Author:
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 582
Book Description
The Playgoer and Society Illustrated
The Playgoer
The Play Pictorial
Film and Fairy Tales
Author: Kristian Moen
Publisher: Bloomsbury Publishing
ISBN: 0857733192
Category : Performing Arts
Languages : en
Pages : 383
Book Description
Far from a realm of pure fantasy helping people to escape harsh realities, fairy tales and the films that rooted themselves in their tropes and traditions played an integral role in formulating and expressing the anxieties of modernity as well as its potential for radical, magical transformation. In Film and Fairy Tales, Kristian Moen examines the role played by fairy tales in shaping cinema, its culture, and its discourse during its most formative years. Well-established by the feerie of the nineteenth century as popular entertainment and visual spectacle, the wonders of mutability offered by fairy tale fantasies in the early films of Melies situated cinema itself as a realm of enchantment rife with enthralling and disturbing possibilities. Through an analysis of early film theorists and a detailed case study of Tourneur's 1918 film The Blue Bird, Moen shows how the spectacles and tropes of the fairy tale continued to shape ideas of cinema's place in modern life. Stars like Mary Pickford and Marguerite Clark, who not only played fantasy roles but presented their off-screen personae in deliberately fantastic terms, and the transformative claims of modernity expressed through visions such as Orientalist fairylands are analysed to show the extent to which fairy tales were used to negotiate different experiences of modernity - the giddy adventures of social mobility, consumer culture and identity transformation, the threats and anxieties of cultural change, impermanence and mutability. Moen traces the evolution of the fairy tale in film to its self-aestheticising peak in Snow White and the Seven Dwarfs, alongside ironic allusions in films like Hitchcock's Rebecca and Howard Hawks' Ball of Fire, concluding with an examination of how fairy tale visions of fantastic transformation have seen a resurgence in contemporary cinema, from Tim Burton to Harry Potter. In the process, he shows how cinema made fairy tales modern - and fairy tales helped make cinema what it is today.
Publisher: Bloomsbury Publishing
ISBN: 0857733192
Category : Performing Arts
Languages : en
Pages : 383
Book Description
Far from a realm of pure fantasy helping people to escape harsh realities, fairy tales and the films that rooted themselves in their tropes and traditions played an integral role in formulating and expressing the anxieties of modernity as well as its potential for radical, magical transformation. In Film and Fairy Tales, Kristian Moen examines the role played by fairy tales in shaping cinema, its culture, and its discourse during its most formative years. Well-established by the feerie of the nineteenth century as popular entertainment and visual spectacle, the wonders of mutability offered by fairy tale fantasies in the early films of Melies situated cinema itself as a realm of enchantment rife with enthralling and disturbing possibilities. Through an analysis of early film theorists and a detailed case study of Tourneur's 1918 film The Blue Bird, Moen shows how the spectacles and tropes of the fairy tale continued to shape ideas of cinema's place in modern life. Stars like Mary Pickford and Marguerite Clark, who not only played fantasy roles but presented their off-screen personae in deliberately fantastic terms, and the transformative claims of modernity expressed through visions such as Orientalist fairylands are analysed to show the extent to which fairy tales were used to negotiate different experiences of modernity - the giddy adventures of social mobility, consumer culture and identity transformation, the threats and anxieties of cultural change, impermanence and mutability. Moen traces the evolution of the fairy tale in film to its self-aestheticising peak in Snow White and the Seven Dwarfs, alongside ironic allusions in films like Hitchcock's Rebecca and Howard Hawks' Ball of Fire, concluding with an examination of how fairy tale visions of fantastic transformation have seen a resurgence in contemporary cinema, from Tim Burton to Harry Potter. In the process, he shows how cinema made fairy tales modern - and fairy tales helped make cinema what it is today.
Britain's Levantine Empire, 1914-1923
Author: Daniel-Joseph MacArthur-Seal
Publisher: Oxford University Press
ISBN: 0192895761
Category : History
Languages : en
Pages : 300
Book Description
Britain's Levantine Empire, 1914-1923 explains the rise and decline and nature and extent of British military rule in the urban eastern Mediterranean during the course of the First World War and its aftermath. Combining novel case studies and theoretical approaches, the volume reveals the extent of military control that Britain established and anticipated maintaining in the post-Ottoman world, before a series of confrontations with nationalist and socialist anti-imperialists forced a new division of the eastern Mediterranean, still visible in the political borders of the present day. Britain's Levantine Empire, 1914-1923 tells this story through the eyes and ears of the British servicemen who built this empire, analysing the testimony of over 100 such military personnel sent to Alexandria, Thessaloniki, Istanbul, and the towns and islands between them, as they voyaged, made camp, and explored and patrolled the city streets. Whereas histories examining soldiers' experiences in the First World War have almost exclusively focused on their lives at the frontlines, this study provides a much needed in-depth history of soldiers' experience and impact on the urban hubs of the Eastern Mediterranean, where urban planning, nightlife and entertainment, policing, and security were transformed by the presence of so many men at arms and the imperialist interventions that accompanied them.
Publisher: Oxford University Press
ISBN: 0192895761
Category : History
Languages : en
Pages : 300
Book Description
Britain's Levantine Empire, 1914-1923 explains the rise and decline and nature and extent of British military rule in the urban eastern Mediterranean during the course of the First World War and its aftermath. Combining novel case studies and theoretical approaches, the volume reveals the extent of military control that Britain established and anticipated maintaining in the post-Ottoman world, before a series of confrontations with nationalist and socialist anti-imperialists forced a new division of the eastern Mediterranean, still visible in the political borders of the present day. Britain's Levantine Empire, 1914-1923 tells this story through the eyes and ears of the British servicemen who built this empire, analysing the testimony of over 100 such military personnel sent to Alexandria, Thessaloniki, Istanbul, and the towns and islands between them, as they voyaged, made camp, and explored and patrolled the city streets. Whereas histories examining soldiers' experiences in the First World War have almost exclusively focused on their lives at the frontlines, this study provides a much needed in-depth history of soldiers' experience and impact on the urban hubs of the Eastern Mediterranean, where urban planning, nightlife and entertainment, policing, and security were transformed by the presence of so many men at arms and the imperialist interventions that accompanied them.
Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts
Author: Claire Mabilat
Publisher: Routledge
ISBN: 1351555545
Category : Music
Languages : en
Pages : 280
Book Description
Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.
Publisher: Routledge
ISBN: 1351555545
Category : Music
Languages : en
Pages : 280
Book Description
Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.
Routledge Library Editions: Victorian Theatre
Author: Various
Publisher: Routledge
ISBN: 1317398920
Category : Performing Arts
Languages : en
Pages : 1626
Book Description
Reissuing works originally published between 1971 and 1981, this compact set offers an outstanding collection of scholarship devoted to 19th Century, Victorian, theatre. A small set of performance history and criticism, this set includes a biography of Henry Irving, a look at the rise of the status of a career as actor, and a consideration of the advent of dramatic criticism. These volumes present together a lively picture of the development of the contemporary theatre.
Publisher: Routledge
ISBN: 1317398920
Category : Performing Arts
Languages : en
Pages : 1626
Book Description
Reissuing works originally published between 1971 and 1981, this compact set offers an outstanding collection of scholarship devoted to 19th Century, Victorian, theatre. A small set of performance history and criticism, this set includes a biography of Henry Irving, a look at the rise of the status of a career as actor, and a consideration of the advent of dramatic criticism. These volumes present together a lively picture of the development of the contemporary theatre.
Retrospection and Revision in Modern and Contemporary Art, Literature and Music
Author: Mette Gieskes
Publisher: Springer Nature
ISBN: 3031395980
Category : Performing Arts
Languages : en
Pages : 385
Book Description
This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces.
Publisher: Springer Nature
ISBN: 3031395980
Category : Performing Arts
Languages : en
Pages : 385
Book Description
This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces.
The Disinherited
Author: Robert Sackville-West
Publisher: Bloomsbury Publishing USA
ISBN: 1632860449
Category : History
Languages : en
Pages : 439
Book Description
In the small hours of the morning of June 3, 1914, a woman and her husband were found dead in a sparsely furnished apartment in Paris. Only when the identity of the couple was revealed in the English press a fortnight later did the full story emerge. The man, Henry Sackville-West, had shot himself minutes after the death of his wife; but Henry's suicidal despair had been driven equally by the failure of his claim to be the legitimate heir to Knole, one of the largest and stateliest houses in England. Henry's father, Lord Sackville, had been introduced to Pepita de Oliva, a beautiful Spanish dancer born in the backstreets of Malaga, in 1852. Their affair lasted until Pepita's death in 1871, and produced five children, of whom Henry was the youngest. One of his older sisters, Victoria, would eventually become mistress of Knole through a judicious marriage. But Henry and the other illegitimate members of the family, Max, Flora, and Amalia, were gradually eased from the historical record. The Disinherited rescues them from the shadows to which they had been consigned, revealing the secrets and lies that lay at the heart of an English dynasty. It is an absorbing and moving tale of sibling rivalry as the brothers and sisters struggle for their father's love and against the stain of illegitimacy that had condemned them to lives of poverty and disappointment.
Publisher: Bloomsbury Publishing USA
ISBN: 1632860449
Category : History
Languages : en
Pages : 439
Book Description
In the small hours of the morning of June 3, 1914, a woman and her husband were found dead in a sparsely furnished apartment in Paris. Only when the identity of the couple was revealed in the English press a fortnight later did the full story emerge. The man, Henry Sackville-West, had shot himself minutes after the death of his wife; but Henry's suicidal despair had been driven equally by the failure of his claim to be the legitimate heir to Knole, one of the largest and stateliest houses in England. Henry's father, Lord Sackville, had been introduced to Pepita de Oliva, a beautiful Spanish dancer born in the backstreets of Malaga, in 1852. Their affair lasted until Pepita's death in 1871, and produced five children, of whom Henry was the youngest. One of his older sisters, Victoria, would eventually become mistress of Knole through a judicious marriage. But Henry and the other illegitimate members of the family, Max, Flora, and Amalia, were gradually eased from the historical record. The Disinherited rescues them from the shadows to which they had been consigned, revealing the secrets and lies that lay at the heart of an English dynasty. It is an absorbing and moving tale of sibling rivalry as the brothers and sisters struggle for their father's love and against the stain of illegitimacy that had condemned them to lives of poverty and disappointment.
Migrating Modernist Performance
Author: Claire Warden
Publisher: Springer
ISBN: 1137385707
Category : Performing Arts
Languages : en
Pages : 226
Book Description
Exploring the experiences of early to mid-twentieth century British theatre-makers in Russia, this book imagines how these travellers interpreted Russian realism, symbolism, constructivism, agitprop, pageantry, dance or cinema. With some searching for an alternative to the corporate West End, some for experimental techniques and others still for methods that might politically inspire their audiences, did these journeys make any differences to their practice? And how did distinctly Russian techniques affect British theatre history? Migrating Modernist Performance seeks to answer these questions, reimagining the experiences and creative output of a range of, often under-researched, practitioners. What emerges is a dynamic collection of performances that bridge geographical, aesthetic, chronological and political divides.
Publisher: Springer
ISBN: 1137385707
Category : Performing Arts
Languages : en
Pages : 226
Book Description
Exploring the experiences of early to mid-twentieth century British theatre-makers in Russia, this book imagines how these travellers interpreted Russian realism, symbolism, constructivism, agitprop, pageantry, dance or cinema. With some searching for an alternative to the corporate West End, some for experimental techniques and others still for methods that might politically inspire their audiences, did these journeys make any differences to their practice? And how did distinctly Russian techniques affect British theatre history? Migrating Modernist Performance seeks to answer these questions, reimagining the experiences and creative output of a range of, often under-researched, practitioners. What emerges is a dynamic collection of performances that bridge geographical, aesthetic, chronological and political divides.