The Paris Exposition and Other Expositions PDF Download

Author: Charles Edward Pickett
Publisher:
ISBN:
Category : California
Languages : en
Pages : 30

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Book Description
Includes arguments for having California represented at the upcoming Paris Universal Exposition of 1878, criticisms of political misrule in California and San Francisco, and information about Pickett's role in the early history of California and the Oregon Territory.

Author: Charles Baudelaire
Publisher: Phaidon Press
ISBN: 9780714833675
Category : Art
Languages : en
Pages : 328

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Book Description
Charles Baudelaire, one of the greatest French poets of the nineteenth century, has been described as the father of modern criticism. Rejecting a cold, mathematical, heartless approach, Baudelaire demanded a criticism that was partial, passionate, and political' and, he added, amusing and poetic. His starting point was always the shock of pleasure experienced in front of a work of art, and his writing conveys the excitement of first-hand experience expressed with liveliness and originality.

Author: Robert W. Rydell
Publisher: University of Chicago Press
ISBN: 0226732371
Category : History
Languages : en
Pages : 281

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Book Description
In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.

Author: Javier Monclús
Publisher: Routledge
ISBN: 1317114159
Category : Political Science
Languages : en
Pages : 205

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Book Description
International Exhibitions and Urbanism provides an insightful and comprehensive historical review of international exhibitions in its first half, which is then illustrated with a thorough technical analysis of the Zaragoza 2008 project in its second half. The first half offers a comparative analysis of nearly 50 events which haven taken place over the past 150 years, as well as exploring the relationships with urbanism from a planning perspective Underpinned by the first-hand information that the author has as one of the event's organizers the second half is devoted to the Zaragoza project for the 2008 Exposition. After giving contextual (historical and demographic) information, the Expo's master plan and building projects are then described.

Author: Francisco Javier Monclús
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754676508
Category : Science
Languages : en
Pages : 230

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Book Description
International Exhibitions and Urbanism provides an insightful and comprehensive historical review of international exhibitions in its first half, which is then illustrated with a thorough technical analysis of the Zaragoza 2008 project in its second half.

Author: James Penny Boyd
Publisher:
ISBN:
Category : Exposition universelle de 1889
Languages : en
Pages : 594

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Author:
Publisher:
ISBN:
Category : Lumber trade
Languages : en
Pages : 1210

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Author: Rika Devos
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472434625
Category : Architecture
Languages : en
Pages : 257

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Book Description
This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The famous standoffs between the Stalinist Russia and the Nazi Germany in Paris 1937, or the juxtaposition of the USSR and USA pavilions in Brussels 1958, are examples of very explicit shows of force. The book also discusses some less known - and more subtle - messages, revealed through an examination of several additional pavilions in both Paris and Brussels; of a series of expositions in Moscow; of the Universal Exhibition in Rome that was planned to open in 1942; and of London’s South Bank Exposition of 1951: all of them related, in one way or another, to either an anticipation of the global war or to its horrific aftermaths. A brief discussion of three pre-World War II American expositions that are reviewed in the Epilogue supports this point. It indicates a significant difference in the attitude of American exposition commissioners, who were less attuned to the looming war than their European counterparts. The book provides a novel assessment of modern architecture’s involvement with national representation. Whether in the service of Fascist Italy or of Imperial Japan, of Republican Spain or of the post-war Franquista regime, of the French Popular Front or of socialist Yugoslavia, of the arising FRG or of capitalist USA, of Stalinist Russia or of post-colonial Britain, exposition architecture during the period in question was driven by a deep faith in its ability to represent ideology. The book argues that this widespread confidence in architecture’s ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters.

Author: Jonathan Meyer
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 344

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Book Description
The need for peoples to come together to celebrate their industry, demonstrate their skills and to trade the results of this industry has existed sin ce man first organized himself into socially cohes ive units.This eventually found universal expressi ion in the extended series of international exhibi tions which began in London in 1851 and has contin

Author: Annegret Fauser
Publisher: Boydell & Brewer
ISBN: 1580461859
Category : Music
Languages : en
Pages : 417

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Book Description
The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.