Author: Arnold Hauser
Publisher: Routledge
ISBN: 1134889860
Category : Philosophy
Languages : en
Pages : 347
Book Description
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.
The Philosophy of Art History (Routledge Revivals)
Author: Arnold Hauser
Publisher: Routledge
ISBN: 1134889860
Category : Philosophy
Languages : en
Pages : 347
Book Description
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.
Publisher: Routledge
ISBN: 1134889860
Category : Philosophy
Languages : en
Pages : 347
Book Description
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.
The Philosophy of Jean-Paul Sartre
Author: Jean-Paul Sartre
Publisher: Vintage
ISBN: 1400076323
Category : Philosophy
Languages : en
Pages : 515
Book Description
This unique selection presents the essential elements of Sartre's lifework -- organized systematically and made available in one volume for the first time in any language.
Publisher: Vintage
ISBN: 1400076323
Category : Philosophy
Languages : en
Pages : 515
Book Description
This unique selection presents the essential elements of Sartre's lifework -- organized systematically and made available in one volume for the first time in any language.
The Wildness Pleases (Routledge Revivals)
Author: Christopher Thacker
Publisher: Routledge
ISBN: 1317235835
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
First published in 1983. This book charts the growth of Romanticism from the initial reactions to the authoritarian classicism of Louis XIV, through the ‘codification’ of the Sublime by Burke in the 1750s, to the fascination with mystery, fear and violence which dominated the writing of the late eighteenth century. The origins of the movement are found in the writings of Rousseau and admiration for the ‘noble savage’, the development of the landscape garden, discoveries in the South Seas, new approaches to ‘primitive’ poetry and enthusiasm for gothic art and literature. These attitudes are contrasted with the more classical views of writers like Samuel Johnson.
Publisher: Routledge
ISBN: 1317235835
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
First published in 1983. This book charts the growth of Romanticism from the initial reactions to the authoritarian classicism of Louis XIV, through the ‘codification’ of the Sublime by Burke in the 1750s, to the fascination with mystery, fear and violence which dominated the writing of the late eighteenth century. The origins of the movement are found in the writings of Rousseau and admiration for the ‘noble savage’, the development of the landscape garden, discoveries in the South Seas, new approaches to ‘primitive’ poetry and enthusiasm for gothic art and literature. These attitudes are contrasted with the more classical views of writers like Samuel Johnson.
Impressionists in England (Routledge Revivals)
Author: Kate Flint
Publisher: Routledge
ISBN: 1317234839
Category : Art
Languages : en
Pages : 341
Book Description
First published in 1984. The late nineteenth and early twentieth centuries represent not only era of rapidly changing artistic methods but a crucial evolution in art criticism. This book gathers together a wide-range of the criticism that greeted the work of the Impressionists artists in the English Press. The selected examples of praise and antagonism reflect the sentiments expressed in the comments of prominent newspaper and periodical critics. The selection shows the importance of Impressionist art to English art criticism and wide comprehension of the formal qualities in painting. It also demonstrates how forward-looking critics created new criteria for the discussion of modern painting.
Publisher: Routledge
ISBN: 1317234839
Category : Art
Languages : en
Pages : 341
Book Description
First published in 1984. The late nineteenth and early twentieth centuries represent not only era of rapidly changing artistic methods but a crucial evolution in art criticism. This book gathers together a wide-range of the criticism that greeted the work of the Impressionists artists in the English Press. The selected examples of praise and antagonism reflect the sentiments expressed in the comments of prominent newspaper and periodical critics. The selection shows the importance of Impressionist art to English art criticism and wide comprehension of the formal qualities in painting. It also demonstrates how forward-looking critics created new criteria for the discussion of modern painting.
Aesthetics and the Sociology of Art
Author: Janet Wolff
Publisher: Routledge
ISBN: 1000376745
Category : Art
Languages : en
Pages : 121
Book Description
First published in 1983, Aesthetics and the Sociology of Art provides a lucid account of two divergent tendencies in the study of aesthetics. At the one extreme, traditional aestheticians have assumed that art and literature are wholly independent, following only the laws and inspirations of artists and artistic movements, and that the question of aesthetic value is accordingly unproblematic. At the other extreme, some sociologists have treated works of art as no more than manifestations of the socio-economic circumstances which produce them, arguing that aesthetic value is therefore entirely relative matter. Janet Wolff shows how both the extreme positions are untenable, and argues convincingly that we must accept that the conceptions and criteria of aesthetic value are socially constructed and inevitably ideological, while stopping short of the reductionist alternative which fails to recognise the irreducible questions of pleasure and of aesthetic discourse. This book provides an invaluably clear guide both to old debates and to otherwise obscure modern controversies, which will be welcomed both by students and scholars in the sociology of art, in aesthetics, in art history, and in literary criticism.
Publisher: Routledge
ISBN: 1000376745
Category : Art
Languages : en
Pages : 121
Book Description
First published in 1983, Aesthetics and the Sociology of Art provides a lucid account of two divergent tendencies in the study of aesthetics. At the one extreme, traditional aestheticians have assumed that art and literature are wholly independent, following only the laws and inspirations of artists and artistic movements, and that the question of aesthetic value is accordingly unproblematic. At the other extreme, some sociologists have treated works of art as no more than manifestations of the socio-economic circumstances which produce them, arguing that aesthetic value is therefore entirely relative matter. Janet Wolff shows how both the extreme positions are untenable, and argues convincingly that we must accept that the conceptions and criteria of aesthetic value are socially constructed and inevitably ideological, while stopping short of the reductionist alternative which fails to recognise the irreducible questions of pleasure and of aesthetic discourse. This book provides an invaluably clear guide both to old debates and to otherwise obscure modern controversies, which will be welcomed both by students and scholars in the sociology of art, in aesthetics, in art history, and in literary criticism.
Consuming the Past
Author: Elizabeth Emery
Publisher: Routledge
ISBN: 0429840640
Category : History
Languages : en
Pages : 400
Book Description
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Publisher: Routledge
ISBN: 0429840640
Category : History
Languages : en
Pages : 400
Book Description
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Artists in Uniform
Author: Max Eastman
Publisher: Routledge
ISBN: 1000370739
Category : History
Languages : en
Pages : 260
Book Description
First published in 1934, Artists in Uniform confronts what the author describes as ‘two of the worst features of the Soviet experiment’ following Lenin’s death – bigotry and bureaucratism – and shows how they have functioned in the sphere of arts and letters. It is divided into three parts: The Artist’s International; A Literary Inquisition; and Art and the Marxian Philosophy.
Publisher: Routledge
ISBN: 1000370739
Category : History
Languages : en
Pages : 260
Book Description
First published in 1934, Artists in Uniform confronts what the author describes as ‘two of the worst features of the Soviet experiment’ following Lenin’s death – bigotry and bureaucratism – and shows how they have functioned in the sphere of arts and letters. It is divided into three parts: The Artist’s International; A Literary Inquisition; and Art and the Marxian Philosophy.
Symbols
Author: Raymond Firth
Publisher: Routledge
ISBN: 0415694663
Category : Signs and symbols
Languages : en
Pages : 468
Book Description
This book first published in 1973 offers a broad survey of the study of symbolic ideas and behaviour. The study of symbolism is popular nowadays and anthropologists have made substantial contributions to it. Raymond Firth has long been internationally known for his field research in the Solomons and Malaysia, and for his theoretical work on kinship, economics and religion. Here from a new angle, he has produced a broad survey of the study of symbolic ideas and behaviour. Professor Firth examines definitions of symbol. He traces the history of scientific inquiry into the symbolism of religious cults, mythology and dreams back into the eighteenth century. He compares some modern approaches to symbolism in art, literature and philosophy with those in social anthropology. He then cites examples in anthropological treatment of symbolic material from cultures of varying sophistication. Finally he offers dispassionate analyses of symbols used in contemporary Western situations - from hair-styles to the use and abuse of national flags; from cults of Black Jesus to the Eucharistic rite. In all this Professor Firth combines social and political topicality with a scholarly and provocative theoretical inquiry.
Publisher: Routledge
ISBN: 0415694663
Category : Signs and symbols
Languages : en
Pages : 468
Book Description
This book first published in 1973 offers a broad survey of the study of symbolic ideas and behaviour. The study of symbolism is popular nowadays and anthropologists have made substantial contributions to it. Raymond Firth has long been internationally known for his field research in the Solomons and Malaysia, and for his theoretical work on kinship, economics and religion. Here from a new angle, he has produced a broad survey of the study of symbolic ideas and behaviour. Professor Firth examines definitions of symbol. He traces the history of scientific inquiry into the symbolism of religious cults, mythology and dreams back into the eighteenth century. He compares some modern approaches to symbolism in art, literature and philosophy with those in social anthropology. He then cites examples in anthropological treatment of symbolic material from cultures of varying sophistication. Finally he offers dispassionate analyses of symbols used in contemporary Western situations - from hair-styles to the use and abuse of national flags; from cults of Black Jesus to the Eucharistic rite. In all this Professor Firth combines social and political topicality with a scholarly and provocative theoretical inquiry.
The Politics of the Unpolitical
Author: Herbert Read
Publisher:
ISBN: 9781317487029
Category : LITERARY COLLECTIONS
Languages : en
Pages :
Book Description
In this collection of fourteen essays, first published in 1943, Herbert Read extends and amplifies the points of view expressed in his successful pamphlet To Hell with Culture, which has been reprinted here. The 'politics of the unpolitical' are the politics of those who strive for human values and not for national or sectional interests. Herbert Read defines these values and demands their recognition as a solvent of social and cultural crises', and looks forward to the future with constructive vision. This book will be of interest to students of politics, history, and philosophy.
Publisher:
ISBN: 9781317487029
Category : LITERARY COLLECTIONS
Languages : en
Pages :
Book Description
In this collection of fourteen essays, first published in 1943, Herbert Read extends and amplifies the points of view expressed in his successful pamphlet To Hell with Culture, which has been reprinted here. The 'politics of the unpolitical' are the politics of those who strive for human values and not for national or sectional interests. Herbert Read defines these values and demands their recognition as a solvent of social and cultural crises', and looks forward to the future with constructive vision. This book will be of interest to students of politics, history, and philosophy.
Play Among Books
Author: Miro Roman
Publisher: Birkhäuser
ISBN: 3035624054
Category : Architecture
Languages : en
Pages : 528
Book Description
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
Publisher: Birkhäuser
ISBN: 3035624054
Category : Architecture
Languages : en
Pages : 528
Book Description
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.