The Panorama of History ... PDF Download

Author: Mrs. Anne Smyth
Publisher:
ISBN:
Category : Chronology, Historical
Languages : en
Pages : 152

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Author: Bernard Comment
Publisher: Reaktion Books
ISBN: 9781861891235
Category : Architecture
Languages : en
Pages : 282

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In this book, Bernard Comment examines the wide variety of panoramas featuring both the old and the new worlds. Included among views of cities are Robert Baker's View of Edinburgh and depictions of Paris, Moscow and Lima.

Author: Stephan Oettermann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 432

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Book Description
The significance of panorama painting in the nineteenth century is frequently cited in contemporary debates about visuality and the emergence of the modern spectator. Stephan Oettermann's The Panorama is the first major historical study to appear in English of the rich phenomenon of the panorama, one of the most influential forms of visual entertainment in the nineteenth century. In this richly illustrated book Oettermann gives readers a concrete sense of the structural and experiential reality of the panorama, and the many forms it took throughout Europe and North America--a crucial task given that very few of the original nineteenth-century panoramas survive. At the same time, he outlines the many ways in which these remarkable and often immense 360-degree images were part of a larger transformation of the status of the observer and of popular culture. Thus, the panorama is treated not only as a new kind of image but also as an architectural and informational component of the new urban spaces and media networks.

Author: Vanessa R. Schwartz
Publisher: Psychology Press
ISBN: 9780415308656
Category : Art
Languages : en
Pages : 440

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The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.

Author: Vance Byrd
Publisher: Bucknell University Press
ISBN: 1611488559
Category : Literary Criticism
Languages : en
Pages : 219

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Book Description
A Pedagogy of Observation argues that the fascination with learning about the past and new locations in panoramic form spread far from the traditional sites of popular entertainment and amusement. Although painted panoramas captivated audiences from Hamburg to Leipzig and Berlin to Vienna, relatively few people had direct access to this invention. Instead, most Germans in the early nineteenth century encountered panoramas for the first time through the written word. The panorama experience described inthis book centers on the emergence of a new type of visual language and self-fashioning in material culture adopted by Germans at the turn of the nineteenth century, one that took cues from the pedagogy of observing and interpreting space at panorama shows. By reading about what editors, newspaper correspondents, and writers referred to as “panoramas,” curious Germans learned about a new representational medium and a new way to organize and produce knowledge about the scenes on display, even if they had never seen these marvels in person. Like an audience member standing on a panorama platform at a show, reading about panoramas transported Germans to new worlds in the imagination, while maintaining a safe distance from the actual transformations being portrayed. A Pedagogy of Observation identifies how the German bourgeois intelligentsia created literature as panoramic stages both for self-representation and as a venue for critiquing modern life. These written panoramas, so to speak, helped German readers see before their eyes industrial transformations, urban development, scientific exploration, and new possibilities for social interactions. Through the immersive act of reading, Germans entered an experimental realm that fostered critical engagement with modern life before it was experienced firsthand. Surrounded on all sides by new perspectives into the world, these readers occupied the position of the characters that they read about in panoramic literature. From this vantage point, Germans apprehended changes to their immediate environment and prepared themselves for the ones still to come.

Author: Hannah Field
Publisher: U of Minnesota Press
ISBN: 1452959595
Category : Literary Criticism
Languages : en
Pages : 374

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A beautifully illustrated exploration of how Victorian novelty picture books reshape the ways children read and interact with texts The Victorian era saw an explosion of novelty picture books with flaps to lift and tabs to pull, pages that could fold out, pop-up scenes, and even mechanical toys mounted on pages. Analyzing books for young children published between 1835 and 1914, Playing with the Book studies how these elaborately designed works raise questions not just about what books should look like but also about what reading is, particularly in relation to children’s literature and child readers. Novelty books promised (or threatened) to make reading a physical as well as intellectual activity, requiring the child to pull a tab or lift a flap to continue the story. These books changed the relationship between pictures, words, and format in both productive and troubling ways. Hannah Field considers these aspects of children’s reading through case studies of different formats of novelty and movable books and intensive examination of editions that have survived from the nineteenth century. She discovers that children ripped, tore, and colored in their novelty books—despite these books’ explicit instructions against such behaviors. Richly illustrated with images of these ingenious constructions, Playing with the Book argues that novelty books construct a process of reading that involves touch as well as sight, thus reconfiguring our understanding of the phenomenology of reading.

Author: Katie Trumpener
Publisher: Yale University Press
ISBN: 0300184794
Category : Art
Languages : en
Pages : 325

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Book Description
A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.

Author: Edward Walford
Publisher:
ISBN:
Category : Antiquities
Languages : en
Pages : 452

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Author: Mason Kamana Allred
Publisher: UNC Press Books
ISBN: 1469672596
Category : Religion
Languages : en
Pages : 267

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Book Description
In this theoretically rich work, Mason Kamana Allred unearths the ways Mormons have employed a wide range of technologies to translate events, beliefs, anxieties, and hopes into reproducible experiences that contribute to the growth of their religious systems of meaning. Drawing on methods from cultural history, media studies, and religious studies, Allred focuses specifically on technologies of vision that have shaped Mormonism as a culture of seeing. These technologies, he argues, were as essential to the making of Mormonism as the humans who received, interpreted, and practiced their faith. While Mormons' uses of television and the internet are recent examples of the tradition's use of visual technology, Allred excavates older practices and technologies for negotiating the spirit, such as panorama displays and magic lantern shows. Fusing media theory with feminist new materialism, he employs media archaeology to examine Mormons' ways of performing distinctions, beholding as a way to engender radical visions, and standardizing vision to effect assimilation. Allred's analysis reveals Mormonism as always materially mediated and argues that religious history is likewise inherently entangled with media.

Author: Arthur H. Hickman
Publisher: Springer Nature
ISBN: 3031180070
Category : Science
Languages : en
Pages : 501

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Book Description
One of today’s major geoscientific controversies centres on the origin of the Archean granite‒greenstone terranes. Is the geology of these scattered remnants of our planet’s early crust consistent with the theory that modern-style plate-tectonic processes operated from the early Archean, or does it indicate that tectonic and magmatic processes were different in the Archean? Earth has clearly evolved since its initial formation, so at what stage did its processes of crustal growth first resemble those of today? The logical place to seek answers to these intriguing and important questions is within the best-preserved early Archean crust. The Pilbara region of northwest Australia is internationally famous for its abundant and exceptionally well-preserved fossil evidence of early life. However, until recently the area has received much less recognition for the key evidence it provides on early Archean crustal evolution. This book presents and interprets this evidence through a new stage-by-stage account of the development of the Pilbara’s geological record between 3.53 and 2.63 Ga. The Archean Pilbara crust represents one fragment of Earth’s oldest known supercontinent Vaalbara, which also included the Kaapvaal Craton of southern Africa. Recognition of Vaalbara expands the background database for both these areas, allowing us to more fully understand each of them.