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Author: James Hodapp Publisher: Bloomsbury Publishing USA ISBN: 1501373420 Category : Literary Criticism Languages : en Pages : 305
Book Description
Graphic narratives are one of the world's great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global South, this collection moves beyond a narrow Western approach to this quickly expanding field. By focusing on texts from the Middle East, Africa, Latin America, and Asia, these essays expand the study of graphic narratives to a global scale. Graphic Novels and Comics as World Literature is also interested in how these texts engage with, fit in with, or complicate notions of World Literature. The larger theoretical framework of World Literature is joined with the postcolonial, decolonial, Global South, and similar approaches that argue explicitly or implicitly for the viability of non-Western graphic narratives on their own terms. Ultimately, this collection explores the ways that the unique formal qualities of graphic narratives from the Global South intersect with issues facing the study of international literatures, such as translation, commodification, circulation, Orientalism, and many others.
Author: Paul Ferstl Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110641887 Category : Literary Criticism Languages : en Pages : 630
Book Description
Comparative Literature is changing fast with methodologies, topics, and research interests emerging and remerging. The fifth volume of ICLA 2016 proceedings, Dialogues between Media, focuses on the current interest in inter-arts studies, as well as papers on comics studies, further testimony to the fact that comics have truly arrived in mainstream academic discourse. "Adaptation" is a key term for the studies presented in this volume; various articles discuss the adaptation of literary source texts in different target media - cinematic versions, comics adaptations, TV series, theatre, and opera. Essays on the interplay of media beyond adaptation further show many of the strands that are woven into dialogues between media, and thus the expanding range of comparative literature.
Author: Amita Singh Publisher: Springer Nature ISBN: 9811983887 Category : Business & Economics Languages : en Pages : 2538
Book Description
This handbook is a comprehensive source of information, analysis and directions in disaster studies. It goes beyond the oft-explored issues of management and science related to the topic and explores policies, governance, law and decision-making combined with the processes of implementation and enforcement, all the while integrating the latest science and technology updates related to the topic, such as artificial intelligence and early warning systems. It brings together studies which relate to sociology, politics and institutional economics, which work under the impact of resource availability, issues of leadership and international laws. Disasters are trans-boundary and disaster studies are trans-disciplinary. It is this aspect which would form the fulcrum of contributions and present a new, refreshing and innovative design for the handbook. The transformatory pedagogy which started with the Hyogo Framework for action 2005-2015 and The Sendai Framework for Disaster Risk Reduction 2015-2030 outlines seven clear targets and four priorities for action to prevent new and reduce existing disaster risks. The four priority areas around which the book would revolve are (i) Understanding disaster risk; (ii) Strengthening disaster risk governance to manage disaster risk; (iii) Investing in disaster reduction for resilience and; (iv) Enhancing disaster preparedness for effective response, and to "Build Back Better" in recovery, rehabilitation and reconstruction.
Author: SHARMISTHA CHATTERJEE Publisher: JEC PUBLICATION ISBN: 9356162379 Category : Fiction Languages : en Pages : 59
Book Description
The Patachitra village is only 20 minutes from Balichak, near Panskura and can be reached by local trains from Howrah. By road, you need to take the NH6, turn left from Debra towards Balichak, go up to Mundamari and then again turn left to reach Naya. The Patachitra of different districts of Bengal are characterized by many peculiarities in colour and design. The one from Manbhum can easily be distinguished by their preference for one particular shade of burnt sienna relieved by white and yellow patches and densely packed composition. In the scrolls of pot of Birbhum, Bankura and Burdwan preference for Indian red background is usually found while the scrolls of Hoogly prefer a dark brown . The Hoogly and Manbhum ‘pats’ have a modern approach with abstract linear treatment. Patachitra is an ancient folk art of Bengal. Art lovers all over the world appreciate it for its effortless style of drawings, colours, lines and space usage. The world Pata derived from the Sanskrit word Patta means cloth. The painters are called Patuas . Patuas do not just paint, they also sing as they unfurl the painting scroll to show it to the audience. These songs are known as Pat-er Gaan and this differentiates the art from many other art-forms. Before this caught attention of people beyond the respective villages, the Patuas used to go out in the morning, showing their artwork in nearby villages and explaining those drawings with the songs they used to write and put to tune. The songs range from traditional mythological tales and tribal rituals to stories based on modern Indian history and contemporary issues like protecting forests and preventing spread of HIV/AIDS Patuas generally use natural colours, which they procure from various trees, leaves, flowers and clays like yellow colour is obtained from turmeric, red from a local fruit called Lotkon, blue from petals of Aparajita flower, green from leaves of Broad Beans (Sheem) tree or Strings beans ( Borboti ) tree and so on . The colours are then mixed with sap of wood apple tree (bel) as a binder. Long scrolls are the most well-known shape of pattachitra . The Patuas slowly unroll them as they share the stories through their songs. Square formats are also popular and seems like has a greater demand because they cost less and are easy to carry . Patachitra has even been mentioned in Puranas and Epics. ‘
Author: Mandakranta Bose Publisher: ISBN: 9789385285554 Category : Folk art Languages : en Pages : 139
Book Description
The images presented in this book take us into the heart of the rich folk tradition of India. Of that heritage, the display of paintings accompanied by comments recited or sung has been a part of since very early times, as attested by references and legends in Sanskrit sources, including the Harsacarita, a 7th century work by Banabhatta. Known as patacitras or patas in short, these illustrated narratives on rectangular fabric or paper as well as on scrolls are a type of performed art that reaches out to audiences, mostly rural, conveying the artists' responses to legends and social themes of common knowledge across a wide range of audiences from varied social and cultural bases. A particularly powerful class of such paintings that come from the Bengali-speaking region of eastern India comprise the depiction of events from the Ramayana in the form of scrolls that are unrolled as the painter displays and explicates them. The vividly colourful images presented in this book occupy a special niche in the history of Indian art, remarkable because they are not only visual objects but narrative expositions of a text that has been part of vast numbers of the Indian people and often their source of moral guidance. Especially remarkable is that these patas by Bengali folk painters diverge so often from the magisterial Ramayanas of adikavi "First Poet" Valmiki, leave out important parts of it and import into the Rama saga episodes from local narrative caches.
Author: Alekha Sachidananda Nayak Publisher: Educreation Publishing ISBN: Category : Self-Help Languages : en Pages : 105
Book Description
The book ''Sprinkler for CCD: An Observation on Indian Community Communication Drought'' is the outcome of the observation, analysis and discussion with students, academicians and practitioners of communication in India. Among so many communication issues, this book picks up one that is Community communication drought (CCD). In India people live with family, friends and in a community. People live in a community for generations. They stay together and work together. This trend of connectedness is also supported by a different medium. This medium may be traditional or mass media or today's advanced new media. With the passing of time this culture, medium and lifestyle have changed. The CCD is one of the negative consequences of the shift in medium and lifestyle. Due to the mass media, people are being informed, educated and entertained but most of the people are gradually being disconnected from their own community, neighbor’s and collogues. People are getting deprived of the possibilities of collective support of a community. This book discusses the subtle consequence of modern mass medium along with the application of advanced community communication technique. The Indian approach to green community communication (GCC) can give a new dimension to the students of communication. Though this book is written in Indian perspective, concept and observation but this will be a valuable one for communicators and communication researchers outside of India too.
Author: Frank J. Korom Publisher: ISBN: Category : Art Languages : en Pages : 124
Book Description
Highlights the state's rich cultural and natural landscapes and attractions with fifty-seven photographs in a week-at-a-glance format.
Author: MANIILAL SABRIMALA Publisher: Notion Press ISBN: 1642494453 Category : Art Languages : en Pages : 323
Book Description
Transcending Reality Charlie Chaplin once said that nobody lives long enough to be anything but an amateur. This expression unequivocally applies to artists, for creating art is a continuous process of learning and discovery. In order to bring the fascinating riches of artistic creativity within the reach of the mankind, ANOKHII has collaborated with artists from around the world in compiling this book. My desire is to arouse creativity and evoke a feeling of depth by bringing the plethoric wealth of art into this book. By faithfully rendering the simplicity and richness of these paintings, this book intends to preserve the ‘universal language’ of art. Painting is produced when diverse range of colours harmonise together. By blending all the remarkable paintings, I wish to create harmony. In Carl Sagan’s words, ‘In the vastness of space and the immensity of time, it is my joy..’ to edit this book. Editing this book has been a huge task. I feel fortunate to have worked on it and want to thank all artists for their contributions, thoughtful opinions and patience. I hope that this book will be an ever-present source of inspiration, offering the remarkable panorama of artists around the world. To anyone who gives close mindfulness, the insights and visions contained in these paintings will extend way beyond to define what art truly is. I extend my sincere thanks and gratitude to all the valuable personalities who supported me in releasing the book
Author: Sharmila Chandra
Author: Sharmila Chandra
Author: James Hodapp
Author: Sreecheta Mukherjee
Author: Paul Ferstl
Author: Amita Singh
Author: SHARMISTHA CHATTERJEE
Author: Mandakranta Bose
Author: Alekha Sachidananda Nayak
Author: Frank J. Korom
Author: MANIILAL SABRIMALA