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Author: Thomas K. Hubbard Publisher: BRILL ISBN: 9004328203 Category : Literary Criticism Languages : en Pages : 189
Book Description
In contrast with previous methodologies which seek ''key ideas'' or functional ''programs,'' this book argues that the unique complexity of Pindar's choral lyric can be better understood by analysis of each text's logical configuration as a network of interacting polarities and analogies. Against the backdrop of pre-Socratic philosophy and later rhetorical radition, the book systematically examines the primary polar relations which are prominent in Pindar's work, illustrating their development and transformation through the course of individual odes. The author concludes that Pindar expands traditional ethical dichotomies into dynamic tensions which play on the semantic fluidity of Greek poetic language in its formative period. This work attempts to apply ''structuralist'' hermeneutics in an appropriate way to the elucidation of an often difficult and obscure archaic poet. Accordingly, it should be of interest not only to the Pindaric specialist, but also to students of literary theory and the history of ideas in antiquity.
Author: Thomas K. Hubbard Publisher: BRILL ISBN: 9004328203 Category : Literary Criticism Languages : en Pages : 189
Book Description
In contrast with previous methodologies which seek ''key ideas'' or functional ''programs,'' this book argues that the unique complexity of Pindar's choral lyric can be better understood by analysis of each text's logical configuration as a network of interacting polarities and analogies. Against the backdrop of pre-Socratic philosophy and later rhetorical radition, the book systematically examines the primary polar relations which are prominent in Pindar's work, illustrating their development and transformation through the course of individual odes. The author concludes that Pindar expands traditional ethical dichotomies into dynamic tensions which play on the semantic fluidity of Greek poetic language in its formative period. This work attempts to apply ''structuralist'' hermeneutics in an appropriate way to the elucidation of an often difficult and obscure archaic poet. Accordingly, it should be of interest not only to the Pindaric specialist, but also to students of literary theory and the history of ideas in antiquity.
Author: Thomas K. Hubbard Publisher: Brill Archive ISBN: 9789004073036 Category : Poetry Languages : en Pages : 196
Book Description
In contrast with previous methodologies which seek ''key ideas'' or functional ''programs, '' this book argues that the unique complexity of Pindar's choral lyric can be better understood by analysis of each text's logical configuration as a network of interacting polarities and analogies. Against the backdrop of pre-Socratic philosophy and later rhetorical radition, the book systematically examines the primary polar relations which are prominent in Pindar's work, illustrating their development and transformation through the course of individual odes. The author concludes that Pindar expands traditional ethical dichotomies into dynamic tensions which play on the semantic fluidity of Greek poetic language in its formative period. This work attempts to apply ''structuralist'' hermeneutics in an appropriate way to the elucidation of an often difficult and obscure archaic poet. Accordingly, it should be of interest not only to the Pindaric specialist, but also to students of literary theory and the history of ideas in antiquity.
Author: Bruno Snell Publisher: Courier Corporation ISBN: 0486143465 Category : Philosophy Languages : en Pages : 354
Book Description
"An illuminating and convincing account of the enormous change in the whole conception of morals and human personality which took place during the centuries covered by Homer, the early lyric poets, the dramatists, and Socrates." — The Times (London) Literary Supplement. European thinking began with the Greeks. Science, literature, ethics, philosophy — all had their roots in the extraordinary civilization that graced the shores of the Mediterranean a few millennia ago. The rise of thinking among the Greeks was nothing less than a revolution; they did not simply map out new areas for thought and discussion, they literally created the idea of man as an intellectual being — an unprecedented concept that decisively influenced the subsequent evolution of European thought. In this immensely erudite book, German classicist Bruno Snell traces the establishment of a rational view of the nature of man as evidenced in the literature of the Greeks — in the creations of epic and lyric poetry, and in the drama. Here are the crucial stages in the intellectual evolution of the Greek world: the Homeric world view, the rise of the individual in the early Greek lyric, myth and reality in Greek tragedy, Greek ethics, the origin of scientific thought, and Arcadia. Drawing extensively on the works of Homer, Pindar, Archilochus, Aristophanes, Sappho, Heraclitus, the Greek tragedians, Parmenides, Callimachus, and a host of other writers and thinkers, Snell shows how the Homeric myths provided a blueprint for the intellectual structure the Greeks erected; how the notion of universality in Greek tragedy broadened into philosophical generalization; how the gradual unfolding of the concepts of intellect and soul provided the foundation for philosophy, science, ethics, and finally, religion. Unquestionably one of the monuments of the Geistegeschichte (History of Ideas) tradition, The Discovery of the Mind throws fresh light on many long-standing problems and has had a wide influence on scholars of the Greek intellectual tradition. Closely reasoned, replete with illuminating insight, the book epitomizes the best in German classical scholarship — a brilliant exploration of the archetypes of Western thought; a penetrating explanation of how we came to think the way we do.
Author: Christopher Wagstaff Publisher: North Atlantic Books ISBN: 1583944540 Category : Poetry Languages : en Pages : 489
Book Description
Robert Duncan (1919-1988), one of the major postwar American poets, was an adulated figure among his contemporaries, including Robert Creeley, Charles Olson, and Denise Levertov. Lawrence Ferlinghetti remarked that Duncan "had the best ear this side of Dante." His stature is increasingly recognized as comparable to that of Ezra Pound, William Carlos Williams, H.D., and Louis Zukofsky. Like his poetry, Duncan's conversation is generative and multi-directional, pushing out the boundaries of discourse. His recorded reflections are a means of discovery and exploration, and whether talking with a college student or a fellow poet, he was fully engaged and open to new thoughts as they emerged. The exchanges in this book are exciting and lively. His vast and wide-ranging knowledge offers readers an increased understanding of the interrelations of the arts, history, psychology, and science; those who would like to learn about Duncan's own life, his bravery in being an out gay man well before Stonewall, and his friendships with fellow writers, such as Charles Olson, Jack Spicer, and Kenneth Rexroth, will find this book richly rewarding. The six volumes of Duncan's collected writings are being issued by the University of California Press. The collected interviews are an indispensable companion to these books, providing an in-depth exposition of his poetics, which center on the belief that the poem is "a medium for the life of the spirit." In A Poet's Mind, he describes the genesis of some of his works, including that of books, essays, and individual poems, and also discusses gay love and life, along with the many diverse influences on his work. Ducan's fertile creative mind is also evident in these conversations: often coming back to Ezra Pound in these conversations, he gives one of the clearest expositions to be found anywhere on the scope and meaning of The Cantos. This volume also includes a number of photographs never before published.
Author: Willem Jacob Verdenius Publisher: BRILL ISBN: 9789004085350 Category : Literary Criticism Languages : en Pages : 172
Book Description
This volume contains word-for-word commentaries on Pindar's Olympian Odes 3, 7, 12, 14. Emphasis is placed on the explanations of peculiarities of grammar and idiom, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of them which are new - are documented as fully, but at the same time as concisely, as possible. This documentation, which includes a critical examination of other views, has been made more easily accessible by detailed indexes. The poems discussed do not have special similarities or interrelationships. On the other hand, they may be considered representative of the poet's art. From this point of view, the present selection may serve as an introduction to the study of Pindar's work. Vol. II will contain commentaries on Olympians 1, 10, 11, Nemean 11, and Isthmian 2. A third volume on Pythians 1, 8, 10 is inteded to conclude the series.
Author: W.J. Verdenius Publisher: BRILL ISBN: 9004328882 Category : Literary Criticism Languages : en Pages : 166
Book Description
This volume contains word-for-word commentaries on Pindar's Olympian Odes 10 and 11, and on Nemean 11 and Isthmian 2. These are preceded by a large number of notes on Olympian 1, intended to form a supplement to D.E. Gerber's edition (1982). The author has tried to explain peculiarities of grammar and nuances of meaning as fully as possible, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of which are new - are accompanied by an adequate documentation, including a critical examination of other views. This documentation has been made more easily accessible by detailed indexes, one of subjects and one of Greek words. The book forms a sequel to volume I, which contains commentaries on Olympians 3, 7, 12, 14. A third volume on Pythians 1, 8, 10 is intended to conclude the series.
Author: Charles Bambach Publisher: SUNY Press ISBN: 1438445814 Category : Philosophy Languages : en Pages : 348
Book Description
A new reading of justice engaging the work of two philosophical poets who stand in conversation with the work of Martin Heidegger. What is the measure of ethics? What is the measure of justice? And how do we come to measure the immeasurability of these questions? Thinking the Poetic Measure of Justice situates the problem of justice in the interdisciplinary space between philosophy and poetry in an effort to explore the sources of ethical life in a new way. Charles Bambach engages the works of two philosophical poets who stand as the bookends of modernityFriedrich Hölderlin (17701843) and Paul Celan (19201970)offering close textual readings of poems from each that define and express some of the crucial problems of German philosophical thought in the twentieth century: tensions between the native and the foreign, the proper and the strange, the self and the other. At the center of this philosophical conversation between Hölderlin and Celan, Bambach places the work of Martin Heidegger to rethink the question of justice in a nonlegal, nonmoral register by understanding it in terms of poetic measure. Focusing on Hölderlins and Heideggers readings of pre-Socratic philosophy and Greek tragedy, as well as on Celans reading of Kabbalah, he frames the problem of poetic justice against the trauma of German destruction in the twentieth century.
Author: Thomas K. Hubbard
Author: Thomas K. Hubbard
Author: Thomas K. Hubbard
Author: Thomas K. Hubbard
Author: Thomas Kent Hubbard
Author: Bruno Snell
Author: Christopher Wagstaff
Author: Willem Jacob Verdenius
Author: W.J. Verdenius
Author: Alan Houston
Author: Charles Bambach