Author: Publisher:
ISBN:
Category : Optics
Languages : en
Pages : 790
Book Description
The Optical Journal
Author: The Optical Journal and Review of Optometry
Author: The Optical Journal and Review of Optometry. ...
Author: The Optical Journal
Author: The Optical Journal
Author: The Optical Journal and Review of Optometry. ...
Author: Journal of the Optical Society of America
Author: Optical Society of AmericaPublisher:
ISBN:
Category : Optical instruments
Languages : en
Pages : 208
Book Description
Separately paged supplements accompany a few issues.
The Optical Unconscious
Author: Rosalind E. KraussPublisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Journal of the Optical Society of America
Author: The Optical Aurora
Author: A. OmholtPublisher: Springer
ISBN: 9783642462719
Category : Science
Languages : en
Pages : 200
Book Description
The aim of this book is to describe and discuss the aurora as an optical phenomenon, one which can be observed by the naked eye as well as with more sensitive optical detectors. It continues the tradition of study ing that impressive and imaginative play of nature, the northern lights, seen and discussed by the Greek philosphers as early as the sixth century B.c. Today the study of the optical aurora is only one of many ways of acquiring information about a major phenomenon: the ejection of plasma from the sun, the interaction of this plasma with the geomagnetic field and the injection of fast particles into the earth's atmosphere. of the optical aurora is justified by the Hence, the separate treatment particular scientific approach: detection and interpretation of electro magnetic radiation, approximately in the 1000-100000 A region, produc ed through interaction between the auroral particles and the earth's atmosphere. Other techniques, such as radio observations, X-ray observations, direct particle detections from rockets and satellites, studies of magnetic storms, and measurements of the magnetic field and plasma properties in the magnetosphere, are as important or more important than the classical way of studying the optical aurora. Nevertheless, it was felt worthwhile to treat the optical aurora in a separate book, perhaps mainly because today one author cannot master the whole subject with sufficient competence. This book is thus one volume in a series of books giving a more complete picture of physics and chemistry in space.