The Physical Basis of Music PDF Download

Author: Alexander Wood
Publisher: Cambridge [Eng.] : University Press
ISBN:
Category : Music
Languages : en
Pages : 190

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Author: Sedley Taylor
Publisher: BoD – Books on Demand
ISBN: 3385388996
Category : Fiction
Languages : en
Pages : 174

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Book Description
Reprint of the original, first published in 1875.

Author: John Cook (Assistant Professor of Natural Philosophy, Aberdeen University.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 124

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Author: Otto Ortmann
Publisher: Read Books Ltd
ISBN: 1446548074
Category : Music
Languages : en
Pages : 156

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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Author: Leon Gunther
Publisher: Springer Science & Business Media
ISBN: 1461405572
Category : Science
Languages : en
Pages : 548

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Book Description
The Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed. The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.

Author: Rolf Bader
Publisher: Springer Nature
ISBN: 3030671550
Category : Technology & Engineering
Languages : en
Pages : 287

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Book Description
How do we understand culture and shape its future? How do we cross the bridge between culture as ideas and feelings and physical, cultural objects, all this within the endless variety and complexity of modern and traditional societies? This book proposes a Physical Culture Theory, taking culture as a self-organizing impulse pattern of electric forces. Bridging the gap to consciousness, the Physical Culture Theory proposes that consciousness content, what we think, hear, feel, or see is also just this: spatio-temporal electric fields. Music is a perfect candidate to elaborate on such a Physical Culture Theory. Music is all three, musical instrument acoustics, music psychology, and music ethnology. They emerge into living musical systems like all life is self-organization. Therefore the Physical Culture Theory knows no split between nature and nurture, hard and soft sciences, brains and musical instruments. It formulates mathematically complex systems as Physical Models rather than Artificial Intelligence. It includes ethical rules for maintaining life and finds culture and arts to be Human Rights. Enlarging these ideas and mathematical methods into all fields of culture, ecology, economy, or the like will be the task for the next decades to come.

Author: George Henry Lewes
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 475

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The author of "The Physical Basis of Mind," George Lewes, was a strong proponent of the theory that mind and body coexist in the living organism and the philosophical truth that all knowledge of objects implies a knowing subject. In other words, he suggests that the mind and body are viewed as different aspects of the same series of psychophysical events. "The Physical Basis of Mind" is the third book on the topic, focusing on the writer's views on organic activities.

Author: William M. Hartmann
Publisher: Springer Science & Business Media
ISBN: 1461467861
Category : Science
Languages : en
Pages : 352

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Book Description
Principles of Musical Acoustics focuses on the basic principles in the science and technology of music. Musical examples and specific musical instruments demonstrate the principles. The book begins with a study of vibrations and waves, in that order. These topics constitute the basic physical properties of sound, one of two pillars supporting the science of musical acoustics. The second pillar is the human element, the physiological and psychological aspects of acoustical science. The perceptual topics include loudness, pitch, tone color, and localization of sound. With these two pillars in place, it is possible to go in a variety of directions. The book treats in turn, the topics of room acoustics, audio both analog and digital, broadcasting, and speech. It ends with chapters on the traditional musical instruments, organized by family. The mathematical level of this book assumes that the reader is familiar with elementary algebra. Trigonometric functions, logarithms and powers also appear in the book, but computational techniques are included as these concepts are introduced, and there is further technical help in appendices.

Author: Hermann von Helmholtz
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 608

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Author: James H. Donelan
Publisher: Cambridge University Press
ISBN: 1139471147
Category : Music
Languages : en
Pages : 233

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Book Description
James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures – all born in 1770 – developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831.