The Philosophical Power of Fairy Tales from Around the World PDF Download

Author: Wendy C. Turgeon
Publisher: Springer Nature
ISBN: 3031603737
Category :
Languages : en
Pages : 237

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Author: Wendy C. TURGEON
Publisher: Rowman & Littlefield Publishers
ISBN: 9781475853223
Category :
Languages : en
Pages : 175

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Book Description
The scope of the book is to offer guidelines to doing philosophy with children and young people using some familiar fairy tales.

Author: Wendy C. Turgeon
Publisher: Rowman & Littlefield
ISBN: 1475853246
Category : Education
Languages : en
Pages : 182

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Book Description
Often we think of fairy tales as written for little children as entertainment. But fairy tales are much more and invite young and old alike to reflect on serious philosophical themes. This book offers readers opportunities to engage in philosophical dialogue over a range of important concepts such as truth, goodness, beauty, fairness, and many more. The prompts for these reflections will be fairy tales. In addition to offering guidelines for building a philosophical community with children and young people, the reader will read familiar stories with fresh eyes and encounter new ideas with surprising connections to contemporary issues and concerns. Parents will enjoy sharing a tale with their child and journeying into the big questions that fascinate children. Teens will relish the chance to revisit a favorite fairy tale but as now addressing their own questions and concerns. Finally, adults who are intrigued by philosophy can explore the power of stories, fairy tales, to bring forward serious questions of justice, identity, and meaning making. The values of doing philosophy are many: developing our critical thinking ability, learning how to question and explore alternative ideas, building good arguments for our positions, listening to those who may see the world differently than we do and learning to engage them in meaningful dialogue. The value of using fairy tales is their accessibility to a wide audience, their innate appeal to our imagination, and their magical ability to make us ponder.

Author: Jack Zipes
Publisher: Princeton University Press
ISBN: 0691159556
Category : Literary Criticism
Languages : en
Pages : 256

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A provocative new theory about fairy tales from one of the world's leading authorities If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread—or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold—and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved—and why we still use them to make meaning of our lives.

Author: Jacob Grimm
Publisher: Fall River Press
ISBN: 9781435166875
Category : Children's stories
Languages : en
Pages : 0

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Book Description
The fairy tales of the Brothers Grimm are among the bestloved and most famous in world literature. This volume features more than fortyof their best-known fairy tales, lavishly illustrated with line drawings andcolour plates by Artur Rackham.

Author: Andrew Teverson
Publisher: Bloomsbury Publishing
ISBN: 1350287598
Category : History
Languages : en
Pages : 257

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How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Drawing together contributions from an international range of scholars in history, literature, and cultural studies, this volume uniquely examines creative applications of fairy tales in the twentieth and twenty-first centuries. It explores how the fairy tale has become a genre that flourishes on film, on TV, and in digital media, as well as in the older technologies of print, performance, and the visual arts. An essential resource for researchers, scholars and students of literature, history, the visual arts and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.

Author: Anne E. Duggan Ph.D.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 2815

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Book Description
Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.

Author: Laura Fry Kready
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 268

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Book Description
The purpose of this book is to showcase how fairy tales can be used as a teaching tool for children between the ages of five to seven in kindergarten and first grade. The aim is to demonstrate how fairy tales can be connected to other subjects and how this connection can be used to give teachers a course in literature. It is the hope of the author that this book may serve as an example of one way to train teachers using a single motif in fairy tales. Additionally, it may introduce some educational theories that are relevant to practical teaching in the classroom.

Author: Suzanne Magnanini
Publisher: Bloomsbury Publishing
ISBN: 1350285900
Category : History
Languages : en
Pages : 273

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How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Drawing on the contributions of scholars working on Italian, French, English, Ottoman Turkish, and Japanese tale traditions, this book underscores the striking mobility and malleability of fairy tales written in the years 1450 to 1650. The essays examine how early modern scientific theories, debates on the efficacy of witchcraft, conceptions of race and gender, religious beliefs, the aesthetics of landscape, and censorial practices all shaped the representations of magic and marvels in the tales of this period. Tracing the fairy tale's swift movement across linguistic and geographic borders, through verse and prose versions, from the printed page to the early modern stage, this volume demonstrates the ways in which these fantastic literary texts explored the ideological borders constructed by different societies. An essential resource for researchers, scholars and students of literature, history and cultural studies, contributors explore themes including: forms of the marvelous, adaption, gender and sexuality, humans and non-humans, monsters and the monstrous, space, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.

Author: Edwin Sidney Hartland
Publisher:
ISBN:
Category :
Languages : en
Pages : 260

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The art of story-telling has been cultivated in all ages and among all nations of which we have any record; it is the outcome of an instinct implanted universally in the human mind. By means of a story the savage philosopher accounts for his own existence and that of all the phenomena which surround him. With a story the mothers of the wildest tribes awe their little ones into silence, or rouse them into delight. And the weary hunters beguile the long silence of a desert night with the mirth and wonders of a tale. The imagination is not less fruitful in the higher races; and, passing through forms sometimes more, sometimes less, serious, the art of story-telling unites with the kindred arts of dance and song to form the epic or the drama, or develops under the complex influences of modern life into the prose romance and the novel. These in their various ways are its ultimate expression; and the loftiest genius has found no fitter vehicle to convey its lessons of truth and beauty.But even in the most refined products of the imagination the same substances are found which compose the rudest. Something has, of course, been dropped in the process; and where we can examine the process stage by stage, we can discern the point whereat each successive portion has been purged away. But much has also been gained. To change the figure, it is like the continuous development of living things, amorphous at first, by and by shooting out into monstrous growths, unwieldy and half-organized, anon settling into compact and beautiful shapes of subtlest power and most divine suggestion. But the last state contains nothing more than was either obvious or latent in the first. Man's imagination, like every other known power, works by fixed laws, the existence and operation of which it is possible to trace; and it works upon the same material, -the external universe, the mental and moral constitution of man and his social relations. Hence, diverse as may seem at first sight the results among the cultured Europeans and the debased Hottentots, the philosophical Hindoos and the Red Indians of the Far West, they present, on a close examination, features absolutely identical. The outlines of a story-plot among savage races are wilder and more unconfined; they are often a vast unhidebound corpse, but one that bears no distant resemblance to forms we think more reasonable only because we find it difficult to let ourselves down to the level of savage ignorance, and to lay aside the data of thought which have been won for us by the painful efforts of civilization. The incidents, making all due allowance for these differences and those of climate and physical surroundings, are not merely alike; they are often indistinguishable. It cannot, of course, be expected that the characters of the actors in these stories will be drawn with skill, or indeed that any attention will be paid to them. Character-study is a late development. True: we ought not to overlook the fact that we have to do with barbarous ideals. In a rudimentary state of civilization the passions, like the arts, are distinguished not by subtlety and complexity, but by simplicity and violence of contrast. This may account to some extent for what seems to us repulsive, inconsistent or impossible. But we must above all things beware of crediting the story-teller with that degree of conscious art which is only possible in an advanced culture and under literary influences