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Author: John Lowden Publisher: Penn State University Press ISBN: Category : Art Languages : en Pages : 288
Book Description
Scholars have until now lacked a detailed study of the Octateuchs, a group of five illustrated Byzantine manuscripts that accompany the text of the first eight books of the Bible. Since the first historical studies of Early Christian and Byzantine art in the late nineteenth century, the Octateuchs have been considered important to hypotheses about the development of biblical illustration as well as to more detailed iconographic studies. John Lowden's study makes available much new information about the Octateuchs that includes a number of previously unpublished manuscript images and pages. Lowden examines the Octateuchs both individually and as a group, determining the relationships among them and offering many suggestions concerning the process of their creation. The author also covers topics ranging from antiquity to the Renaissance and takes up issues as diverse as the invention of illustration, the transmission of iconography, the role of archetypes and lost models, and the artist as copyist or inventor. His broader discussion includes individual works ranging from Dura Europos to the Sistine Chapel and art-historical constructs such as the Macedonian Renaissance. In addition, Lowden critically examines approaches to studies of such illustrations, specifically those of Kurt Weitzmann.
Author: John Lowden Publisher: Penn State University Press ISBN: Category : Art Languages : en Pages : 288
Book Description
Scholars have until now lacked a detailed study of the Octateuchs, a group of five illustrated Byzantine manuscripts that accompany the text of the first eight books of the Bible. Since the first historical studies of Early Christian and Byzantine art in the late nineteenth century, the Octateuchs have been considered important to hypotheses about the development of biblical illustration as well as to more detailed iconographic studies. John Lowden's study makes available much new information about the Octateuchs that includes a number of previously unpublished manuscript images and pages. Lowden examines the Octateuchs both individually and as a group, determining the relationships among them and offering many suggestions concerning the process of their creation. The author also covers topics ranging from antiquity to the Renaissance and takes up issues as diverse as the invention of illustration, the transmission of iconography, the role of archetypes and lost models, and the artist as copyist or inventor. His broader discussion includes individual works ranging from Dura Europos to the Sistine Chapel and art-historical constructs such as the Macedonian Renaissance. In addition, Lowden critically examines approaches to studies of such illustrations, specifically those of Kurt Weitzmann.
Author: Paul Magdalino Publisher: Harvard University Press ISBN: 9780884023487 Category : History Languages : en Pages : 354
Book Description
The Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
Author: Publisher: BRILL ISBN: 9004346236 Category : History Languages : en Pages : 644
Book Description
This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became “emissaries” of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how. Contributors are Justine M. Andrews, Leslie Brubaker, Annemarie W. Carr, Elina Dobrynina, Maria Evangelatou, Maria Laura Tomea Gavazzoli, Markos Giannoulis, Cecily Hennessy, Ioli Kalavrezou, Maja Kominko, Sofia Kotzabassi, Stavros Lazaris, Kallirroe Linardou, Vasileios Marinis, Kathleen Maxwell, Georgi R. Parpulov, Nancy P. Ševčenko, Jean-Michel Spieser, Mika Takiguchi, Courtney Tomaselli, Marina Toumpouri, Nicolette S. Trahoulia, Vasiliki Tsamakda, and Elisabeth Yota.
Author: Angeliki Lymberopoulou Publisher: Routledge ISBN: 1351928783 Category : Art Languages : en Pages : 269
Book Description
The main themes of this volume are the identification of 'visions', 'messages', and 'meanings' in various facets of Byzantine culture and the possible differences in the perception of these visions, messages and meanings as seen by their original audience and by modern scholars. The volume addresses the methodological question of how far interpretations should go - whether there is a tendency to read too much into too little or whether not enough attention is paid to apparent minutiae that may have been important in their historical context. As the essays span a wide chronological era, they also present a means of assessing the relative degrees of continuity and change in Byzantine visions, messages and meanings over time. Thus, as highlighted in the concluding section, the book discusses the validity of existing notions regarding the fluidity of Byzantine culture: when continuity was a matter of a rigid adherence to traditional values and when a manifestation of the ability to adapt old conventions to new circumstances, and it shows that in some respects, Byzantine cultural history may have been less fragmented than is usually assumed. Similarly, by reflecting not just on new interpretations, but also on the process of interpreting itself, the contributors demonstrate how research within Byzantine studies has evolved over the past thirty years from a set of narrowly defined individual disciplines into a broader exploration of interconnected cultural phenomena.
Author: Mati Meyer Publisher: Pindar Press ISBN: 1915837227 Category : Art Languages : en Pages : 571
Book Description
Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.
Author: Catherine Holmes Publisher: BRILL ISBN: 9004473483 Category : History Languages : en Pages : 301
Book Description
The papers in this volumes consider literacy, education and manuscript transmission in Byzantium and its neighbouring worlds, areas which to date have received surprisingly little sustained scholarly treatment among Byzantinists. Contributions include an overview, survey papers and individual case studies, many of which draw on recently discovered or rarely consulted sources: literary sources include astrological texts, saints' lives and florilegia as well as documentary texts, art and archaeological evidence. The contributors' fields reflect the interdisciplinary scope of this volume, covering history, art history, literary studies and palaeography. The volume looks in detail at Byzantium, but also includes papers on Rus, the Middle East, and the Jewish contribution. The book's eastern perspectives offer interesting comparisons and contrasts with the medieval West. The book is illustrated with plates showing illuminated manuscripts and archaeological artefacts. The contributors are Paul Botley, Simon Franklin, Catherine Holmes, Erica Hunter, John Lowden, Paul Magdalino, Margaret Mullett, Stefan Reif, Charlotte Roueche, Natalie Tchernetska, and Judith Waring.
Author: Pamela Berger Publisher: BRILL ISBN: 9004230343 Category : Art Languages : en Pages : 393
Book Description
"The Crescent on the Temple" by Pamela Berger elucidates an obscured tradition—how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the “Temple of the Lord,” while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine “The Temple.” That domed “Temple” was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
Author: Shulamit Laderman Publisher: BRILL ISBN: 9004252193 Category : Religion Languages : en Pages : 394
Book Description
Does the design of the Tabernacle in the wilderness correspond to God’s blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the “pattern” revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements “after their pattern, which is being shown thee on the Mount.” (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
Author: John Lowden
Author: John Lowden
Author: Paul Magdalino
Author: 
Author: Maja Kominko
Author: Angeliki Lymberopoulou
Author: John Williams
Author: Mati Meyer
Author: Catherine Holmes
Author: Pamela Berger
Author: Shulamit Laderman