The Plays of Elizabeth Inchbald PDF Download

Author: Mrs. Inchbald
Publisher:
ISBN:
Category : Civilization, Modern
Languages : en
Pages : 792

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Author: Elizabeth Inchbald
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: James Dugan
Publisher: c1978.
ISBN:
Category : English drama
Languages : en
Pages : 468

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Author: Elizabeth Inchbald
Publisher:
ISBN: 9781409968566
Category : Drama
Languages : en
Pages : 48

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Elizabeth Inchbald, nee Simpson (1753-1821) was an English novelist, actress, and dramatist. At the age of 19 she went to London in order to act. In 1772 she agreed to marry the actor Joseph Inchbald (1735-1779). For four years the couple toured Scotland with West Digges's theatre company, a demanding life. After Joseph Inchbald's death in 1779, she continued to act for several years, in Dublin, London, and elsewhere. Between 1784 and 1805 she had nineteen of her comedies, sentimental dramas, and farces (many of which were translations from the French) performed at London theatres. Eighteen of her plays were published, though she wrote several more; the exact number is in dispute though most recent commentators claim between 21and 23. Her two novels have been frequently reprinted. She also did considerable editorial and critical work. A four-volume autobiography was destroyed before her death upon the advice of her confessor, but she left some of her diaries. The latter are currently held at the Folger Shakespeare Library and an edition was recently published.

Author: Annibel Jenkins
Publisher: University Press of Kentucky
ISBN: 0813159644
Category : Biography & Autobiography
Languages : en
Pages : 608

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Elizabeth Simpson Inchbald (1753--1821) was one of the leading literary figures of the late eighteenth century -- an actress, a successful playwright and editor of several collections of plays, a popular novelist, and a drama critic. Considered a beautiful, independent woman, Inchbald was much involved in the theatrical, literary, and publishing life of London. Elizabeth Simpson ran away from home at age eighteen to seek fame as an actress in London and quickly married Joseph Inchbald, an actor twice her age. They toured the stage together until his sudden death in 1779. She made her London stage debut a year later, and her writing debut came in 1784 with the play The Mogul Tale; Or, The Descent of the Balloon. Over the next two decades she wrote or adapted twenty-one plays: comedies, farces, and works from French and German, including the version of Kotzebue's Lovers' Vows, later used in Jane Austen's Mansfield Park. Inchbald's acclaimed first novel, A Simple Story, prefigured the work of later women writers such as Austen. Using material from Inchbald's own pocket books detailing her daily life (she destroyed most of her letters and journals late in her life at the advice of her Catholic confessor) as well as a wealth of other sources, Annibel Jenkins tells for the first time not only the full story of Mrs. Inchbald's life but also provides a fascinating look at the society and politics, both public and private, of London in the late eighteenth and early nineteenth centuries.

Author: Andrea Maria Katharina Schwedler
Publisher:
ISBN:
Category :
Languages : en
Pages : 308

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Author: Mrs. Inchbald
Publisher: Dissertations-G
ISBN:
Category : Drama
Languages : en
Pages : 688

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Author: Emily Hodgson Anderson
Publisher: Routledge
ISBN: 1135838682
Category : Literary Criticism
Languages : en
Pages : 370

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This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. Here, Eliza Haywood, Frances Burney, Elizabeth Inchbald, Maria Edgeworth, and Jane Austen explore theatrical frames--from the playhouse, to the social conventions of masquerade, to the fictional frame of the novel itself—that encourage audiences to dismiss what they contain as feigned. Yet such frames also, as a result, create a safe space for self-expression. These authors explore such payoffs both within their work—through descriptions of heroines who disguise themselves to express themselves—and through it. Reading the act of authorship as itself a form of performance, Anderson contextualizes the convention of fictionality that accompanied the development of the novel; she notes that as the novel, like the theater of the earlier eighteenth century, came to highlight its fabricated nature, authors could use it as a covert yet cathartic space. Fiction for these authors, like theatrical performance for the actor, thus functions as an act of both disclosure and disguise—or finally presents self-expression as the ability to oscillate between the two, in "the play of fiction."

Author: Mrs. Inchbald
Publisher: BoD – Books on Demand
ISBN: 3732691373
Category : Fiction
Languages : en
Pages : 345

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Reproduction of the original: A Simple Story by Mrs. Inchbald

Author: M. Anderson
Publisher: Springer
ISBN: 0312292759
Category : Performing Arts
Languages : en
Pages : 266

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Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four female playwrights in England with multiple comic successes from 1670-1800. Behn's interest in the body, Centlivre's fascination with written contracts, Cowley's nationalism, and Inchbald's discussion of divorce emerge in the comic events that are animated by the psychological mechanisms of humor. Attending to the dialogue between these comic events and the plays' more predictable comic endings illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.