The Plays of David Garrick: Garrick's adaptations of Shakespeare, 1759-1773 PDF Download

Author: David Garrick
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 500

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Author: David Garrick
Publisher: SIU Press
ISBN: 9780809308620
Category : Drama
Languages : en
Pages : 480

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David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Gar­rick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all mas­terpieces, but their inclusion here, arranged in chronological order, will enable the stage his­torian to assess Garrick's progress as a dramatist. Contents: Lethe; or, Esop in the Shades. A Dra­matic Satire, 1740; The Lying Valet, 1741; Miss in Her Teens; or, The Medley of Lovers. A Farce, 1747; Lilliputt. A Dramatic Entertainment, 1756; The Male-Coquette; or, Seventeen Hundred Fifty Seven, 1757; The Guardian. A Comedy, 1759; Harlequin's Invasion; or, A Christmas Gambol, 1759; The Enchanter; or, Love and Magic. A Musi­cal Drama, 1760; The Farmer's Return from Lon­don. An Interlude, 1762; The Clandestine Mar­riage. A Comedy, 1766; and Neck or Nothing. A Farce, 1766.

Author: Margaret K. Powell
Publisher: Bloomsbury Publishing
ISBN: 1350087955
Category : History
Languages : en
Pages : 257

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Hair, or lack of it, is one the most significant identifiers of individuals in any society. In Antiquity, the power of hair to send a series of social messages was no different. This volume covers nearly a thousand years of history, from Archaic Greece to the end of the Roman Empire, concentrating on what is now Europe, North Africa, and the Near East. Among the key issues identified by its authors is the recognition that in any given society male and female hair tend to be opposites (when male hair is generally short, women's is long); that hair is a marker of age and stage of life (children and young people have longer, less confined hairstyles; adult hair is far more controlled); hair can be used to identify the 'other' in terms of race and ethnicity but also those who stand outside social norms such as witches and mad women. The chapters in A Cultural History of Hair in Antiquity cover the following topics: religion and ritualized belief, self and society, fashion and adornment, production and practice, health and hygiene, gender and sexuality, race and ethnicity, class and social status, and cultural representations.

Author: Daniel O'Quinn
Publisher: JHU Press
ISBN: 1421401894
Category : Literary Criticism
Languages : en
Pages : 442

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Honorable Mention, 2012 Joe A. Callaway Prize in Drama and TheaterFirst Place, Large Not-for-Profit Publisher, Typographic Cover, 2011 Washington Book Publishers Design and Effectiveness Awards Less than twenty years after asserting global dominance in the Seven Years' War, Britain suffered a devastating defeat when it lost the American colonies. Daniel O'Quinn explores how the theaters and the newspapers worked in concert to mediate the events of the American war for British audiences and how these convergent media attempted to articulate a post-American future for British imperial society. Building on the methodological innovations of his 2005 publication Staging Governance: Theatrical Imperialism in London, 1770-1800, O’Quinn demonstrates how the reconstitution of British imperial subjectivities involved an almost nightly engagement with a rich entertainment culture that necessarily incorporated information circulated in the daily press. Each chapter investigates different moments in the American crisis through the analysis of scenes of social and theatrical performance and through careful readings of works by figures such as Richard Brinsley Sheridan, William Cowper, Hannah More, Arthur Murphy, Hannah Cowley, George Colman, and Georg Friedrich Handel. Through a close engagement with this diverse entertainment archive, O'Quinn traces the hollowing out of elite British masculinity during the 1770s and examines the resulting strategies for reconfiguring ideas of gender, sexuality, and sociability that would stabilize national and imperial relations in the 1780s. Together, O'Quinn's two books offer a dramatic account of the global shifts in British imperial culture that will be of interest to scholars in theater and performance studies, eighteenth-century studies, Romanticism, and trans-Atlantic studies.

Author: David Garrick
Publisher: SIU Press
ISBN: 9780809308637
Category : Drama
Languages : en
Pages : 412

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David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Gar­rick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here include the twenty-two plays of the Garrick canon attributable to him. Garrick's claim to serious consideration as a playwright rests upon these plays, written between 1740 and 1775.They are not all mas­terpieces, but their inclusion here, arranged in chronological order, will enable the stage his­torian to assess Garrick's progress as a dramatist. Contents: Cymon. A Dramatic Romance, 1767; Linco's Travels. An Interlude, 1767; A Peep Behind the Curtain; or, The New Rehearsal, 1767; The Jubilee, 1769; The Institution of the Garter; or, Arthur's Roundtable Restored, 1771; The Irish Widow, 1772; A Christmas Tale. A New Dramatic Entertainment, 1773; The Meeting of the Com­pany; or, Bayes's Art of Acting, 1774; Bon Ton; or, High Life above Stairs, 1775; May-Day; or, The Little Gipsy, 1775; and The Theatrical Candidates, 1775.

Author: Warren L. Oakley
Publisher: MHRA
ISBN: 1906540217
Category : History
Languages : en
Pages : 160

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After his death in 1768, the famous novelist Laurence Sterne did not rest undisturbed in his grave. While rumours of the theft and dissection of Sternes corpse circulated in the anatomy schools, numerous writers took possession of his literary body of work. New forms of Sternean entertainment were produced by literary mimics who impersonated the author through the medium of print, impersonations which included startling and unique interpretations of Sternes character and fiction. Warren Oakley introduces two new critical concepts to eighteenth-century literary study, bodysnatching and mimicry, to understand these texts that have been neglected and overlooked in Sterne studies. This lucid account reveals the personal stories of such literary mimics, the creative techniques they employed and the consequences of their actions upon the posthumous perception of Sterne, the man and his cadaverous goods.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 542

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Author: David Garrick
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 510

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Author: Richard Dutton
Publisher: Wiley-Blackwell
ISBN:
Category : Drama
Languages : en
Pages : 510

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This text contains essays on every Shakespeare tragedy from 'Titus Andronicus' to 'Coriolanus', as well as 13 additional essays on such topics as his Roman tragedies, his tragedies on film, his tragedies of love, 'Hamlet' in performance and tragic emotion in Shakespeare.

Author: Meisei Daigaku. Toshokan
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 810

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