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Author: David Simpson Publisher: CUP Archive ISBN: 9780521359023 Category : Literary Criticism Languages : en Pages : 468
Book Description
An exceptional resource, this 1988 book provides a comprehensive anthology in English of the major texts of German literary and aesthetic theory between Lessing and Hegel. The texts are crucial to an understanding not only of the Romantic period itself, but also of the foundational arguments of literary theory.
Author: David Simpson Publisher: CUP Archive ISBN: 9780521359023 Category : Literary Criticism Languages : en Pages : 468
Book Description
An exceptional resource, this 1988 book provides a comprehensive anthology in English of the major texts of German literary and aesthetic theory between Lessing and Hegel. The texts are crucial to an understanding not only of the Romantic period itself, but also of the foundational arguments of literary theory.
Author: Stefan H. Uhlig Publisher: University of Pennsylvania Press ISBN: 151282416X Category : Literary Criticism Languages : en Pages : 273
Book Description
In Rhetoric, Poetics, and Literary Historiography, Stefan H. Uhlig offers a new account of the emergence of literary studies. Most histories of the early years of the field search for unifying origins of literature as a discipline and object of study. Uhlig turns to the decades around 1800 in Europe to reveal that the inception of the literary field was instead defined by intellectual diversity and contestation. He draws on an array of European writers to show how three schools of literary study—rhetoric teaching, theories of poetry, and literary history—emerged and clashed during this time, offering near-contemporaneous, yet divergent, visions of how to understand literature. Rhetoric and poetics thwarted criticism, to different ends, while literary historiography proved institutionally reassuring yet less useful as a tool for textual understanding. Uhlig details how Scottish writers like Adam Smith and Hugh Blair taught rhetoric as a form self-expression, while Anglophone and German theorists of poetry like William Wordsworth, Friedrich Schlegel, and Johann Wolfgang von Goethe both engaged with and resented critics. At the same time, varying opinions on the practice of literary history emerged, with Immanuel Kant and Thomas De Quincey arguing for the independence of literature from historical forces while writers like Matthew Arnold approached literature as a means of narrating cultural archives instead of drawing on close reading and analysis. Rhetoric, Poetics, and Literary Historiography traces current debates in literary studies back to this formative moment, serving as a guide to past and present controversies in the field.
Author: David Duff Publisher: OUP Oxford ISBN: 0191610208 Category : Literary Collections Languages : en Pages : 1285
Book Description
This wide-ranging and original book reappraises the role of genre, and genre theory, in British Romanticism. Analyzing numerous examples from 1760 to 1830, David Duff examines the generic innovations and experiments which propel the Romantic 'revolution in literature', but also the fascination with archaic forms such as the ballad, sonnet, and romance, whose revival and transformation make Romanticism a 'retro' movement as well as a revolutionary one. The tension between the drives to 'make it old' and to 'make it new' generates one of the most dynamic phases in the history of literature, whose complications are played out in the critical writing of the period as well as its creative literature. Incorporating extensive research on classification systems and reception history as well as on literary forms themselves, Romanticism and the Uses of Genre demonstrates how new ideas about the role and status of genre influenced not only authors but also publishers, editors, reviewers, and readers. The focus is on poetry, but a wider spectrum of genres is considered, a central theme being the relationship - hierarchical, competitive, combinatory - between genres. Among the topics addressed are generic primitivism and forgery; Enlightenment theory and the 'cognitive turn'; the impact of German transcendental aesthetics; organic and anti-organic form; the role of genre in the French Revolution debate; the poetics of the fragment; and the theory and practice of genre-mixing. Unprecedented in its scope and detail, this important book establishes a new way of reading Romantic literature which brings into focus for the first time its tangled relationship with genre.
Author: S. D. Chrostowska Publisher: University of Toronto Press ISBN: 1442696370 Category : Literary Criticism Languages : en Pages : 289
Book Description
Literature on Trial traces the rise of modern literary criticism in Central and Eastern Europe during the eighteenth century. S.D. Chrostowska juxtaposes the discourse's written forms in three linguistic-cultural regions — Germany, Poland, and Russia — to show how fluid the relationship once was between the genres of criticism and those of literature. An alternative history of literary criticism, Literature on Trial marks a shift from earlier studies' focus on aesthetic principles to an emphasis on the development of literary-critical forms. Chrostowska relates cultural and institutional changes in these areas to the formation of literary-critical knowledge. She accounts for the ways in which critical discourse organized itself formally and deemed some genres ‘proper’ while eliminating others. Analysing works by Lessing, Goethe, and Karamzin, among others, Literature on Trial brings a fresh theoretical perspective to the links between genre as a discursive strategy and socio-political life.
Author: Stefan Lorenz Sorgner Publisher: University of Chicago Press ISBN: 0226768392 Category : Philosophy Languages : en Pages : 310
Book Description
Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.
Author: Paul Gilmore Publisher: Stanford University Press ISBN: 0804770972 Category : Literary Criticism Languages : en Pages : 257
Book Description
Aesthetic Materialism: Electricity and American Romanticism focuses on American romantic writers' attempts to theorize aesthetic experience through the language of electricity. In response to scientific and technological developments, most notably the telegraph, eighteenth- and nineteenth-century electrical imagery reflected the mysterious workings of the physical mind as well as the uncertain, sometimes shocking connections between individuals. Writers such as Whitman, Melville, and Douglass drew on images of electricity and telegraphy to describe literature both as the product of specific economic and social conditions and as a means of transcending the individual determined by such conditions. Aesthetic Materialism moves between historical and cultural analysis and close textual reading, challenging readers to see American literature as at once formal and historical and as a product of both aesthetic and material experience.
Author: E. S. Shaffer Publisher: Cambridge University Press ISBN: 9780521390026 Category : Drama Languages : en Pages : 384
Book Description
This volume explores a theme that has become central in our time, as 'the death of God' is widely seen to be succeeded by 'the death of Man'. Our contributors set forth its urgency in a variety of contexts. Among these, Peter Stern gives the paradigmatic history of the bereft, damaged, and repudiated self in German philosophy and literature from Kleist to Ernst Jilnger. In 'Not I' Michael Edwards pursues the theological and psychological consequences of a self without substance. Peter France supplies a witty account of the marriage of self and commerce more at home in the eighteenth-century tradition of British empiricism, and the challenge of Rousseau's refusal of the terms of commerce. Raman Selden explores views of the self from the Romantics to the poststructuralists. Roger Cardinal probes the secret diary: is the genre a contradiction in terms? Stephen Bann explores the representations of Narcissus in recent psychoanalytic theory. Other contributors include Pierre Dupuy, David James, Julie Scott Meisami, Gregory Blue,Mark Ogden and A. D. Nuttall.
Author: David Simpson
Author: David Simpson
Author: George Alexander Kennedy
Author: Stefan H. Uhlig
Author: Francesca Aran Murphy
Author: David Duff
Author: H. B. Nisbet
Author: S. D. Chrostowska
Author: Stefan Lorenz Sorgner
Author: Paul Gilmore
Author: E. S. Shaffer