Author: Ludmila KybalovaPublisher:
ISBN:
Category : Costume
Languages : en
Pages : 604
Book Description
The Pictorial Encyclopedia of Fashion, By Ludmila Kybalova, Olga Herbenova (And) Milena Lamarova. Translated (From the German) by Claudia Rosoux
Author: Ludmila KybalovaPublisher:
ISBN:
Category : Costume
Languages : en
Pages : 604
Book Description
The Pictorial Encyclopedia of Fashion, B Y Ludmila Kybalová, Olga Herbenová [and] Milena Lamarová; Translated [from the German] by Claudia Rosoux
![The Pictorial Encyclopedia of Fashion, B Y Ludmila Kybalová, Olga Herbenová [and] Milena Lamarová; Translated [from the German] by Claudia Rosoux PDF](https://books.google.com/books/content/images/frontcover/PHZGcgAACAAJ?fife=w80-h100)
Author: Ludmila KybalováPublisher:
ISBN:
Category : Costume
Languages : en
Pages : 608
Book Description
The Pictorial Encyclopedia of Fashion
Author: Ludmila KybalováPublisher:
ISBN:
Category : Costume
Languages : en
Pages : 604
Book Description
The Pictorial Encyclopaedia of Fashion, by Ludmila Kybalova translated by Claudia Rosoux
Author: The British National Bibliography
Author: Arthur James WellsPublisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1852
Book Description
The Man in the Bowler Hat
Author: Fred Miller RobinsonPublisher:
ISBN:
Category : Design
Languages : en
Pages : 224
Book Description
By following the fortunes of a single item of fashion--the bowler or derby hat--Robinson unfolds a cultural history of modernism and modern life. In this innovative book, Robinson pursues the bowler's intriguing history through an illustrated tour of art, literature, fashion, politics, and film up to the present day. 52 illustrations.
The Pictorial Encyclopedia of Fashion
Author: Ludmila KybalovaThe Pictorial Encyclopedie of Fashion
Author: Ludmila KybalováThe pictorial encyc. of fashion
Author: Ludmila KybalovaPretty Pictures
Author: C. S. TashiroPublisher: University of Texas Press
ISBN: 0292786921
Category : Performing Arts
Languages : en
Pages : 253
Book Description
Theories of film have traditionally dealt with either narrative or industrial issues, with the consequence that the physical content of the graphic frame has often been ignored or relegated to the sidelines. By contrast, C. S. Tashiro foregrounds the visual aspect of cinema in this book, drawing on his experiences as a designer and filmmaker, as well as on contemporary theory, to show how production design can support or contradict narrative structure, or exist in an entirely parallel realm of meaning. Tashiro looks at cinematic production design from a broadly interdisciplinary perspective, encompassing art and architecture theory, audience reception, narrative theory, and phenomenology, to arrive at a more encompassing definition of the process. He builds his argument around studies of several prominent history films, since design is central to historical representation, and explores the most pertinent issues raised by the topic, particularly commodity consumption. In his conclusion, he also offers possible solutions to some of the social problems raised by design.