The Parallel Evolution and Cross Cultural Impact of Tejano Conjunto and Mexican Norteño Music PDF Download

Author: Catherine Ann Ragland
Publisher:
ISBN:
Category : Conjunto music
Languages : en
Pages : 100

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Author: Luis Díaz-Santana Garza
Publisher: Rowman & Littlefield
ISBN: 1793638993
Category : History
Languages : en
Pages : 173

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Book Description
Between Norteño and Tejano Conjunto analyzes the origin, evolution, and dissemination of the norteño and tejano conjunto. This group represents a marginalized local identity that was transformed primarily into an identity of the northeast. It then gave way to the whole of northern México and the American Southwest, and was later assimilated internationally as a mainstream genre. This book provides a long-term historic vision of conjunto and the various musical forms it uses, such as polka, corrido, or canción (song), and, more recently, bolero and cumbia, as well as its transformations and contributions to other musical cultures.

Author: Alejandro L. Madrid
Publisher: Oxford University Press
ISBN: 0190451041
Category : Music
Languages : en
Pages : 272

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Book Description
At the dawn of the twenty-first century, the Nor-tec phenomenon emerged from the border city of Tijuana and through the Internet, quickly conquered a global audience. Marketed as a kind of "ethnic" electronic dance music, Nor-tec samples sounds of traditional music from the north of Mexico, and transforms them through computer technology used in European and American techno music and electronica. Tijuana has media links to both Mexico and the United States, with peoples, currencies, and cultural goods--perhaps especially music--from both sides circulating intensely within the city. Older residents and their more mobile, cosmopolitan-minded children thus engage in a constant struggle with identity and nationality, appropriation and authenticity. Nor-tec music in its very composition encapsulates this city's struggle, resonating with issues felt on the global level, while holding vastly different meanings to the variety of communities that embrace it. With an impressive hybrid of musicology, ethnomusicology, cultural and performance studies, urbanism, and border studies, Nor-tec Rifa! offers compelling insights into the cultural production of Nor-tec as it stems from norteña, banda, and grupera traditions. The book is also among the first to offer detailed accounts of Nor-tec music's composition process.

Author: Manuel Peña
Publisher: University of Texas Press
ISBN: 0292787936
Category : Music
Languages : en
Pages : 241

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Book Description
Around 1930, a highly popular and distinctive type of accordion music, commonly known as conjunto, emerged among Texas-Mexicans. Manuel Peña's The Texas-Mexican Con;unto is the first comprehensive study of this unique folk style. The author's exhaustive fieldwork and personal interviews with performers, disc jockeys, dance promoters, recording company owners, and conjunto music lovers provide the crucial connection between an analysis of the music itself and the richness of the culture from which it sprang. Using an approach that integrates musicological, historical, and sociological methods of analysis, Peña traces the development of the conjunto from its tentative beginnings to its preeminence as a full-blown style by the early 1960s. Biographical sketches of such major early performers as Narciso Martínez (El Huracán del Valle), Santiago Jiménez (El Flaco), Pedro Ayala, Valerio Longoria, Tony de la Rosa, and Paulino Bernal, along with detailed transcriptions of representative compositions, illustrate the various phases of conjunto evolution. Peña also probes the vital connection between conjunto's emergence as a powerful symbolic expression and the transformation of Texas-Mexican society from a pre-industrial folk group to a community with increasingly divergent socioeconomic classes and ideologies. Of concern throughout the study is the interplay between ethnicity, class, and culture, and Peña's use of methods and theories from a variety of scholarly disciplines enables him to tell the story of conjunto in a manner both engaging and enlightening. This important study will be of interest to all students of Mexican American culture, ethnomusicology, and folklore.

Author: Manuel H. Peña
Publisher: Texas A&M University Press
ISBN: 9780890968888
Category : Music
Languages : en
Pages : 260

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Book Description
Pena traces the history of musica tejana from the fandangos and bailes of the nineteenth century through the cancion ranchera and the politically informed corrido to the most recent forms of Tejano music.

Author: Cathy Ragland
Publisher: Temple University Press
ISBN: 1592137482
Category : Music
Languages : en
Pages : 268

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Book Description
The first history of the music that binds together Mexican immigrant communities.

Author: Guadalupe San Miguel
Publisher: Texas A&M University Press
ISBN: 9781585441884
Category : History
Languages : en
Pages : 218

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Book Description
"Readers interested not only in music, but also in ethnic studies and popular culture, will appreciate the broad spectrum covered in Tejano Proud: Tex-Mex Music in the Twentieth Century."--BOOK JACKET.

Author: John Shepherd
Publisher:
ISBN:
Category : Popular music
Languages : en
Pages : 408

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Author:
Publisher:
ISBN:
Category : Electronic books
Languages : en
Pages : 76

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The colonization of the United States has resulted in a cross-cultural musical landscape, resulting in three dynamic and interrelated genres: tejano, norteño, and U.S. country music. Each of these genres has a specific geographic and social perspective, with tejano music coming from Texan-Mexicans, norteño coming from people from Northern Mexico, and U.S. country music coming primarily from Anglo-Americans. Looking at these genres through the theory of borderisms sheds light on the different experiences and identities that result from the border between Mexico and the U.S. and the power dynamics that influence people’s perception of the border. This study demonstrates that U.S. country music is mostly rooted in a non-border perspective that fails to see the geopolitical significance of the border, norteño music is most consistent with a transnational lens that both acknowledges and challenges the hierarchy between the U.S. and Mexico, and tejano music has a variety of borderisms that reflect Texas’s complex history.

Author: Agustin Gurza
Publisher: Chicano Archives
ISBN: 9780895511485
Category : Music
Languages : en
Pages : 0

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Book Description
"The Strachwitz Frontera Collection is the largest repository of commercially produced Mexican and Mexican American vernacular recordings in existence. It contains more than 130,000 individual recordings. Many are rare, and some are one of a kind. Although border music is the focus of the collection, it also includes notable recordings of other Latin forms, including salsa, mambo, sones, and rancheras. More than 40,000 of the recordings, all from the first half of the twentieth century, have been digitized with the help of the UCLA Chicano Studies Research Center and are available online through the University of California's Digital Library Program. Agustin Gurza explores the Frontera Collection from different viewpoints, discussing genre, themes, and some of the thousands of composers and performers whose work is contained in the archive. Throughout he discusses the cultural significance of the recordings and relates the stories of those who have had a vital role in their production and preservation. Rounding out the volume are chapters by Jonathan Clark, who surveys the recordings of mariachi ensembles, and Chris Strachwitz, the founder of the Arhoolie Foundation, who reflects on his six decades of collecting the music that makes up the Frontera Collection."--Publisher description.