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Author: Emily I. Dolan Publisher: Cambridge University Press ISBN: 1107028256 Category : Music Languages : en Pages : 305
Book Description
This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. Using Haydn as a focal point, it examines how the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments.
Author: Emily I. Dolan Publisher: Cambridge University Press ISBN: 1107028256 Category : Music Languages : en Pages : 305
Book Description
This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. Using Haydn as a focal point, it examines how the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments.
Author: Emily I. Dolan Publisher: ISBN: 9781139625753 Category : MUSIC Languages : en Pages : 306
Book Description
This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment.
Author: D. Kern Holoman Publisher: Oxford University Press ISBN: 0199760284 Category : Music Languages : en Pages : 169
Book Description
The Orchestra: A Very Short Introduction considers the structure, roots, and day-to-day functioning of the modern philharmonic society. Far from an anachronistic organization that cannot long survive, it is shown to be powerful political and social force, occupying critical positions in cultural diplomacy, national identity, and civic pride.
Author: John Borstlap Publisher: Courier Dover Publications ISBN: 0486823350 Category : Music Languages : en Pages : 193
Book Description
Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.
Author: Frederick Fennell Publisher: Kenosha, Wis : G. Leblanc Company ISBN: Category : Wind instruments Languages : en Pages : 70
Book Description
This book had its origins in a series of ten lectures, The Development of the Orchestra, which were prepared and delivered to the service men and women who frequented the music room of the Fifth Avenue USO Club in San Diego, California, during my war-time stay in that important training area as National USO music advisor. In expanding those informal essays into this little book, which is concerned with the development of wind instruments and their use, it has been my desire to afford both the casual reader and the serious student of the orchestra and band with a single volume which might prove of interest. --Preface.
Author: Jindong Cai Publisher: Penguin Group Australia ISBN: 1760142301 Category : Music Languages : en Pages : 110
Book Description
At the turn of the twentieth century, students returning from abroad introduced Beethoven to China. The composer's perseverance in the face of adversity and his musical genius resonated in a nation searching for a way forward. Beethoven remained a durable part of Chinese life in the decades that followed, becoming an icon to intellectuals, music fans and party cadres alike, playing a role in major historical events from the May Fourth Movement to the normalisation of US-China relations. Jindong Cai, whose love for the musician began during the Cultural Revolution, and culture journalist Sheila Melvin tell the compelling story of Beethoven and the Chinese people.
Author: Carl Dahlhaus Publisher: Univ of California Press ISBN: 9780520076440 Category : Biography & Autobiography Languages : en Pages : 432
Book Description
This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.
Author: John Goulden Publisher: Routledge ISBN: 1317096916 Category : Music Languages : en Pages : 244
Book Description
Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards of training and discipline, a new orchestral lay-out and a more focused rehearsal regime. The resulting rise in standards of performance was arguably the greatest achievement of English music in the otherwise rather barren mid-Victorian period. The key figure in this process was Michael Costa, who built for himself unprecedented contractual powers and used his awesome personal authority to impose reform on the three main institutions of mid-Victorian music: the opera houses, the Philharmonic and the Sacred Harmonic Society. He was a central figure in the battles between the two rival opera houses, between the Philharmonic and the New Philharmonic, and between the venerable Ancient Concerts and the mass festival events of the Sacred Harmonic Society. Costa’s uniquely powerful position in the operatic, symphonic and choral world and the rapidity with which he was forgotten after his death provide a fascinating insight into the politics and changing aesthetics of the Victorian musical world.
Author: Emily I. Dolan
Author: Emily I. Dolan
Author: Emily I. Dolan
Author: Sterling Garmon
Author: D. Kern Holoman
Author: John Borstlap
Author: Boris Schwarz
Author: Frederick Fennell
Author: Jindong Cai
Author: Carl Dahlhaus
Author: John Goulden