Author: Hans de Zeeuw
Publisher: Archaeopress Publishing Ltd
ISBN: 1803271078
Category : Music
Languages : en
Pages : 144
Book Description
Tanbûrs are long-necked lute-like instruments played in the art, Sûfî, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbûr, its role in Ottoman music, construction and playing technique.
The Ottoman Tanbûr
Author: Hans de Zeeuw
Publisher: Archaeopress Publishing Ltd
ISBN: 1803271078
Category : Music
Languages : en
Pages : 144
Book Description
Tanbûrs are long-necked lute-like instruments played in the art, Sûfî, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbûr, its role in Ottoman music, construction and playing technique.
Publisher: Archaeopress Publishing Ltd
ISBN: 1803271078
Category : Music
Languages : en
Pages : 144
Book Description
Tanbûrs are long-necked lute-like instruments played in the art, Sûfî, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbûr, its role in Ottoman music, construction and playing technique.
The Ottoman Tanbûr
Author: Hans de Zeeuw
Publisher: Archaeopress Archaeology
ISBN: 9781803271064
Category : Folk music
Languages : en
Pages : 0
Book Description
The Ottoman Tanbûr provides a detailed study of the history of this long-necked lute-like instrument, its role in Ottoman music, construction and playing technique.Tanbûrsare played in the art, Sûfî, and folk musical traditions along the Silk Road and beyond. In Turkey, the name tanbûris mainly used as a name for the long-necked tanbûrof Ottoman art music, the Ottoman tanbûr. The origin and early development of the Ottoman tanbûris, notwithstanding its importance, still not fully understood due to the absence or scarcity of literary and iconographical sources, while well-preserved Ottoman tanbûrsare rare or non-existent. The book explores the political and cultural-historical conditions that contributed to the development of a distinct Ottoman Art music (Osmanlı san'at mûsîkîsi)in the seventeenth and eighteenth centuries and the central place given to the tanbûr. Thereafter, Ottoman art music and the Ottoman tanbûrsuffered from official neglect until the end of the Ottoman Empire in 1918 and even rejection after the establishment of the Republic of Turkey in 1923. This situation changed after the foundation of the first Turkish music conservatory in 1975 at the Istanbul Teknik Üniversitesi (ITÜ). The revival of Ottoman art music since the 1990s resulted in a rehabilitation of Ottoman art music and of the Ottoman tanbûrwhose days had seemed to be numbered.
Publisher: Archaeopress Archaeology
ISBN: 9781803271064
Category : Folk music
Languages : en
Pages : 0
Book Description
The Ottoman Tanbûr provides a detailed study of the history of this long-necked lute-like instrument, its role in Ottoman music, construction and playing technique.Tanbûrsare played in the art, Sûfî, and folk musical traditions along the Silk Road and beyond. In Turkey, the name tanbûris mainly used as a name for the long-necked tanbûrof Ottoman art music, the Ottoman tanbûr. The origin and early development of the Ottoman tanbûris, notwithstanding its importance, still not fully understood due to the absence or scarcity of literary and iconographical sources, while well-preserved Ottoman tanbûrsare rare or non-existent. The book explores the political and cultural-historical conditions that contributed to the development of a distinct Ottoman Art music (Osmanlı san'at mûsîkîsi)in the seventeenth and eighteenth centuries and the central place given to the tanbûr. Thereafter, Ottoman art music and the Ottoman tanbûrsuffered from official neglect until the end of the Ottoman Empire in 1918 and even rejection after the establishment of the Republic of Turkey in 1923. This situation changed after the foundation of the first Turkish music conservatory in 1975 at the Istanbul Teknik Üniversitesi (ITÜ). The revival of Ottoman art music since the 1990s resulted in a rehabilitation of Ottoman art music and of the Ottoman tanbûrwhose days had seemed to be numbered.
Music of the Ottoman Court
Author: Walter Feldman
Publisher: BRILL
ISBN: 9004531262
Category : History
Languages : en
Pages : 587
Book Description
Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir’s seminal “Book of the Science of Music” from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers’ accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski—from fifty years earlier—together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures.
Publisher: BRILL
ISBN: 9004531262
Category : History
Languages : en
Pages : 587
Book Description
Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir’s seminal “Book of the Science of Music” from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers’ accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski—from fifty years earlier—together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures.
Turkish Music Makam Guide
Author: Murat Aydemir
Publisher:
ISBN: 9789944396844
Category : Maqām
Languages : en
Pages : 216
Book Description
Publisher:
ISBN: 9789944396844
Category : Maqām
Languages : en
Pages : 216
Book Description
Music of the Ottoman Court
Author: Walter Feldman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 568
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 568
Book Description
The Rough Guide to Turkey
Author: Marc Dubin
Publisher: Rough Guides UK
ISBN: 140538767X
Category : Travel
Languages : en
Pages : 1036
Book Description
The Rough Guide to Turkey is your essential travel guide to this vast and fascinating country. Fully revised and updated, the guide provides unparalleled coverage of everything from Istanbul's nightlife to the cave churches of Cappadocia, with accurate maps, a handy language section and beautiful colour photography throughout. You'll find informed practical advice on what to see and do, from bartering at a bazaar to hiking the Lycian Way, plus honest reviews of the best hotels, bars, clubs, shops and restaurants for all budgets. Expert accounts on hamams, shopping and food and drink give you the day-to-day essentials, whilst a comprehensive history section puts everything into context. The Rough Guide to Turkey's richly illustrated introduction to the country's highlights is complimented by full-colour sections describing outdoor activities, Turkish cuisine and the country's most incredible architectural heritage. Make the most of your time with The Rough Guide to Turkey
Publisher: Rough Guides UK
ISBN: 140538767X
Category : Travel
Languages : en
Pages : 1036
Book Description
The Rough Guide to Turkey is your essential travel guide to this vast and fascinating country. Fully revised and updated, the guide provides unparalleled coverage of everything from Istanbul's nightlife to the cave churches of Cappadocia, with accurate maps, a handy language section and beautiful colour photography throughout. You'll find informed practical advice on what to see and do, from bartering at a bazaar to hiking the Lycian Way, plus honest reviews of the best hotels, bars, clubs, shops and restaurants for all budgets. Expert accounts on hamams, shopping and food and drink give you the day-to-day essentials, whilst a comprehensive history section puts everything into context. The Rough Guide to Turkey's richly illustrated introduction to the country's highlights is complimented by full-colour sections describing outdoor activities, Turkish cuisine and the country's most incredible architectural heritage. Make the most of your time with The Rough Guide to Turkey
Paradosiaká: Music, Meaning and Identity in Modern Greece
Author: Eleni Kallimopoulou
Publisher: Routledge
ISBN: 1351912917
Category : Music
Languages : en
Pages : 284
Book Description
Since the 1980s, musicians and audiences in Athens have been rediscovering musical traditions associated with the Ottoman period of Greek history. The result of this revivalist movement has been the urban musical style of 'paradosiaká' ('traditional'). Drawing from a varied repertoire that includes Turkish art music and folk and popular musics of Greece and Turkey, and identified by the use of instruments which previously had little or no performing tradition in Greece, paradosiaká has had to define itself by negotiating contrastive tendencies towards differentiation and a certain degree of overlapping in relation to a range of indigenous Greek musics. This monograph explores paradosiaká as a musical style and as a field of discourse, seeking to understand the relation between sound and meanings constructed through sound. It draws on interviews, commercial recordings, written musical discourse, and the author's own experience as a practising paradosiaká musician. Some main themes discussed in the book are the migration of instruments from Turkey to Greece; the process of 'indigenization' whereby paradosiaká was imbued with local meanings and aesthetic value; the accommodation of the style within official and popular discourses of 'Greekness'; its prophetic role in the rapprochement of Greek culture with modern Turkey and with suppressed aspects of the Greek Ottoman legacy; as well as the varied worldviews and current musical dilemmas of individual practitioners in the context of professionalization, commercialization, and the intensification of cross-cultural contact. The text is richly illustrated with transcriptions, illustrations and includes downloadable resources. The book makes a valuable contribution to ethnomusicology, cultural studies, as well as to the study of the Balkans and the Mediterranean.
Publisher: Routledge
ISBN: 1351912917
Category : Music
Languages : en
Pages : 284
Book Description
Since the 1980s, musicians and audiences in Athens have been rediscovering musical traditions associated with the Ottoman period of Greek history. The result of this revivalist movement has been the urban musical style of 'paradosiaká' ('traditional'). Drawing from a varied repertoire that includes Turkish art music and folk and popular musics of Greece and Turkey, and identified by the use of instruments which previously had little or no performing tradition in Greece, paradosiaká has had to define itself by negotiating contrastive tendencies towards differentiation and a certain degree of overlapping in relation to a range of indigenous Greek musics. This monograph explores paradosiaká as a musical style and as a field of discourse, seeking to understand the relation between sound and meanings constructed through sound. It draws on interviews, commercial recordings, written musical discourse, and the author's own experience as a practising paradosiaká musician. Some main themes discussed in the book are the migration of instruments from Turkey to Greece; the process of 'indigenization' whereby paradosiaká was imbued with local meanings and aesthetic value; the accommodation of the style within official and popular discourses of 'Greekness'; its prophetic role in the rapprochement of Greek culture with modern Turkey and with suppressed aspects of the Greek Ottoman legacy; as well as the varied worldviews and current musical dilemmas of individual practitioners in the context of professionalization, commercialization, and the intensification of cross-cultural contact. The text is richly illustrated with transcriptions, illustrations and includes downloadable resources. The book makes a valuable contribution to ethnomusicology, cultural studies, as well as to the study of the Balkans and the Mediterranean.
Mixing Musics
Author: Maureen Jackson
Publisher: Stanford University Press
ISBN: 080478566X
Category : Religion
Languages : en
Pages : 273
Book Description
This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today.
Publisher: Stanford University Press
ISBN: 080478566X
Category : Religion
Languages : en
Pages : 273
Book Description
This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today.
Balkan Popular Culture and the Ottoman Ecumene
Author: Donna A. Buchanan
Publisher: Scarecrow Press
ISBN: 0810866773
Category : Music
Languages : en
Pages : 462
Book Description
Since the early twentieth century, 'balkanization' has signified the often militant fracturing of territories, states, or groups along ethnic, religious, and linguistic divides. Yet the remarkable similarities found among contemporary Balkan popular music reveal the region as the site of a thriving creative dialogue and interchange. The eclectic interweaving of stylistic features evidenced by Albanian commercial folk music, Anatolian pop, Bosnian sevdah-rock, Bulgarian pop-folk, Greek ethniki mousike, Romanian muzica orientala, Serbian turbo folk, and Turkish arabesk, to name a few, points to an emergent regional popular culture circuit extending from southeastern Europe through Greece and Turkey. While this circuit is predicated upon older cultural confluences from a shared Ottoman heritage, it also has taken shape in active counterpoint with a variety of regional political discourses. Containing eleven ethnographic case studies, Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse examines the interplay between the musicians and popular music styles of the Balkan states during the late 1990s. These case studies, each written by an established regional expert, encompass a geographical scope that includes Albania, Bosnia and Herzegovina, Bulgaria, the Republic of Macedonia, Croatia, Slovenia, Romania, Greece, Turkey, Serbia, and Montenegro. The book is accompanied by a VCD that contains a photo gallery, sound files, and music video excerpts.
Publisher: Scarecrow Press
ISBN: 0810866773
Category : Music
Languages : en
Pages : 462
Book Description
Since the early twentieth century, 'balkanization' has signified the often militant fracturing of territories, states, or groups along ethnic, religious, and linguistic divides. Yet the remarkable similarities found among contemporary Balkan popular music reveal the region as the site of a thriving creative dialogue and interchange. The eclectic interweaving of stylistic features evidenced by Albanian commercial folk music, Anatolian pop, Bosnian sevdah-rock, Bulgarian pop-folk, Greek ethniki mousike, Romanian muzica orientala, Serbian turbo folk, and Turkish arabesk, to name a few, points to an emergent regional popular culture circuit extending from southeastern Europe through Greece and Turkey. While this circuit is predicated upon older cultural confluences from a shared Ottoman heritage, it also has taken shape in active counterpoint with a variety of regional political discourses. Containing eleven ethnographic case studies, Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse examines the interplay between the musicians and popular music styles of the Balkan states during the late 1990s. These case studies, each written by an established regional expert, encompass a geographical scope that includes Albania, Bosnia and Herzegovina, Bulgaria, the Republic of Macedonia, Croatia, Slovenia, Romania, Greece, Turkey, Serbia, and Montenegro. The book is accompanied by a VCD that contains a photo gallery, sound files, and music video excerpts.
The Renaissance and the Ottoman World
Author: Anna Contadini
Publisher: Routledge
ISBN: 1351883003
Category : History
Languages : en
Pages : 293
Book Description
This volume brings together some of the latest research on the cultural, intellectual, and commercial interactions during the Renaissance between Western Europe and the Middle East, with particular reference to the Ottoman Empire. Recent scholarship has brought to the fore the economic, political, cultural, and personal interactions between Western European Christian states and the Eastern Mediterranean Islamic states, and has therefore highlighted the incongruity of conceiving of an iron curtain bisecting the mentalities of the various socio-political and religious communities located in the same Euro-Mediterranean space. Instead, the emphasis here is on interpreting the Mediterranean as a world traversed by trade routes and associated cultural and intellectual networks through which ideas, people and goods regularly travelled. The fourteen articles in this volume contribute to an exciting cross-cultural and inter-disciplinary scholarly dialogue that explores elements of continuity and exchange between the two areas and positions the Ottoman Empire as an integral element of the geo-political and cultural continuum within which the Renaissance evolved. The aim of this volume is to refine current understandings of the diverse artistic, intellectual and political interactions in the early modern Mediterranean world and, in doing so, to contribute further to the discussion of the scope and nature of the Renaissance. The articles, from major scholars of the field, include discussions of commercial contacts; the exchange of technological, cartographical, philosophical, and scientific knowledge; the role of Venice in transmitting the culture of the Islamic East Mediterranean to Western Europe; the use of Middle Eastern objects in the Western European Renaissance; shared sources of inspiration in Italian and Ottoman architecture; musical exchanges; and the use of East Mediterranean sources in Western scholarship and European sources in Ottoman scholarship.
Publisher: Routledge
ISBN: 1351883003
Category : History
Languages : en
Pages : 293
Book Description
This volume brings together some of the latest research on the cultural, intellectual, and commercial interactions during the Renaissance between Western Europe and the Middle East, with particular reference to the Ottoman Empire. Recent scholarship has brought to the fore the economic, political, cultural, and personal interactions between Western European Christian states and the Eastern Mediterranean Islamic states, and has therefore highlighted the incongruity of conceiving of an iron curtain bisecting the mentalities of the various socio-political and religious communities located in the same Euro-Mediterranean space. Instead, the emphasis here is on interpreting the Mediterranean as a world traversed by trade routes and associated cultural and intellectual networks through which ideas, people and goods regularly travelled. The fourteen articles in this volume contribute to an exciting cross-cultural and inter-disciplinary scholarly dialogue that explores elements of continuity and exchange between the two areas and positions the Ottoman Empire as an integral element of the geo-political and cultural continuum within which the Renaissance evolved. The aim of this volume is to refine current understandings of the diverse artistic, intellectual and political interactions in the early modern Mediterranean world and, in doing so, to contribute further to the discussion of the scope and nature of the Renaissance. The articles, from major scholars of the field, include discussions of commercial contacts; the exchange of technological, cartographical, philosophical, and scientific knowledge; the role of Venice in transmitting the culture of the Islamic East Mediterranean to Western Europe; the use of Middle Eastern objects in the Western European Renaissance; shared sources of inspiration in Italian and Ottoman architecture; musical exchanges; and the use of East Mediterranean sources in Western scholarship and European sources in Ottoman scholarship.