present, and to conjure the terms by which we might face the future," writes David St. John in the forward. These poems, powerful and moving in their own right, lend richness and insight to Wright's recently collected later works. "In Country Music we see the same explosive imagery, the same dismantled and concentric (or parallel) narratives, the same resolutely spiritual concerns that have become so familiar to us in Wright's more recent poetry," writes St. John.
Author: Shara Lessley Publisher: ISBN: 9780997099416 Category : Place (Philosophy) in literature Languages : en Pages : 0
Book Description
Poetry. Literary Nonfiction. Essay. In thirty innovative essays, THE POEM'S COUNTRY: PLACE & POETIC PRACTICE considers how the question of place shapes contemporary poetry. Responding from cities and rural communities across the United States, the contributors of THE POEM'S COUNTRY thoughtfully and passionately explore issues of politics, personal identity, ecology, the Internet, war, sexuality, faith, and the imagination. Essential reading for students of poetry at every level, THE POEM'S COUNTRY examines the connection between lyric and geographical constraint, as well as how place challenges, enchants, and helps clarify the intersections between language and the world. "This remarkable and exciting gathering of prose on contemporary poetry is international and generational at once -- this is important because it represents the imaginations and insights of emerging poets writing across a spectrum of taste, 'place and poetic practice.' Yet the critical nature of the writing is more testimony than theory, more personal than panoramic, which means that the individual essays are that much more alive, more in touch, and more unique. Overall, THE POEM'S COUNTRY resists tradition even more than it replaces it." --Stanley Plumly "THE POEM'S COUNTRY demonstrates that poetry isn't limited to the landscapes we inhabit but by the scope of the imagination itself. In these ravishing essays, the next generation of poets explores the influence of place on contemporary poetry, and a diverse reimagining of place emerges that both grounds and lifts us up." --Quan Barry
Author: Richard Blanco Publisher: Beacon Press ISBN: 0807025917 Category : Poetry Languages : en Pages : 114
Book Description
A timely and moving collection from the renowned inaugural poet on issues facing our country and people—immigration, gun violence, racism, LGBTQ issues, and more. Through an oracular yet intimate and accessible voice, Richard Blanco addresses the complexities and contradictions of our nationhood and the unresolved sociopolitical matters that affect us all. Blanco digs deep into the very marrow of our nation through poems that interrogate our past and present, grieve our injustices, and note our flaws, but also remember to celebrate our ideals and cling to our hopes. Charged with the utopian idea that no single narrative is more important than another, this book asserts that America could and ought someday to be a country where all narratives converge into one, a country we can all be proud to love and where we can all truly thrive. The poems form a mosaic of seemingly varied topics: the Pulse nightclub massacre; an unexpected encounter on a visit to Cuba; the forced exile of 8,500 Navajos in 1868; a lynching in Alabama; the arrival of a young Chinese woman at Angel Island in 1938; the incarceration of a gifted writer; and the poet’s abiding love for his partner, who he is finally allowed to wed as a gay man. But despite each poem’s unique concern or occasion, all are fundamentally struggling with the overwhelming question of how to love this country.
Author: D. Nurkse Publisher: Knopf ISBN: 0593321405 Category : Poetry Languages : en Pages : 305
Book Description
In an illuminating collection of selected poems over thirty-five years, one of our most essential American poets casts a clear eye on our politics, our places, and our heart’s hidden stories. D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures. Whispers of the old country of Estonia provide the backdrop for the boy’s baseballs, thrown in the fading twilight of the 1950s (“Secretly, I was proudest of my skill / at standing alone in the darkness”). The young man explores sexual passion and the arrival of a child in a young marriage (“We showed her daylight in our cupped hands”), while the mature poet writes of loneliness and community in our cities (“but on the streets / there was no one”), and the urgent need for us to keep expressing our will as citizens. Throughout this matchless career, over eleven books, Nurkse has crafted visceral lines that celebrate the fragility of what simply exists—birdsong, moonrise, illness, water towers—and the complexity of human perception, our stumble forward through it toward understanding.
Author: Lijun Ye Publisher: ISBN: 9780999261347 Category : Languages : en Pages : 208
Book Description
Poetry. Asian & Asian American Studies. Women's Studies. Translated by Fiona Sze-Lorrain. In this remarkable English debut, award-winning Chinese contemporary poet Ye Lijun offers readers a lyrical diorama of nature and the inner world. By turns intimate and profound, Ye's poems in Fiona Sze-Lorrain's masterful translations make music of everyday silences, and illuminate the invisible openings in our lives. In this vital collection by one of China's essential literary voices, each encounter is an invitation, wherein a village, a nest, a telescope, or a book proves to be a transient guide to the unknown. "Fiona Sze-Lorrain brings her sense of immediacy, and her lucid control of tone, to these inspired translations of Ye Lijun which capture, with unerring musicality, the rhythms of the original Chinese."--Martha Kapos "Ye Lijun's quiet, powerful poems accrete from places, memories, affect, and ideas unique to the poet. The distinctiveness of Ye's diction, metaphors, and associations make her imagination and intelligence anchor in ours. We come away from Ye's mountain, her house, her books, her loves, and return to those of our own with our senses made more acute. Translator Fiona Sze-Lorrain, a gifted poet herself, creates an English-language voice for Ye Lijun that has all the grace and surprise of the original."--Thomas Moran "[T]he joys revealed in MY MOUNTAIN COUNTRY, which bring together a selection of poems from her three books, elegantly translated by Fiona Sze-Lorrain, suggest that for an acute observer of the natural world every hour, secret or not, may become an occasion for opening, 'in clarity,' to the beloved, to nature, to the invisible--leaves and roses and flowering trees that at a moment's notice may awaken in her soul, alerting her once again to the mysterious bounty of life on earth."--Christopher Merrill
Author: Arielle Greenberg Publisher: ISBN: 9781945588433 Category : Poetry Languages : en Pages : 0
Book Description
"Sexually explicit poems that address the radical possibilities of a woman's pleasure and the endless varieties of human desire. Arielle Greenberg's I Live in the Country & other dirty poems exploits and undoes the stereotype of the "wholesome country life." Here, the speaker moves to the country ("where the animals are") in order to live a whole life, one in which she can live honestly and openly in a non-monogamous marriage. Her book is a visceral, erotic celebration of the cornucopia of sexual pleasures to be had in that rural life-in the muck of a pasture in spring or behind the bins of whole-wheat pastry flour at the local Co-op. Greenberg hauls out what has previously been stored under dark counters and labeled deviant-kink, fetish, and bondage- and moves it into the sunshine of sex-positivity and mutual consent. In doing so, she forges new literary territory-a feminist re-visioning of the Romantic pastoral poems of seduction. "I am trying to turn my eye toward joy," she writes. "My heart toward bliss.""--
Author: Austin Smith Publisher: Princeton University Press ISBN: 0691181578 Category : Literary Collections Languages : en Pages : 128
Book Description
A new collection about violence and the rural Midwest from a poet whose first book was hailed as “memorable” (Stephanie Burt, Yale Review) and “impressive” (Chicago Tribune) Flyover Country is a powerful collection of poems about violence: the violence we do to the land, to animals, to refugees, to the people of distant countries, and to one another. Drawing on memories of his childhood on a dairy farm in Illinois, Austin Smith explores the beauty and cruelty of rural life, challenging the idea that the American Midwest is mere “flyover country,” a place that deserves passing over. At the same time, the collection suggests that America itself has become a flyover country, carrying out drone strikes and surveillance abroad, locked in a state of perpetual war that Americans seem helpless to stop. In these poems, midwestern barns and farmhouses are linked to other lands and times as if by psychic tunnels. A poem about a barn cat moving her kittens in the night because they have been discovered by a group of boys resonates with a poem about the house in Amsterdam where Anne Frank and her family hid from the Nazis. A poem beginning with a boy on a farmhouse porch idly swatting flies ends with the image of people fleeing before a drone strike. A poem about a barbwire fence suggests, if only metaphorically, the debate over immigration and borders. Though at times a dark book, the collection closes with a poem titled “The Light at the End,” suggesting the possibility of redemption and forgiveness. Building on Smith’s reputation as an accessible and inventive poet with deep insights about rural America, Flyover Country also draws profound connections between the Midwest and the wider world.
Author: Gary Snyder Publisher: New Directions Publishing ISBN: 0811222802 Category : Poetry Languages : en Pages : 164
Book Description
“A reaffirmation of a back country of the spirit."—Kirkus Reviews This collection is made up of four sections: "Far West"—poems of the Western mountain country where, as a young man. Gary Snyder worked as a logger and forest ranger; "Far East"—poems written between 1956 and 1964 in Japan where he studied Zen at the monastery in Kyoto; "Kali"—poems inspired by a visit to India and his reading of Indian religious texts, particularly those of Shivaism and Tibetan Buddhism; and "Back"—poems done on his return to this country in 1964 which look again at our West with the eyes of India and Japan. The book concludes with a group of translations of the Japanese poet Miyazawa Kenji (1896-1933), with whose work Snyder feels a close affinity. The title, The Back Country, has three major associations; wilderness. the "backward" countries, and the “back country" of the mind with its levels of being in the unconscious.
Author: Charles Wright
Author: Charles Wright
Author: Shara Lessley
Author: Richard Blanco
Author: D. Nurkse
Author: Maxine Kumin
Author: Suji Kwock Kim
Author: Lijun Ye
Author: Arielle Greenberg
Author: Austin Smith
Author: Gary Snyder