The Performances and Reception of Rossini's Operas in Vienna, 1822-1825 PDF Download

Author: Michele Leigh Clark
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 946

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Author: Denise Gallo
Publisher: Routledge
ISBN: 1135847010
Category : Music
Languages : en
Pages : 417

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Book Description
Giochino Rossini: A Research and Information Guide is designed as a tool for those beginning to study the life and works of Gioachino Rossini as well as for those who wish to explore beyond the established biographies and commentaries. The first edition was published in 2001, and represented a survey of some 878 publications relating to the composer’s life and works. The second edition is revised and updated to include the more than 150 books and articles written in the field of Rossini studies since then. Contents range from sources published in the early decades of the nineteenth century to works currently in progress. General subject areas include Rossini's biography, historical and analytical studies of his operatic and non-operatic compositions, his personal and professional associations, and the reassessment of his role in the development of nineteenth-century music.

Author: Nicholas Mathew
Publisher: Cambridge University Press
ISBN: 1107651239
Category : Music
Languages : en
Pages : 399

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Book Description
Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' – a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.

Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1009409808
Category : Music
Languages : en
Pages : 267

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A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.

Author: William Rothstein
Publisher: Oxford University Press
ISBN: 0197609686
Category :
Languages : en
Pages : 601

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Though studying opera often requires attention to aesthetics, libretti, staging, singers, compositional history, and performance history, the music itself is central. This book examines operatic music by five Italian composers--Rossini, Bellini, Mercadante, Donizetti, and Verdi--and one non-Italian, Meyerbeer, during the period from Rossini's first international successes to Italian unification. Detailed analyses of form, rhythm, melody, and harmony reveal concepts of musical structure different from those usually discussed by music theorists, calling into question the notion of a common practice. Taking an eclectic analytical approach, author William Rothstein uses ideas originating in several centuries, from the sixteenth to the twenty-first, to argue that operatic music can be heard not only as passionate vocality but also in terms of musical forms, pitch structures, and rhythmic patterns--that is, as carefully crafted music worth theoretical attention. Although no single theory accounts for everything, Rothstein's analysis shows how certain recurring principles define a distinctively Italian practice, one that left its mark on the German repertoire more familiar to music theorists.

Author: Axel Körner
Publisher: Cambridge University Press
ISBN: 1108843867
Category : Music
Languages : en
Pages : 341

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Book Description
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.

Author: Damien Colas
Publisher: Editions Mardaga
ISBN: 2870099932
Category : Opera
Languages : en
Pages : 536

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Book Description
L'opéra italien n'a cessé de s'enrichir au contact de la littérature française. Les échanges entre ces deux genres se caractérisent par le double jeu de proximité et de distance qui existe entre eux. La recherche en dramaturgie musicale éclaire les questions auxquelles sont confrontés traducteurs, librettistes et compositeurs dans leur travail de réécriture pour la scène lyrique italienne.

Author:
Publisher: Editions Mardaga
ISBN:
Category :
Languages : en
Pages : 535

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Author: Scott Messing
Publisher: Boydell & Brewer
ISBN: 1580469655
Category : Music
Languages : en
Pages : 335

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Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.

Author:
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 552

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