Author: Church of England
Publisher:
ISBN:
Category : Communion-service music
Languages : en
Pages : 52
Book Description
The Office of the Holy Communion as Set by John Merbecke
Author: Church of England
Publisher:
ISBN:
Category : Communion-service music
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Communion-service music
Languages : en
Pages : 52
Book Description
Humanism and the Reform of Sacred Music in Early Modern England
Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317119592
Category : History
Languages : en
Pages : 272
Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Publisher: Routledge
ISBN: 1317119592
Category : History
Languages : en
Pages : 272
Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Musical News and Herald
Musical News
The Living Church
Worship, Music, and Interpretation
Author: Wendy J. Porter
Publisher: Wipf and Stock Publishers
ISBN:
Category : Religion
Languages : en
Pages : 261
Book Description
This unique volume brings together wide-ranging research that could only be written by someone singularly expert in the full range of Christian worship and music from ancient to modern. These essays by Wendy Porter span eras and areas of study from the New Testament to the present and encompass an expansive view of worship, music, and liturgy. Some focus on what is known (or not) about early Christian worship, including the early creeds and hymns in the New Testament and whether music originated in Jewish or Greco-Roman contexts. Some introduce firsthand work on ancient liturgical manuscripts, such as a sixth-century manuscript by hymnwriter and preacher Romanos Melodus or a tenth-century ekphonetic liturgical manuscript. Extending her research on sixteenth-century English composers as musical interpreters, Porter includes several papers on how musicians have functioned as theological interpreters in worship and music. One chapter engages theological comparisons between well-known compositions by Bach, Beethoven, and Stravinsky, another creatively explores what contemporary worship leaders can learn from sixteenth-century songwriter and worship leader William Byrd, while others invite thoughtful reflection on what we can all learn if we stop to consider how Christians have functioned and fared in their worship through the centuries.
Publisher: Wipf and Stock Publishers
ISBN:
Category : Religion
Languages : en
Pages : 261
Book Description
This unique volume brings together wide-ranging research that could only be written by someone singularly expert in the full range of Christian worship and music from ancient to modern. These essays by Wendy Porter span eras and areas of study from the New Testament to the present and encompass an expansive view of worship, music, and liturgy. Some focus on what is known (or not) about early Christian worship, including the early creeds and hymns in the New Testament and whether music originated in Jewish or Greco-Roman contexts. Some introduce firsthand work on ancient liturgical manuscripts, such as a sixth-century manuscript by hymnwriter and preacher Romanos Melodus or a tenth-century ekphonetic liturgical manuscript. Extending her research on sixteenth-century English composers as musical interpreters, Porter includes several papers on how musicians have functioned as theological interpreters in worship and music. One chapter engages theological comparisons between well-known compositions by Bach, Beethoven, and Stravinsky, another creatively explores what contemporary worship leaders can learn from sixteenth-century songwriter and worship leader William Byrd, while others invite thoughtful reflection on what we can all learn if we stop to consider how Christians have functioned and fared in their worship through the centuries.
Catalogue of Organ Music; also sacred music with English words; published by Novello & Co., etc
The Work of John Marbeck
Author: John Merbecke
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 252
Book Description
British Royal and State Funerals
Author: Matthias Range
Publisher: Boydell & Brewer
ISBN: 1783270926
Category : History
Languages : en
Pages : 428
Book Description
The first in-depth study of the ceremonial and music performed at British royal and state funerals over the past 400 years.
Publisher: Boydell & Brewer
ISBN: 1783270926
Category : History
Languages : en
Pages : 428
Book Description
The first in-depth study of the ceremonial and music performed at British royal and state funerals over the past 400 years.
The Book of Common Prayer, 1559
Author: Church of England
Publisher: University of Virginia Press
ISBN: 9780813925172
Category : Religion
Languages : en
Pages : 460
Book Description
John E. Booty's edition of The Book of Common Prayer, 1559, first published by the University Press of Virginia for the Folger Shakespeare Library in 1976 and long out of print, is now being reissued in the same handsome format as the original edition. In her foreword to the 2005 reissue, Judith Maltby writes, "It is difficult to overemphasize the importance of the 1559 Prayer Book.... Shakespeare was clearly shaped by a culture in which the vernacular was remarkably vigorous." Booty's text derives from a rare copy of the Elizabethan Prayer Book printed by Richard Jugge and John Cawode in 1559, now part of the Josiah Benton Collection of the Boston Public Library. Booty modernized spelling and punctuation, but took care not to distort the style and cadence of the Elizabethan text. To place the Prayer Book in its original cultural setting, he wrote a lengthy critical essay that traces the book's history and use during the sixteenth century. Helpful bibliographical notes enable readers to appreciate all the nuances of particular services and their contents. Particularly useful are the general index and the index of biblical passages, features unavailable in other editions of the Prayer Book. Through this magnificent document one begins to understand not only the Anglican church but also the Elizabethan culture in which Shakespeare lived, for this was one of the books that helped shape Renaissance England in all of its vitality and greatness. As Booty reminds the reader in his preface, each Sunday "in the parish churches and in the cathedrals the nation was at prayer, the commonwealth was being realized, and God, in whose hands the destinies of all were lodged, was worshiped in spirit and in truth." Published in association with the Folger Shakespeare Library
Publisher: University of Virginia Press
ISBN: 9780813925172
Category : Religion
Languages : en
Pages : 460
Book Description
John E. Booty's edition of The Book of Common Prayer, 1559, first published by the University Press of Virginia for the Folger Shakespeare Library in 1976 and long out of print, is now being reissued in the same handsome format as the original edition. In her foreword to the 2005 reissue, Judith Maltby writes, "It is difficult to overemphasize the importance of the 1559 Prayer Book.... Shakespeare was clearly shaped by a culture in which the vernacular was remarkably vigorous." Booty's text derives from a rare copy of the Elizabethan Prayer Book printed by Richard Jugge and John Cawode in 1559, now part of the Josiah Benton Collection of the Boston Public Library. Booty modernized spelling and punctuation, but took care not to distort the style and cadence of the Elizabethan text. To place the Prayer Book in its original cultural setting, he wrote a lengthy critical essay that traces the book's history and use during the sixteenth century. Helpful bibliographical notes enable readers to appreciate all the nuances of particular services and their contents. Particularly useful are the general index and the index of biblical passages, features unavailable in other editions of the Prayer Book. Through this magnificent document one begins to understand not only the Anglican church but also the Elizabethan culture in which Shakespeare lived, for this was one of the books that helped shape Renaissance England in all of its vitality and greatness. As Booty reminds the reader in his preface, each Sunday "in the parish churches and in the cathedrals the nation was at prayer, the commonwealth was being realized, and God, in whose hands the destinies of all were lodged, was worshiped in spirit and in truth." Published in association with the Folger Shakespeare Library