Ibsen PDF Download

Author: Henrik Ibsen
Publisher:
ISBN:
Category :
Languages : en
Pages : 732

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Author: Henrik Ibsen
Publisher:
ISBN:
Category :
Languages : en
Pages : 715

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Author: Kirsten Shepherd-Barr
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232

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Book Description
Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism. The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.

Author: Einar Ingvald Haugen
Publisher: U of Minnesota Press
ISBN: 1452910316
Category : Drama
Languages : en
Pages : 207

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Author: Narve Fulsås
Publisher: Cambridge University Press
ISBN: 110718777X
Category : Literary Criticism
Languages : en
Pages : 293

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Reveals the processes by which Ibsen's drama, while firmly rooted in his Scandinavian origins, was appropriated by other European traditions.

Author: Narve Fulsås
Publisher: Cambridge University Press
ISBN: 1316992799
Category : Literary Criticism
Languages : en
Pages : 294

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Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.

Author: Peter France
Publisher: OUP Oxford
ISBN: 0198183593
Category : Language Arts & Disciplines
Languages : en
Pages : 680

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"The Guide offers both an essential reference work for students of English and comparative literature and a stimulating overview of literary translation in English."--BOOK JACKET.

Author: Henrik Ibsen
Publisher: W. W. Norton & Company
ISBN: 0393924041
Category : Drama
Languages : en
Pages : 11

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Collects five plays spanning Ibsen's career, with general introductions, explanatory annotations, criticism, and selections from his correspondence and other writings.

Author: Williams , Raymond
Publisher: McGraw-Hill Education (UK)
ISBN: 0335096581
Category : Social Science
Languages : en
Pages : 202

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Book Description
Raymond Williams' reputation rests mainly on his contribution to literary and cultural studies, but he was also an important critic and theoretician in the field of drama. "Drama in Performance", first published in 1954, pioneered a method of dramaturgical rather than literary-critical analysis of plays, locating dramatic texts in the conditions and conventions of their original performance and reading them to disclose their performance potentialities. This method, which anticipated such contemporary developments as performance analysis and the semiotics of drama, is here applied to representative texts from key periods of the history of drama: the Greek stage, the medieval theatre-in-the-round and pageant-wagon, the Elizabethan public playhouse, London commercial theatres from the Restoration to the late 19th century, the naturalist stage of the Moscow Art Theatre, 20th century experimental drama, and contemporary film. This edition presents the text as Williams revised it in 1966. In addition it provides an updated bibliography of work in this field, a complete listing of all Williams' relevant writings, and a new Introduction (by Graham Holderness) which locates the book both within modern dramatic theory and criticism and within Williams' own work and demonstrates its continuing challenge and relevance.

Author: Joanne Tompkins
Publisher: Cambridge University Press
ISBN: 1108752810
Category : Drama
Languages : en
Pages : 219

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Book Description
This pioneering study harnesses virtual reality to uncover the history of five venues that have been 'lost' to us: London's 1590s Rose Theatre; Bergen's mid-nineteenth-century Komediehuset; Adelaide's Queen's Theatre of 1841; circus tents hosting Cantonese opera performances in Australia's goldfields in the 1850s; and the Stardust showroom in 1950s Las Vegas. Shaping some of the most enduring genres of world theatre and cultural production, each venue marks a significant cultural transformation, charted here through detailed discussion of theatrical praxis and socio-political history. Using virtual models as performance laboratories for research, Visualising Lost Theatres recreates the immersive feel of venues and reveals performance logistics for actors and audiences. Proposing a new methodology for using visualisations as a tool in theatre history, and providing 3D visualisations for the reader to consult alongside the text, this is a landmark contribution to the digital humanities.