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Author: Susan Bernstein Publisher: State University of New York Press ISBN: 1438493630 Category : Literary Criticism Languages : en Pages : 196
Book Description
This book investigates synaesthesia in philosophy and literature, from Aristotle to Charles Baudelaire to Jean-Luc Nancy and beyond. Its central claim is that while synaesthesia is generally read as a figure of transcendence and unity, there is another effect of synaesthesia, one that articulates differences and displaces essence. This other synaesthesia opens up within or alongside the more familiar sense of synaesthesia as synthesis, pointing to an alternative understanding of the senses and of the arts as "interbelonging" in a kind of rhythmic relation rather than parts of a totalizing aesthetic whole. In so doing, The Other Synaesthesia contests the suggestion that neurological synaesthesia is the foundation for the aesthetics of synaesthesia. Topics include Nancy's conception of community; the correspondence between Franz Liszt and George Sand; Baudelaire's poetics; Richard Wagner's theory of the Gesamtkunstwerk, or total work of art; decadence and symbolism; and Heidegger's critique of the correspondence theory of truth.
Author: Susan Bernstein Publisher: State University of New York Press ISBN: 1438493630 Category : Literary Criticism Languages : en Pages : 196
Book Description
This book investigates synaesthesia in philosophy and literature, from Aristotle to Charles Baudelaire to Jean-Luc Nancy and beyond. Its central claim is that while synaesthesia is generally read as a figure of transcendence and unity, there is another effect of synaesthesia, one that articulates differences and displaces essence. This other synaesthesia opens up within or alongside the more familiar sense of synaesthesia as synthesis, pointing to an alternative understanding of the senses and of the arts as "interbelonging" in a kind of rhythmic relation rather than parts of a totalizing aesthetic whole. In so doing, The Other Synaesthesia contests the suggestion that neurological synaesthesia is the foundation for the aesthetics of synaesthesia. Topics include Nancy's conception of community; the correspondence between Franz Liszt and George Sand; Baudelaire's poetics; Richard Wagner's theory of the Gesamtkunstwerk, or total work of art; decadence and symbolism; and Heidegger's critique of the correspondence theory of truth.
Author: John E. Harrison Publisher: ISBN: 9780192632456 Category : Medical Languages : en Pages : 306
Book Description
Synaesthesia is a confusion of the senses, whereby stimulation of one sense triggers stimulation in a completely different sensory modality. A synaesthete might claim to be able to hear colors, taste shapes, describe the color, shape, and flavor of someone's voice or music, the sound of which looks like 'shards of glass'. Throughout history, many notable artists and writers have claimed to suffer from synaesthesia, including, Arthur Rimbaud, Wassily Kandinsky, Vladimir Nabokov, and David Hockney. The condition remains as controversial now as when first brought to the public eye many years ago--one notable scientist dismissing it as mere 'romantic neurology.' In Synaesthesia: the strangest thing, a world authority on synaesthesia takes us on a fascinating tour of this mysterious condition, looking at historical incidences of synaesthesia, unraveling the theories for the condition, and additionally, examining the claims to synaesthesia of the likes of Rimbaud, Baudelaire, and others. The result is an exciting, yet scientific account of an incredible condition--one that will tell us of a world rich with the most unbelievable sensory experiences.
Author: Shane Butler Publisher: Routledge ISBN: 1317547144 Category : History Languages : en Pages : 239
Book Description
Like us, the ancient Greeks and Romans came to know and understand the world through their senses. Yet sensory experience has rarely been considered in the study of antiquity and, when the senses are examined, sight is regularly privileged. 'Synaesthesia and the Ancient Senses' presents a radical reappraisal of antiquity's textures, flavours, and aromas, sounds and sights. It offers both a fresh look at society in the ancient world and an opportunity to deepen the reading of classical literature. The book will appeal to readers in classical society and literature, philosophy and cultural history. All Greek and Latin is translated and technical matters are explained for the non-specialist. The introduction sets the ancient senses within the history of aesthetics and the subsequent essays explores the senses throughout the classical period and on to the modern reception of classical literature.
Author: Cretien Van Campen Publisher: MIT Press ISBN: 0262265001 Category : Psychology Languages : en Pages : 199
Book Description
The uncommon sensory perceptions of synesthesia explored through accounts of synesthetes' experiences, the latest scientific research, and suggestions of synesthesia in visual art, music, and literature. What is does it mean to hear music in colors, to taste voices, to see each letter of the alphabet as a different color? These uncommon sensory experiences are examples of synesthesia, when two or more senses cooperate in perception. Once dismissed as imagination or delusion, metaphor or drug-induced hallucination, the experience of synesthesia has now been documented by scans of synesthetes' brains that show "crosstalk" between areas of the brain that do not normally communicate. In The Hidden Sense, Cretien van Campen explores synesthesia from both artistic and scientific perspectives, looking at accounts of individual experiences, examples of synesthesia in visual art, music, and literature, and recent neurological research. Van Campen reports that some studies define synesthesia as a brain impairment, a short circuit between two different areas. But synesthetes cannot imagine perceiving in any other way; many claim that synesthesia helps them in daily life. Van Campen investigates just what the function of synesthesia might be and what it might tell us about our own sensory perceptions. He examines the experiences of individual synesthetes—from Patrick, who sees music as images and finds the most beautiful ones spring from the music of Prince, to the schoolgirl Sylvia, who is surprised to learn that not everyone sees the alphabet in colors as she does. And he finds suggestions of synesthesia in the work of Scriabin, Van Gogh, Kandinsky, Nabokov, Poe, and Baudelaire. What is synesthesia? It is not, van Campen concludes, an audiovisual performance, a literary technique, an artistic trend, or a metaphor. It is, perhaps, our hidden sense—a way to think visually; a key to our own sensitivity.
Author: Richard E. Cytowic Publisher: Springer Science & Business Media ISBN: 1461235421 Category : Psychology Languages : en Pages : 366
Book Description
Synesthesia comes from the Greek syn (meaning union) and aisthesis (sensation), literally interpreted as a joining of the senses. Synesthesia is an involuntary joining in which the real information from one sense is joined or accompanies a perception in another. Dr. Cytowic reports extensive research into the physical, psychological, neural, and familial background of a group of synesthets. His findings form the first complete picture of the brain mechanisms that underlie this remarkable perceptual experience. His research demonstrates that this rare condition is brain-based and perceptual and not mind-based, as is the case with memory or imagery. Synesthesia offers a unique and detailed study of a condition which has confounded scientists for more than 200 years.
Author: Richard E. Cytowic Publisher: MIT Press ISBN: 0262260557 Category : Science Languages : en Pages : 321
Book Description
Revealing the neuroscience and genetics behind synesthesia—and how this multi-sensory phenomenon changed our view of the brain. A person with synesthesia might feel the flavor of food on her fingertips, sense the letter “J” as shimmering magenta or the number “5” as emerald green, hear and taste her husband’s voice as buttery golden brown. Synesthetes rarely talk about their peculiar sensory gift—believing either that everyone else senses the world exactly as they do, or that no one else does. Yet synesthesia occurs in 1 in 20 people, and is even more common among artists. One famous synesthete was novelist Vladimir Nabokov, who insisted as a toddler that the colors on his wooden alphabet blocks were “all wrong.” His mother understood exactly what he meant because she, too, had synesthesia. Nabokov's son Dmitri, who recounts this tale in the afterword to this book, is also a synesthete—further illustrating how synesthesia runs in families. Wednesday Is Indigo Blue reveals how the extraordinary multisensory phenomenon of synesthesia has changed our traditional view of the brain. Because synesthesia contradicted existing theory, researcher Richard Cytowic spent 20 years persuading colleagues that it was a real—and important—brain phenomenon rather than a mere curiosity. Today, scientists in 15 countries are exploring synesthesia and how it is changing the traditional view of how the brain works. Cytowic and neuroscientist David Eagleman argue that perception is already multisensory, though for most of us its multiple dimensions exist beyond the reach of consciousness. Reality, they point out, is more subjective than most people realize. No mere curiosity, synesthesia is a window on the mind and brain, highlighting the amazing differences in the way people see the world.
Author: Paul Gordon Publisher: Bloomsbury Publishing USA ISBN: 1501356801 Category : Literary Criticism Languages : en Pages : 181
Book Description
Paul Gordon proposes a new theory of art as synaesthetic and applies this idea to various media, including works--such as movies, illustrated books, and song lyrics--that explicitly cross over into media involving the different senses. The idea of art as synaesthetic is not, however, limited to those "cross-over" works, because even an individual poem or novel or painting calls upon different senses in creating its syn-aesthetic "meaning.” Although previous studies have often devolved into those who see an obvious connection between art and synaesthesia and those who adamantly reject such a notion, Synaesthetics furthers our understanding of synaesthesia as an important, if not essential, component of artistic expression.
Author: Julia Simner Publisher: Oxford University Press ISBN: 0199603324 Category : Art Languages : en Pages : 1104
Book Description
Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This title brings together a broad body of knowledge about this condition into one definitive state-of-the-art handbook.
Author: Sean Day Publisher: ISBN: 9781534738058 Category : Languages : en Pages : 152
Book Description
Synesthesia is the general name for a related set of cognitive traits. Synesthesia may be divided into two general, somewhat overlapping forms. In the first, "synesthesia proper", stimuli to a sensory input will also trigger perceptions in one or more other sensory modes. For example, a person might not only hear music, but also see it; or might not only feel a touch to the hand, but also taste it.In the second form of synesthesia, called "cognitive category synesthesia", sets of things which cultures teach us to put together and categorize, such as letters, numbers, or people's names, also get sensory addition, such as a smell, color or flavor. The letter 'A' might be seen as red; the word 'book' might put a taste of oranges in one's mouth.Synesthesia affects more than 3.7% of the world's population - that's at least one out of every 27 people! Yet it is generally unknown to most people. This book explores more than 80 different types of synesthesia, from the more common, such as colored letters and numbers and time-lines, to the extraordinarily rare, such as flavors in one's mouth producing perceptions of musical chords. The author is himself a multiple synesthete who has researched and interacted with other synesthetes around the world for over 25 years.
Author: Jamie Ward Publisher: Routledge ISBN: 1135249563 Category : Psychology Languages : en Pages : 287
Book Description
As little Edgar Curtis lay on his porch, he remarked to his mother how the noise of the rifle range was black, the chirp of the cricket was red, and the croak of the frog was bluish. Edgar, like many other people, has synesthesia - a fascinating condition in which music can have color, words can have taste, and time and numbers float through space. Everyone will be closely acquainted with at least 6 or 7 people who have synesthesia but you may not yet know who they are because, until very recently, synesthesia was largely hidden and unknown. Now science is uncovering its secrets and the findings are leading to a radical rethink about how our senses are organized. In this timely and thought-provoking book, Jamie Ward argues that sensory mixing is the norm even though only a few of us cross the barrier into the realms of synesthesia. How is it possible to experience color when no color is there? Why do some people experience touch when they see someone else being touched? Can blind people be made to see again by using their other senses? Why do scientists no longer believe that there are five senses? How does the food industry exploit the links that exist between our senses? Does synesthesia have a function? The Frog Who Croaked Blue explores all these questions in a lucid and entertaining way, making it fascinating reading for anyone with an interest in the intriguing workings of the mind.
Author: Susan Bernstein
Author: Susan Bernstein
Author: John E. Harrison
Author: Shane Butler
Author: Cretien Van Campen
Author: Richard E. Cytowic
Author: Richard E. Cytowic
Author: Paul Gordon
Author: Julia Simner
Author: Sean Day
Author: Jamie Ward