Author: Harry William Pedicord
Publisher: SIU Press
ISBN: 9780809309948
Category : Drama
Languages : en
Pages : 468
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: Alfred. A Masque (James Thomson and David Mallet), 1751; Every Man in His Humour. A Comedy (Ben Jonson), 1751; Zara. A Tragedy (Aaron Hill), 1754; The Chances. A Comedy (John Fletcher and George Villiers), 1754; and Rule a Wife and Have a Wife. A Comedy (Francis Beaumont and John Fletcher), 1756.
The Plays of David Garrick, Volume 6
Author: Harry William Pedicord
Publisher: SIU Press
ISBN: 9780809309948
Category : Drama
Languages : en
Pages : 468
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: Alfred. A Masque (James Thomson and David Mallet), 1751; Every Man in His Humour. A Comedy (Ben Jonson), 1751; Zara. A Tragedy (Aaron Hill), 1754; The Chances. A Comedy (John Fletcher and George Villiers), 1754; and Rule a Wife and Have a Wife. A Comedy (Francis Beaumont and John Fletcher), 1756.
Publisher: SIU Press
ISBN: 9780809309948
Category : Drama
Languages : en
Pages : 468
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: Alfred. A Masque (James Thomson and David Mallet), 1751; Every Man in His Humour. A Comedy (Ben Jonson), 1751; Zara. A Tragedy (Aaron Hill), 1754; The Chances. A Comedy (John Fletcher and George Villiers), 1754; and Rule a Wife and Have a Wife. A Comedy (Francis Beaumont and John Fletcher), 1756.
The Plays of David Garrick, Volume 5
Author: Harry William Pedicord
Publisher: SIU Press
ISBN: 9780809309931
Category : Drama
Languages : en
Pages : 414
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: The Rehearsal (George Villiers and Others), 1742; The Alchymist. A Comedy (Ben Jonson), 1743; The Provok'd Wife. A Comedy (John Vanbrugh), 1744; and The Roman Father. A Tragedy (William Whitehead), 1750.
Publisher: SIU Press
ISBN: 9780809309931
Category : Drama
Languages : en
Pages : 414
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. Contents: The Rehearsal (George Villiers and Others), 1742; The Alchymist. A Comedy (Ben Jonson), 1743; The Provok'd Wife. A Comedy (John Vanbrugh), 1744; and The Roman Father. A Tragedy (William Whitehead), 1750.
The Plays of David Garrick
Author: David Garrick
Publisher: SIU Press
ISBN: 9780809308637
Category : Drama
Languages : en
Pages : 412
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all masterpieces, but their inclusion here, arranged in chronological order, will enable the stage historian to assess Garrick's progress as a dramatist. Contents: Cymon. A Dramatic Romance, 1767; Linco's Travels. An Interlude, 1767; A Peep Behind the Curtain; or, The New Rehearsal, 1767; The Jubilee, 1769; The Institution of the Garter; or, Arthur's Roundtable Restored, 1771; The Irish Widow, 1772; A Christmas Tale. A New Dramatic Entertainment, 1773; The Meeting of the Company; or, Bayes's Art of Acting, 1774; Bon Ton; or, High Life above Stairs, 1775; May-Day; or, The Little Gipsy, 1775; and The Theatrical Candidates, 1775.
Publisher: SIU Press
ISBN: 9780809308637
Category : Drama
Languages : en
Pages : 412
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all masterpieces, but their inclusion here, arranged in chronological order, will enable the stage historian to assess Garrick's progress as a dramatist. Contents: Cymon. A Dramatic Romance, 1767; Linco's Travels. An Interlude, 1767; A Peep Behind the Curtain; or, The New Rehearsal, 1767; The Jubilee, 1769; The Institution of the Garter; or, Arthur's Roundtable Restored, 1771; The Irish Widow, 1772; A Christmas Tale. A New Dramatic Entertainment, 1773; The Meeting of the Company; or, Bayes's Art of Acting, 1774; Bon Ton; or, High Life above Stairs, 1775; May-Day; or, The Little Gipsy, 1775; and The Theatrical Candidates, 1775.
The Plays of David Garrick: Garrick's own plays, 1740-1766
Author: David Garrick
Publisher: SIU Press
ISBN: 9780809308620
Category : Drama
Languages : en
Pages : 480
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all masterpieces, but their inclusion here, arranged in chronological order, will enable the stage historian to assess Garrick's progress as a dramatist. Contents: Lethe; or, Esop in the Shades. A Dramatic Satire, 1740; The Lying Valet, 1741; Miss in Her Teens; or, The Medley of Lovers. A Farce, 1747; Lilliputt. A Dramatic Entertainment, 1756; The Male-Coquette; or, Seventeen Hundred Fifty Seven, 1757; The Guardian. A Comedy, 1759; Harlequin's Invasion; or, A Christmas Gambol, 1759; The Enchanter; or, Love and Magic. A Musical Drama, 1760; The Farmer's Return from London. An Interlude, 1762; The Clandestine Marriage. A Comedy, 1766; and Neck or Nothing. A Farce, 1766.
Publisher: SIU Press
ISBN: 9780809308620
Category : Drama
Languages : en
Pages : 480
Book Description
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all masterpieces, but their inclusion here, arranged in chronological order, will enable the stage historian to assess Garrick's progress as a dramatist. Contents: Lethe; or, Esop in the Shades. A Dramatic Satire, 1740; The Lying Valet, 1741; Miss in Her Teens; or, The Medley of Lovers. A Farce, 1747; Lilliputt. A Dramatic Entertainment, 1756; The Male-Coquette; or, Seventeen Hundred Fifty Seven, 1757; The Guardian. A Comedy, 1759; Harlequin's Invasion; or, A Christmas Gambol, 1759; The Enchanter; or, Love and Magic. A Musical Drama, 1760; The Farmer's Return from London. An Interlude, 1762; The Clandestine Marriage. A Comedy, 1766; and Neck or Nothing. A Farce, 1766.
Ottoman Empire and European Theatre Vol. II
Author: Michael Hüttler
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990120700
Category : Music
Languages : en
Pages : 897
Book Description
The Time of Joseph Haydn: From Sultan Mahmud I to Sultan Mahmud II (r.1730-1839), the second volume of Ottoman Empire and European Theatre, explores the relationship between Western playwrights, composers and visual artists of the eighteenth-century and Turkish-Ottoman culture, as well as the interest of Ottoman artists in European culture. Twenty-seven contributions by renowned experts shed light on the mutual influences that affected society and art for both Europeans and Ottomans. Successor to the first volume of the series, The Age of Mozart and Sultan Selim III (1756-1808), this book examines the compositions of Joseph Haydn (1732-1809) and his contemporaries along with events in the Ottoman political era during the time span from Sultan Mahmud I (b.1696, r.1730-1754) to Sultan Mahmud II (b.1785, r.1808-1839). Taking Haydn's Türkenopern ('Turkish operas') Lo speziale (1768) and L'incontro improvviso (1775) as the departure point, the articles collected in this publication reflect the growth of research in the area of cultural transfers between the Ottoman Empire and non-Ottoman Europe, as expressed in theatre, music and the visual arts. Contributions by: Emre Aracı, Annemarie Bönsch, Reinhard Buchberger, Bertrand Michael Buchmann, Necla Çıkıgil, Caryl Clark, Matthew Head, Caroline Herfert, Bent Holm, Michael Hüttler, Hans-Peter Kellner, Adam Mestyan, Isabelle Moindrot, Walter Puchner, Günsel Renda, Geoffrey Roper, Orlin Sabev, Çetın Sarıkartal, Käthe Springer-Dissmann, Suna Suner, Frances Trollope, Hans Ernst Weidinger, Daniel Winkler, Larry Wolff, Mehmet Alaaddin Yalçınkaya, Netice Yıldız, Clemens Zoidl.
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990120700
Category : Music
Languages : en
Pages : 897
Book Description
The Time of Joseph Haydn: From Sultan Mahmud I to Sultan Mahmud II (r.1730-1839), the second volume of Ottoman Empire and European Theatre, explores the relationship between Western playwrights, composers and visual artists of the eighteenth-century and Turkish-Ottoman culture, as well as the interest of Ottoman artists in European culture. Twenty-seven contributions by renowned experts shed light on the mutual influences that affected society and art for both Europeans and Ottomans. Successor to the first volume of the series, The Age of Mozart and Sultan Selim III (1756-1808), this book examines the compositions of Joseph Haydn (1732-1809) and his contemporaries along with events in the Ottoman political era during the time span from Sultan Mahmud I (b.1696, r.1730-1754) to Sultan Mahmud II (b.1785, r.1808-1839). Taking Haydn's Türkenopern ('Turkish operas') Lo speziale (1768) and L'incontro improvviso (1775) as the departure point, the articles collected in this publication reflect the growth of research in the area of cultural transfers between the Ottoman Empire and non-Ottoman Europe, as expressed in theatre, music and the visual arts. Contributions by: Emre Aracı, Annemarie Bönsch, Reinhard Buchberger, Bertrand Michael Buchmann, Necla Çıkıgil, Caryl Clark, Matthew Head, Caroline Herfert, Bent Holm, Michael Hüttler, Hans-Peter Kellner, Adam Mestyan, Isabelle Moindrot, Walter Puchner, Günsel Renda, Geoffrey Roper, Orlin Sabev, Çetın Sarıkartal, Käthe Springer-Dissmann, Suna Suner, Frances Trollope, Hans Ernst Weidinger, Daniel Winkler, Larry Wolff, Mehmet Alaaddin Yalçınkaya, Netice Yıldız, Clemens Zoidl.
Ottoman Empire and European Theatre Vol. III
Author: Michael Hüttler
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990120735
Category : Music
Languages : en
Pages : 781
Book Description
On 3 May 1810 George Gordon, Lord Byron, swam like the mythic Leander from Sestos on the European side of the Hellespont to Abydos on the Asian shore. The hero of his poem "Don Juan" has lived in “feminine disguise” in the sultan's harem for more than a century. To commemorate Byron's Don Juan, the third volume of the "Ottoman Empire and European Theatre" series focuses on the image of the harem in literature and theatre. Nineteen international contributors explore historical conceptions of the Ottoman harem and seraglio in British, French and South East European sources from the late seventeenth to the nineteenth centuries. Contributions by Jennifer L. Airey, Gönül Bakay, Michael Chappell, Anne Greenfield, Isobel Grundy, Bent Holm, Michael Hüttler, Hans Peter Kellner, Emily M. N. Kugler, Andreas Münzmay, Domenica Newell-Amato, Walter Puchner, Marian Gilbart Read, Käthe Springer, Stefanie Steiner, Laura Tunbridge, Himmet Umunc, Hans Ernst Weidinger, Mi Zhou.
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990120735
Category : Music
Languages : en
Pages : 781
Book Description
On 3 May 1810 George Gordon, Lord Byron, swam like the mythic Leander from Sestos on the European side of the Hellespont to Abydos on the Asian shore. The hero of his poem "Don Juan" has lived in “feminine disguise” in the sultan's harem for more than a century. To commemorate Byron's Don Juan, the third volume of the "Ottoman Empire and European Theatre" series focuses on the image of the harem in literature and theatre. Nineteen international contributors explore historical conceptions of the Ottoman harem and seraglio in British, French and South East European sources from the late seventeenth to the nineteenth centuries. Contributions by Jennifer L. Airey, Gönül Bakay, Michael Chappell, Anne Greenfield, Isobel Grundy, Bent Holm, Michael Hüttler, Hans Peter Kellner, Emily M. N. Kugler, Andreas Münzmay, Domenica Newell-Amato, Walter Puchner, Marian Gilbart Read, Käthe Springer, Stefanie Steiner, Laura Tunbridge, Himmet Umunc, Hans Ernst Weidinger, Mi Zhou.
Character, Acting and Being on the Pre-modern Stage
Author: Edward Burns
Publisher: Springer
ISBN: 134909594X
Category : Performing Arts
Languages : en
Pages : 247
Book Description
An analysis of acting and characterization on stage, covering theories of character from Aristotle to Brecht and approaches from formalism to post structuralism. The Early Theatre Group have, over the last 5 years, used an experimental approach to performing some of the plays written about here.
Publisher: Springer
ISBN: 134909594X
Category : Performing Arts
Languages : en
Pages : 247
Book Description
An analysis of acting and characterization on stage, covering theories of character from Aristotle to Brecht and approaches from formalism to post structuralism. The Early Theatre Group have, over the last 5 years, used an experimental approach to performing some of the plays written about here.
Pretty Gentlemen
Author: Peter McNeil
Publisher: Yale University Press
ISBN: 0300217463
Category : Design
Languages : en
Pages : 258
Book Description
"The term "macaroni" was once as familiar a label as "punk" or "hipster" is today. In this handsomely illustrated book devoted to notable 18th-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late 18th century. For thirty years, macaroni was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius "Soubise," and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men."--Publisher's website.
Publisher: Yale University Press
ISBN: 0300217463
Category : Design
Languages : en
Pages : 258
Book Description
"The term "macaroni" was once as familiar a label as "punk" or "hipster" is today. In this handsomely illustrated book devoted to notable 18th-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late 18th century. For thirty years, macaroni was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius "Soubise," and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men."--Publisher's website.
A Biographical Dictionary of Actors, Volume 6, Garrick to Gyngell
Author: Philip H. Highfill
Publisher: SIU Press
ISBN: 9780809308330
Category : Biography & Autobiography
Languages : en
Pages : 520
Book Description
In contrast to each other, Volume 5 is a sociological portrait of mostly little people in their tragic and comic efforts to achieve fame on the London stage during the Restoration and eighteenth century, whereas Volume 6 is dominated by the glamour of David Garrick, Nell Gwyn, and Joseph Grimaldi, the celebrated clown. Some 250 portraits individualize the great and small of the theatres of London.
Publisher: SIU Press
ISBN: 9780809308330
Category : Biography & Autobiography
Languages : en
Pages : 520
Book Description
In contrast to each other, Volume 5 is a sociological portrait of mostly little people in their tragic and comic efforts to achieve fame on the London stage during the Restoration and eighteenth century, whereas Volume 6 is dominated by the glamour of David Garrick, Nell Gwyn, and Joseph Grimaldi, the celebrated clown. Some 250 portraits individualize the great and small of the theatres of London.
The Cambridge Edition of the Correspondence of John Cleland
Author: John Cleland
Publisher: Cambridge University Press
ISBN: 1108602363
Category : Literary Criticism
Languages : en
Pages : 535
Book Description
The first collected edition of John Cleland's correspondence, this volume provides a rare insight into a significant literary life and into jobbing authorship in the eighteenth century. All known letters by and to Cleland are included entire, alongside letter excerpts, diary entries and documents in which he is discussed by friends, enemies, family members and distant acquaintances. The volume also includes Cleland's christening record, a manuscript essay composed by Cleland in French on 'Litterateurs', and the will of Cleland's mother Lucy, whose many codicils reveal her determination to prevent her profligate son from squandering her fortune. Interspersed throughout are telling remarks about Cleland from figures such as Alexander Pope, Samuel Foote, Claude-Pierre Patu, and, most revealing and intriguing of all, vignettes by the great biographer James Boswell. The volume makes several new attributions and demonstrates for the first time the extent of Cleland's participation in the European Enlightenment.
Publisher: Cambridge University Press
ISBN: 1108602363
Category : Literary Criticism
Languages : en
Pages : 535
Book Description
The first collected edition of John Cleland's correspondence, this volume provides a rare insight into a significant literary life and into jobbing authorship in the eighteenth century. All known letters by and to Cleland are included entire, alongside letter excerpts, diary entries and documents in which he is discussed by friends, enemies, family members and distant acquaintances. The volume also includes Cleland's christening record, a manuscript essay composed by Cleland in French on 'Litterateurs', and the will of Cleland's mother Lucy, whose many codicils reveal her determination to prevent her profligate son from squandering her fortune. Interspersed throughout are telling remarks about Cleland from figures such as Alexander Pope, Samuel Foote, Claude-Pierre Patu, and, most revealing and intriguing of all, vignettes by the great biographer James Boswell. The volume makes several new attributions and demonstrates for the first time the extent of Cleland's participation in the European Enlightenment.