Author: Publisher:
ISBN:
Category : Music
Languages : en
Pages : 254
Book Description
The Orchestral Composer's Point of View
Author: The Orchestral Composer's Point of View
Author: Robert Stephan HinesPublisher:
ISBN: 9780806108629
Category : Music
Languages : en
Pages : 254
Book Description
The orchestral composer's point of views
Author: Robert Stephen HinesPublisher:
ISBN:
Category : Composers
Languages : en
Pages : 254
Book Description
The Composer's Point of View
Author: Robert Stephan HinesPublisher: Praeger
ISBN:
Category : Music
Languages : en
Pages : 368
Book Description
A collection of essays by 20th-century American, English, and European composers in which each composer discusses a large choral work or works he has written, along with the principles that guided the composition.
The Composer's Point of View; Essays on Twentieth-century Choral Music by Those who Wrote it
Author: Robert Stephen Hines (ed)Publisher:
ISBN:
Category :
Languages : en
Pages : 342
Book Description
Musical Composition
Author: Alan BelkinPublisher: Yale University Press
ISBN: 0300218990
Category : Music
Languages : en
Pages : 273
Book Description
An invaluable introduction to the art and craft of musical composition from a distinguished teacher and composer This essential introduction to the art and craft of musical composition is designed to familiarize beginning composers with principles and techniques applicable to a broad range of musical styles, from concert pieces to film scores and video game music. The first of its kind to utilize a style-neutral approach, in addition to presenting the commonly known classical forms, this book offers invaluable general guidance on developing and connecting musical ideas, building to a climax, and other fundamental formal principles. It is designed for both classroom use and independent study.
The Orchestral Composer's Point Pf View; Essays on Twentieth Century Music by Those who Wrote it
Author: Robert Stephan HinesPublisher:
ISBN:
Category : Music
Languages : en
Pages : 0
Book Description
The Composers Point of View the Essays on Twentieth Century Choral Music by Those Who Wrote It
Author: Robert Stephan HinesPublisher: Andesite Press
ISBN: 9781298823649
Category :
Languages : en
Pages : 360
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Indispensable Composers
Author: Anthony TommasiniPublisher:
ISBN: 1594205930
Category : Biography & Autobiography
Languages : en
Pages : 498
Book Description
The chief classical music critic of "The New York Times" explores the concept of greatness in relation to composers, considering elements of biography, influence, and shifting attitudes toward a composer's work over time.
The Orchestral Music of Michael Tippett
Author: Thomas SchuttenhelmPublisher: Cambridge University Press
ISBN: 113986727X
Category : Music
Languages : en
Pages : 341
Book Description
With extracts from the composer's letters, writings, interviews and broadcasts, and supported by evidence from his sketchbooks and manuscripts, The Orchestral Music of Michael Tippett explores Tippett's intentions and argues that the experiences that triggered his creative impulses are integral to understanding his music. In his discussion of Tippett's creative process, Thomas Schuttenhelm attempts to recapture the circumstances under which Tippett's orchestral works were created, to document how his visionary aspirations were developed and sustained throughout the creative cycle, and to chart how conception was transmuted from idea through to performance. Analysing Tippett's orchestral works throughout his long career, from the Symphonic Movement of 1931 to his final masterpiece The Rose Lake in 1991–3, Schuttenhelm explores each work in detail to provide a comprehensive commentary on one of the most influential British composers of the twentieth century.