Author: Carlos AgonPublisher:
ISBN:
Category : Computer composition
Languages : en
Pages :
Book Description
The OM Composer's Book: time and rhythmic structures
Author: Carlos AgonPublisher:
ISBN:
Category : Computer composition
Languages : en
Pages :
Book Description
The OM Composer's Book
Author: Carlos AgonPublisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 288
Book Description
The OM Composer's Book
Author: Miller PuckettePublisher:
ISBN: 9782844261762
Category : Composition (Music)
Languages : en
Pages : 268
Book Description
The OM composer's book. 2
Author: Carlos AgonPublisher:
ISBN: 9782844263995
Category : OpenMusic (Computer program language)
Languages : en
Pages : 322
Book Description
The Rhytmic Structure of Music
Author: Grosvenor W. CooperRhythmic Structure of Music
Author: Grosvenor CooperThe Rhythmic Structure of Music
Author: Grosvenor CooperPublisher: [Chicago] : University of Chicago
ISBN:
Category : Music
Languages : en
Pages : 232
Book Description
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.
All Music Guide
Author: Vladimir BogdanovPublisher: Hal Leonard Corporation
ISBN: 9780879306274
Category : Music
Languages : en
Pages : 1508
Book Description
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
The Rhythmic Structure of Music
Author: Grosvenor CooperConversations with Igor Stravinsky
Author: Robert CraftPublisher: Faber & Faber
ISBN: 0571308791
Category : Music
Languages : en
Pages : 163
Book Description
Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life. The composer brings the Imperial Russia of his childhood vividly into focus, at the same time scanning what were at the time the brave new horizons of Boulez and Stockhausen with extraordinary acuity. Stravinsky answers searching questions about his musical development and recalls his association with Diaghilev and the Russian Ballet. There are sympathetic and extraordinarily illuminating reminiscences of such composers as Debussy and Ravel ('the only musicians who immediately understood Le Sacre du Printemps'), while mischievous squibs are directed at others, most notably perhaps against Richard Strauss, all of whose operas Stravinsky wished 'to admit ... to whichever purgatory punishes triumphant banality'. The conversations are by no means confined to musical subjects, ranging uninhibitedly across all the arts: Stravinsky gives unforgettable sketches of Ibsen, Rodin, Proust, Giacometti, Dylan Thomas and T S Eliot. 'The conversations between Igor Stravinsky and Robert Craft are unique in musical history. The penetration of Craft's questions and the patience and detail of Stravinsky's answers combine to produce an intimate picture of a man who has sometimes puzzled, often delighted, and always intrigued ...' The Sunday Times