Author: EuripidesPublisher:
ISBN:
Category : Greek drama (Tragedy).
Languages : en
Pages : 318
Book Description
The Phoenissae
Author: EuripidesPublisher:
ISBN:
Category : Greek drama (Tragedy).
Languages : en
Pages : 318
Book Description
Euripides the Phoenissae
Author: EuripidesPublisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 316
Book Description
The Phoenissae of Euripides
Author: EuripidesThe Phoenician Women
Author: EuripidesPublisher: Greek Tragedy in New Translati
ISBN: 0195077083
Category : Drama
Languages : en
Pages : 118
Book Description
Here, Peter Burian and Brian Swann recreate Euripides' The Phoenician Women, a play about the fateful history of the House of Laios following the tragic fall of Oedipus, King of Thebes. Their lively translation of this controversial play reveals the cohesion and taut organization of a complexdramatic work. Through the use of dramatic, fast-paced poetry--almost cinematic it its rapidity of tempo and metaphorical vividness--Burian and Swann capture the original spirit of Euripides' drama about the deeply and disturbingly ironic convergence of free will and fate. Presented with acritical introduction, stage directions, a glossary of mythical Greek names and terms, and a commentary on difficult passages, this edition of The Phoenician Women makes a controversial tragedy accessible to the modern reader.
Narrative, Intertext, and Space in Euripides' "Phoenissae"
Author: Anna A. LamariPublisher: Walter de Gruyter
ISBN: 3110245930
Category : Drama
Languages : en
Pages : 263
Book Description
Euripides’ Phoenissae bears one of the richest tragic plots: multiple narrative levels are interwoven by means of various anachronies, focalizers offer different and often challenging points of view, while a complex mythical matrix is deftly employed as the backdrop against which the exploration of the mechanics of tragic narrative takes place. After providing a critical perspective on the ongoing scholarly dialogue regarding narratology and drama, this book uses the former as a working tool for the study and interpretation of the latter. The Phoenissae is approached as a coherent narrative unit and issues like the use of myth, narrators, intertext, time and space are discussed in detail. It is within these contexts that the play is seen as a Theban mythical ‛thesaurus’ both exploring previous mythical ramifications and making new additions. The result is rewarding: Euripides constructs a handbook of the Theban saga that was informative for those mythically untrained, fascinating for those theatrically demanding, but also dexterously open upon each one’s reception.
The Tragedies of Seneca
Author: Lucius Annaeus SenecaPublisher:
ISBN:
Category : Latin drama (Tragedy)
Languages : en
Pages : 488
Book Description
Euripides: Phoenissae
Author: EuripidesPublisher: Cambridge University Press
ISBN: 9780521604468
Category : Drama
Languages : en
Pages : 688
Book Description
This volume provides a thorough philological and dramatic commentary on Euripides' Phoenissae, the first detailed commentary in English since 1911. An introduction surveys the play, its possible date, features of the original production, the background of Theban myth, the general problem of interpolation, and the textual tradition. The commentary treats the constitution of the text, noteworthy features of diction and style, dramatic technique and structure, and the controversies over possible later additions to the text.
The Phoenician Women (Phoenissae)
Author: EuripidesRitual Irony
Author: Helene P. FoleyPublisher: Cornell University Press
ISBN: 1501740636
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Ritual Irony is a critical study of four problematic later plays of Euripides: the Iphigenia in Aulis, the Phoenissae, the Heracles, and the Bacchae. Examining Euripides' representation of sacrificial ritual against the background of late fifth-century Athens, Helene P. Foley shows that each of these plays confronts directly the difficulty of making an archaic poetic tradition relevant to a democratic society. She explores the important mediating role played by choral poetry and ritual in the plays, asserting that Euripides' sacrificial metaphors and ritual performances link an anachronistic mythic ideal with a world dominated by "chance" or an incomprehensible divinity. Foley utilizes the ideas and methodology of contemporary literary theory and symbolic anthropology, addressing issues central to the emerging dialogue between the two fields. Her conclusions have important implications for the study of Greek tragedy as a whole and for our understanding of Euripides' tragic irony, his conception of religion, and the role of his choral odes. Assuming no specialized knowledge, Ritual Irony is aimed at all readers of Euripidean tragedy. It will prove particularly valuable to students and scholars of classics, comparative literature, and symbolic anthropology.
Euripidean Drama
Author: Desmond J. ConacherPublisher: University of Toronto Press
ISBN: 1442637595
Category : Literary Criticism
Languages : en
Pages : 550
Book Description
It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this opinion, it has tended to put too much emphasis on "Euripides the destroyer" rather than "Euripides the creator." In this study the author's main purpose is to redress the balance and to discuss the structure and techniques of Euripidean drama in relation to its new and richly varied themes. The consistent dramatic form evolved by Aeschylus and Sophocles had grown out of their conception of tragedy as the resultant of the tension between the individual will and the universal order suggested in myth. For Euripides, who never fully accepted myth as the real basis of tragedy, alternate ways of using the traditional material became necessary, and the playwright continually changed his dramatic structure to suit the particular tragic idea he was seeking to express. Viewed in this way, Euripides' dramatic technique may be seen in positive as well as negative terms—as something other than the breakdown of structural technique and mythological insight under the overwhelming force of his ideas. Professor Conacher offers here a new view of Euripides as the first Greek dramatist properly to understand the world of myth, and so, in a sense, to stand a bit outside it. He shows how Euripides, far from being an impatient or incompetent craftsman, used traditional mth as a basis for inventing new forms in which to cast his perceptions of the sources of human tragedy. All the extant Euripidean drama is examined in this book; the result is an intelligent guide to the plays for all students of dramatic literature, as well as a convincing defence of Euripides the creator.