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Author: Vassiliki Rapti Publisher: Routledge ISBN: 1317103092 Category : Performing Arts Languages : en Pages : 210
Book Description
Taking as its point of departure the complex question about whether Surrealist theatre exists, this book re-examines the much misunderstood artistic medium of theatre within Surrealism, especially when compared to poetry and painting. This study reconsiders Surrealist theatre specifically from the perspective of ludics-a poetics of play and games-an ideal approach to the Surrealists, whose games blur the boundaries between the 'playful' and the 'serious.' Vassiliki Rapti's aims are threefold: first, to demystify André Breton's controversial attitude toward theatre; second, to do justice to Surrealist theatre, by highlighting the unique character that derives from its inherent element of play; and finally, to trace the impact of Surrealist theatre in areas far beyond its generally acknowledged influence on the Theatre of the Absurd-an impact being felt even on the contemporary world stage. Beginning with the Surrealists' 'one-into-another' game and its illustration of Breton's ludic dramatic theory, Rapti then examines the traces of this kind of game in the works of a wide variety of Surrealist and Post-Surrealist playwrights and stage directors, from several different countries, and from the 1920s to the present: Roger Vitrac, Antonin Artaud, Günter Berghaus, Nanos Valaoritis, Robert Wilson, and Megan Terry.
Author: Vassiliki Rapti Publisher: Routledge ISBN: 1317103092 Category : Performing Arts Languages : en Pages : 210
Book Description
Taking as its point of departure the complex question about whether Surrealist theatre exists, this book re-examines the much misunderstood artistic medium of theatre within Surrealism, especially when compared to poetry and painting. This study reconsiders Surrealist theatre specifically from the perspective of ludics-a poetics of play and games-an ideal approach to the Surrealists, whose games blur the boundaries between the 'playful' and the 'serious.' Vassiliki Rapti's aims are threefold: first, to demystify André Breton's controversial attitude toward theatre; second, to do justice to Surrealist theatre, by highlighting the unique character that derives from its inherent element of play; and finally, to trace the impact of Surrealist theatre in areas far beyond its generally acknowledged influence on the Theatre of the Absurd-an impact being felt even on the contemporary world stage. Beginning with the Surrealists' 'one-into-another' game and its illustration of Breton's ludic dramatic theory, Rapti then examines the traces of this kind of game in the works of a wide variety of Surrealist and Post-Surrealist playwrights and stage directors, from several different countries, and from the 1920s to the present: Roger Vitrac, Antonin Artaud, Günter Berghaus, Nanos Valaoritis, Robert Wilson, and Megan Terry.
Author: Benjamin Bennett Publisher: Cornell University Press ISBN: 1501720996 Category : Literary Criticism Languages : en Pages : 256
Book Description
All Theater Is Revolutionary Theater is the first book to consider why, in the Western tradition (and only in the Western tradition), theatrical drama is regarded as its own literary or poetic type, when the criteria needed to differentiate drama from other forms of writing do not resemble the criteria by which types of prose or verse are ordinarily distinguished. Through close readings of such playwrights as Beckett, Brecht, Büchner, Eliot, Shaw, Wedekind, and Robert Wilson, Benjamin Bennett looks at the relationship between literature and drama, identifying typical problems in the development of dramatic literature and exploring how the uncomfortable association with theatrical performance affects the operation of drama in literary history.Bennett's historical investigations into theoretical works ranging from Aristotle to Artaud, Brecht, and Diderot suggest that the attempt to include drama in the system of Western literature causes certain specific incongruities that, in his view, have the salutary effect of preserving the otherwise endangered possibility of a truly liberal, progressive, or revolutionary literature.
Author: Miguel Morey Publisher: Ediciones Polígrafa S.A. ISBN: Category : Art Languages : en Pages : 246
Book Description
Stage director Robert Wilson has devoted himself to the integration of elements from a range of creative fields into the realm of theater. Light and movement have played an especially central role in his productions, not only as compositional elements but as symbolic features. In this publication, his wildly creative, discipline-crossing oeuvre is approached through a framework of five suggestive sections: "The Deaf Man's Gaze," "The Automaton's Freedom," "What Marlene Dietrich Knew," "The Prisms of Silence" and "The Theater in Infinite Space."
Author: Nicholas Zurbrugg Publisher: Routledge ISBN: 1134845928 Category : Social Science Languages : en Pages : 201
Book Description
This ground-breaking work offers a challenging and positive view of postmodern culture. It draws on the author's extensive interviews with a number of leading postmodern artists, writers and performers, including: * Jean Baudrillard * Samuel Beckett * John Cage * Phillip Glass The Parameters of Postmodernism focuses on both the prevailing negative theories of postmodernism, and the more positive aspects of postmodern theory and practice. The negative aspect is exemplified by the work of writers like Brecht, Beckett, Barthes and Baudrillard, who emphasise the death of artistic innovation and the lack of a permanent reality. Zurbrugg highlights the contradictions in the arguments of these writers, and examines the later works in which they qualify their earlier, more infamous, statements. The positive aspect is characterised by artists such as Cage, Glass and Monk - who interweave the new postmodern media with confidence and invention, and Eco, Grass and Wolf - who revive mythological and folkloric traditions. The Parameters of Postmodernism argues that in each case - high-tech or revivalist - postmodern creativity culminates in a highly positive synthesis of past, present and futuristic materials.
Author: Rosmarie Waldrop Publisher: New Directions Publishing ISBN: 0811225887 Category : Poetry Languages : en Pages : 293
Book Description
An essential edition of a major avant-garde poet: “Waldrop compels us to seek out new superlatives” (Ben Lerner, Jacket) Rosmarie Waldrop says Gap Gardening “spans forty years of exploring the language I breathe and move in and that continues to condition me even while I try to contribute to it. It tracks my turn from verse to prose poems, to focusing on the sentence and its boundaries, my increasing reliance on collage and source texts as a way of engaging with other voices, of being in dialogue.” Gap Gardening also traces Waldrop’s growing sense of writing as an exploration of what happens in between. Between words, sentences, people, cultures. Between fragment and flow, thinking and feeling, mind and body. For the first time, we have a complete and clear view of the work of a great and inquiring, brave and indispensable poet.
Author: Douglas Nash Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Architecture Languages : en Pages : 256
Book Description
This multigeneric study applies a spatial terminology to three well-known German-speaking artists: architect Hans Hollein, painter Anselm Kiefer and dramatist Heiner Muller. It explores their efforts to place themselves, sometimes critically, within the confusing and commodified landscape of postmodern culture. Along the way, the study indicates the difficulty for progressive cultural activity today."
Author: Roselee Goldberg Publisher: ISBN: Category : Art Languages : en Pages : 248
Book Description
"Illustrated survey of performance from the 1960s to the present ... features sections on politics; theater, music, and opera; the body; identity; feminism and multiculturalism; new dance; the spoken word; video; rock and roll; and much more. Artists' biographies, a chronology, and a bibliography are included ... 332 illustrations, including 123 plates in full color"--Cover.
Author: Sang-Kyong Lee Publisher: Wild Peony (AU) ISBN: Category : Drama Languages : en Pages : 198
Book Description
From the middle of the nineteenth century, East Asia fell increasingly under the influence of the West. However, at the same time, there was a decided trend in the opposite direction, especially in the realm of theater, the central meeting point of the cultural encounter. While the stimuli and impulses emanating from American drama are sufficiently well documented, there are no thoroughgoing studies on the effects of East Asian theater on drama and theater in America. This relatively neglected aspect of cultural cross-fertilization is investigated in the book. The research is based on the evaluation of interviews and theater visits, and an analysis of historical sources and the relevant works/productions of Eugene O'Neill, Thornton Wilder, T. S. Eliot, Ezra Pound, Robert Wilson, and Stephen Sondheim.
Author: Vassiliki Rapti
Author: Vassiliki Rapti
Author: Benjamin Bennett
Author: Miguel Morey
Author: Nicholas Zurbrugg
Author: Katherine Arens
Author: Rosmarie Waldrop
Author: Douglas Nash
Author: 
Author: Roselee Goldberg
Author: Sang-Kyong Lee