The Papers of Harold Rome PDF Download

Author: Yale University. Music Library
Publisher:
ISBN:
Category : Manuscripts, American
Languages : en
Pages : 304

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Author: Tighe E. Zimmers
Publisher: McFarland
ISBN: 0786470267
Category : Performing Arts
Languages : en
Pages : 273

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Harold Rome was a composer and lyricist on Broadway, starting with Pins and Needles in 1937. His biggest hits included Call Me Mister, Wish You Were Here, Fanny, Destry Rides Again, and I Can Get It for You Wholesale and he continued on Broadway through 1965 with The Zulu and the Zayda. His early career, after two Yale degrees, featured songs of "social significance," lyrics for the common man filled with satire. His later works were songs well adapted to the book musicals of the day, and his words and music became more lyrical. Rome worked with Moss Hart, George S. Kaufman, Jerome Weidman, Joshua Logan, David Merrick and others, and wrote songs for such stars as Pearl Bailey, Ezio Pinza, Walter Slezak and Barbra Streisand (among many). Politically involved, and left-wing, he attracted the attention of conservative organizations and the FBI. His song writing contributed to the home front efforts for World War II, as a civilian and then as a corporal in the Army. Showing yet another side, his paintings were critically praised and he amassed an impressive collection of African art.

Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 330

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Author: United States. Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 1552

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Author: Nancy Joan Weiss
Publisher: Princeton University Press
ISBN: 0691218005
Category : History
Languages : en
Pages : 355

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This book examines a remarkable political phenomenon--the dramatic shift of black voters from the Republican to the Democratic party in the 1930s, a shift all the more striking in light of the Democrats' indifference to racial concerns. Nancy J. Weiss shows that blacks became Democrats in response to the economic benefits of the New Deal and that they voted for Franklin Roosevelt in spite of the New Deal's lack of a substantive record on race. By their support for FDR blacks forged a political commitment to the Democratic party that has lasted to our own time. The last group to join the New Deal coalition, they have been the group that remained the most loyal to the Democratic party. This book explains the sources of their commitment in the 1930s. It stresses the central role of economic concerns in shaping black political behavior and clarifies both the New Deal record on race and the extraordinary relationship between black voters and the Roosevelts.

Author: Mark Eden Horowitz
Publisher: Oxford University Press
ISBN: 0197538207
Category : Music
Languages : en
Pages : 1089

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A collection of the letters from and to American musical theater's greatest innovator that provides an entertaining look behind the scenes of Broadway Oscar Hammerstein II virtually invented the modern American musical, first with Show Boat and then in his celebrated collaborations with composer Richard Rodgers on Broadway classics like Oklahoma!, Carousel, and The King and I that continue to fascinate audiences today. A brilliant lyricist and playwright, Hammerstein innovated the American musical with his sophisticated storytelling that single-handedly elevated musical theater to a serious art form. But there were many more sides to Hammerstein: He was also a canny businessman, a successful producer, a mentor to Stephen Sondheim, and a social activist. This rich collection edited by Mark Eden Horowitz features hundreds of previously unpublished letters that show off all facets of Hammerstein's many engagements and his personality. Hammerstein's correspondence with major Broadway figures like Richard Rodgers, Stephen Sondheim, Jerome Kern, and Josh Logan tells the history of twentieth-century American show business while his exchanges with politicians and activists shed light on social issues of the period. What unites these letters across their vast range of themes is Hammerstein's compelling voice that reveals a man who was sharp, opinionated, and funny but also cared deeply about addressing the social ills that his musicals explored beyond the stage.

Author: New York Public Library
Publisher:
ISBN:
Category : Librarians
Languages : en
Pages : 104

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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 640

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Author: Michael Denning
Publisher: Verso
ISBN: 9781859841709
Category : Art
Languages : en
Pages : 596

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As garment workers, longshoremen, autoworkers, sharecroppers and clerks took to the streets, striking and organizing unions in the midst of the Depression, artists, writers and filmmakers joined the insurgent social movement by creating a cultural front. Disney cartoonists walked picket lines, and Billie Holiday sand 'Strange Fruit' at the left-wing cabaret, Café Society. Duke Ellington produced a radical musical, Jump for Joy, New York garment workers staged the legendary Broadway revue Pins and Needles, and Orson Welles and his Mercury players took their labor operas and anti-fascist Shakespeare to Hollywood and made Citizen Kane. A major reassessment of US cultural history, The Cultural Front is a vivid mural of this extraordinary upheaval which reshaped American culture in the twentieth century.

Author: Yale University. Music Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 24

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